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theme: dystopia.n.02



Artist Traits

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Object Sub Type

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Artist Name

Region

Mentions Per Year

Decade Work Created

Object Type

1 Character & 7 Materials
© » KADIST

Tao Hui

Film & Video (Film & Video)

For 7 Materials , Tao Hui films seven scenes selected from the countless scenarios in his notebooks, including a group of ethnic minority girls in a spoil pit in the rain, a reporter interviewing a corpse, and a deity sailing on the river. Due to the lack of internal logical order, these one-minute video “materials” are not played in a fixed sequence but randomly. For Tao Hui, to film his diary is to adorn and embellish his memories before evoking and reviving their spirits.

Unregistered City series #1 #2 #7
© » KADIST

Jiang Pengyi

Photography (Photography)

Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water. Yet, ambiguous lights blink from buildings and yachts still sail on the water, and further observation reveals these structures to be miniatures manipulated by the artist through Photoshop and other postproduction image tools. The model city’s surroundings are themselves real abandoned spaces, perhaps an empty room, a wait-to-be demolished building, or a discarded bathtub.

They Were Here
© » KADIST

Elisheva Biernoff

Installation (Installation)

In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs. Although the imagery present in her work might seem nostalgic upon first encounter, Biernoff’s complex tableaux often reveal the artist’s skeptical look towards her subjects matters. They Were Here (2010), constitutes a clear example.

Forest Gathering N.2
© » KADIST

Gregory Crewdson

Photography (Photography)

Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios. These scenes are tangibly atmospheric, visually alluring and often deeply disquieting. Never anchored precisely in time or place, these and the other narratives of Beneath the Roses are rather located in the dystopic landscape of the anxious American imagination.

Jiang Pengyi

Elisheva Biernoff

Tao Hui

Tao Hui indeed believes that fairy tales can ease people’s intensive mind...

Gregory Crewdson

© » KADIST

about 146 months ago (04/25/2012)

© » KADIST

about 146 months ago (04/25/2012)

© » KADIST

about 206 months ago (06/01/2007)

  • 2000-2009

    Gregory Crewdson

    Photography (Photography)

    2005

    Forest Gathering N.2 is part of the series of photographs Beneath the Roses (2003-2005) where anonymous townscapes, forest clearings and broad, desolate streets are revealed as sites of mystery and wonder; similarly, ostensibly banal interiors become the staging grounds for strange human scenarios...


    Jiang Pengyi

    Photography (Photography)

    2008

    Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...


    Elisheva Biernoff

    Installation (Installation)

    2009

    In her recent work, Biernoff is interested in investigating fictions and fantasies embedded in the remnants of consumer culture (for example magazines) or through ephemera such as postcards and old photographs...


  • 2010-2019

    Tao Hui

    Film & Video (Film & Video)

    2015

    For 7 Materials , Tao Hui films seven scenes selected from the countless scenarios in his notebooks, including a group of ethnic minority girls in a spoil pit in the rain, a reporter interviewing a corpse, and a deity sailing on the river...