Avenida Corona del Rosal
2011 - Painting (Painting)
3 canvas; 47H x 35W inches each
Pablo Rasgado
Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior. Rasgado wanders through the urban landscape in Mexico City and other major cities, looking for moments of intrigue in the dirt and debris. He captures these details by extracting materials from the sites and deploying them in the gallery. Raw materials thus become abstract paintings, which are both actively engaged with the site of their origin and politically and socially charged. Avenida Corona del Rosal (2011) is a section of wall extracted from the Mexico City street named in the title. It has been “painted” with an accumulation of byproducts of automobiles—diesel soot, dirt, tire and brake particles—to create an ironically poetic and beautiful portrait of the pollution that ravishes the city.
Pablo Rasgado reconfigures everyday life into new abstractions. Often thinking through architecture, public space, and the sculptural relationship to the human body, his work often carries political or social commentary.
Colors:
Related works featuring themes of: » Found Objects, » Mexico, » Mexican
© » KADIST
Abraham Cruzvillegas
2004Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...
© » KADIST
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...
© » KADIST
Mateo Lopez
2012With Roca Carbon ( Charcoal Rock , 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
© » KADIST
Mario Garcia Torres
2005Mario Garcia Torres films a game of Charades among professional actors guessing the former North Korean dictator’s favorite Hollywood films...
© » KADIST
Carlos Amorales
2014Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...
© » KADIST
Julio Cesar Morales
2006Julio Cesar Morales’s watercolor drawings, Undocumented Intervention , show a variety of surprising hiding places assumed by people trying to cross into the United States without documentation...
© » KADIST
Fabiola Torres-Alzaga
2013Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions...
© » KADIST
Pedro Reyes
2005In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...
© » KADIST
Mateo Lopez
2012With Roca Carbón (Charcoal Rock, 2012) and Roca Grafito ( Graphite Rock , 2012), López plays with our relationship to inert and unremarkable objects such as rocks...
© » KADIST
Mario Garcia Torres
Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...
© » KADIST
Mario Garcia Torres
2004Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
© » KADIST
Mariana Castillo Deball
Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...
© » KADIST
Jonathan Hernández
2008In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
© » KADIST
Mariana Castillo Deball
2009Do ut des (2009) is part of an ongoing series of books that Castillo Deball has altered with perforations, starting from the front page and working inward, forming symmetrical patterns when each spread is opened...