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Sea Painting, Dunwich, September
© » KADIST

Jessica Warboys

Painting (Painting)

The ongoing “Sea Paintings” series is central to the practice of Jessica Warboys. The series plays with the notion of ritual, performance, nature and consequence. The artist realises her “Sea Paintings” on the Zennor coast, near St Ives, where she emerges the canvas in the seawater, allowing the waves and the wind to mix the raw mineral pigments that have been applied by hand to damp folded canvases.

Ohne Titel
© » KADIST

Matti Braun

Painting (Painting)

During a residency in 2009 at L’appartement 22 in Rabat, the artist traveled in Morocco and Senegal on the traces of the German sculptor Arno Breker. On this occasion he learned about batik, a fabric printing technique which originates not only from Indonesia but also from Senegal. It is also widespread in Africa.

Readymade Flea Market
© » KADIST

Hun Kyu Kim

Painting (Painting)

Readymade Flea Market is part of a series of works developed by Hun Kyu Kim. While the artist’s previous work drew a parallel between capitalism’s inherent social violence and the evolution of weaponry, Hun Kyu Kim now focuses on political nihilism and how to overcome it. In this new work he uses the metaphor of 3D Graphic Space to represent our current reality.

Linear Painting #5 – Saint Laurent du Maroni prison (Guiana)
© » KADIST

Kapwani Kiwanga

Painting (Painting)

Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities. When they were presented together, the paintings were arranged according to a black horizontal line placed at 160 centimeters from the floor, which traced the entire perimeter of the gallery. According to hygiene standards in Europe, this would mark the height below which walls should be washed in order to prevent the spread of illnesses.

Dancing Free I
© » KADIST

Jarrett Key

Painting (Painting)

Jarrett Key’s practice combines several modes of production into a single frame, incorporating sculpture, painting, and performance. Dancing Free I , painted in wet cement, like a fresco, is part of a current series of paintings titled Leaving the City , which depicts Black people they know in lush, pastoral landscapes. Raised in rural Alabama, Key’s series grew out of a few experiments conducted with visitors to their studio.

Untitled (Zimbabwe)
© » KADIST

Fred Wilson

Painting (Painting)

Fred Wilson’s flag paintings document the 20th century history of African people, indexing the period of liberation from colonialism. As the majority of African flags were created during the 1950s and 60s, they were intended to reflect a so-called ‘modern’ aesthetic and ideology. Many African flags maintain the typical flag tropes such as stripes, stars, birds, and blocks of primary and secondary colors; green to represent the land; blue to symbolize the ocean or sky; and red to recall the violence that occured in the pursuit of liberty.

This Day
© » KADIST

Imran Qureshi

Painting (Painting)

At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century. But upon closer inspection, highly detailed floral elements reveal themselves amongst the bold red brushstrokes. The botanical motifs in Qureshi’s work represent life and regeneration while the red paint refers to death and mortality.

Untitled (Beirut)
© » KADIST

Etel Adnan

Painting (Painting)

Adnan’s paintings are simple images with bold contrasting colors and rich textures. This particular work has an iconic feel and a strong physical presence in spite of its diminutive size. All of her paintings are small but, like Howard Hodgkin’s work, their intensity gains from their diminutive size.

Resurgimiento [Resurgence]
© » KADIST

Wynnie Mynerva Mendoza Ortiz

Painting (Painting)

Wynnie Mynerva places their body at the center of their practice from an intimate perspective and healing dimension. Their paintings are thresholds where body parts proliferate beyond names and labels, dissolving and intermingling gender marks, organs, and prostheses. Resurgimiento [Resurgence] was produced in the aftermath of their fifth solo show Closing to Open (Galería Ginsberg, Lima, 2021), in which Mynerva addressed their experience of going through a vaginal surgical procedure to help them feel more aligned with their gender identity.

Ventana indiscreta (Rear Window)
© » KADIST

Karen Lamassonne

Painting (Painting)

Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic. The painting is part of Lamassinne’s Homenaje a Cali [Homage to Cali] series, developed by the artist in 1989 in a nostalgic attempt to immortalize Cali at a time in which violence from drug trafficking had rendered it unlivable, and the generation that Lamassone had lived it up with had all but dispersed. Lamassone had formally established in Cali around the middle of the decade at a time in which the hangover from the 1971 Pan-American Games and an artistic effervescence had transformed it from a provincial sleepy town into a newly discovered urban (and sexual) labyrinth, one that was fit for the artist’s own explorations around its representation.

Deck Painting I
© » KADIST

Alexandre da Cunha

Painting (Painting)

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.

Inclined uncertainties
© » KADIST

Prabhakar Pachpute

Painting (Painting)

Calling attention to campaigns for land rights, survival, and sovereignty, Prabhakar Pachpute’s recent works consider how farmers in India use their bodies in performative ways during acts of protest. The oil painting Inclined uncertainties depicts a grotto-like city atop a boat carried by headless human bodies. The waterless boat navigates through a desolate landscape, propelled forward by the faceless humans, who appear to be holding the cumbersome structure together.

Greffe sur patte
© » KADIST

Eric Dizambourg

Painting (Painting)

Like the film Le Mouton noir, this dimension is counterbalanced by a burlesque element. The piece of fabric on the rat’s paw or ‘graft’ becomes a patchwork made out of colorful geometric shapes recalling a Harlequin costume, thus referring directly to the burlesque tradition. This leitmotiv creates a contrast with the dull colors, the humility of the countryside, and makes the figurative scene look unreal to reveal its superficiality.

Terraza Alta V
© » KADIST

Abel Rodríguez

Painting (Painting)

Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions. They are the visions of someone who sees the potential of plants as food, material for dwellings and clothing, and for use in sacred rites. Terraza Alta V is part of a series of drawings that track the changing appearance and life of an area identified as Terraza Alta.

Untitled (blue)
© » KADIST

Chris Duncan

Painting (Painting)

Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I . This title references Duncan’s early artistic influences from the punk and hardcore music communities in tandem with his conceptual interest in perception and optics. This small painting features a glowing cluster of colorful dots on a bright blue background, also created from an accumulation of blue dots in varying tones.

Central Station
© » KADIST

Firenze Lai

Painting (Painting)

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. Central Station shows a character reaching to wipe a tear from her face as the blues of her wardrobe seem to blend in with the dismal blue of the background.

White Minority
© » KADIST

Juan Capistran

Painting (Painting)

White Minority , is typical of Capistran’s sampling of high art genres and living subcultures in which the artist subsumes an object’s high art pedigree within a vernacular art form. Here, Capistran humorously remixes the form and style of Frank Stella’s Black Paintings with California punk rock band Black Flag’s song title and logo (created by artist Raymond Pettibon). White Minority , then, appropriates, recontextualizes, and riffs on language and visual signs to unmoor notions of identity, power, and revolution.

Eight Views of Xiao and Xiang V
© » KADIST

Hao Liang

Painting (Painting)

Eight Views of Xiao and Xiang is a series of landscapes in the Xiaoxiang region in the modern day Hunan Province, China, and was a popular subject of poems, drawings and paintings during the Song Dynasty (960–1279). Liang follows tradition by interpreting the historical subjects by classical Chinese artists including Dong Yuan (934–962 AD), Mu Xi (died in 1281 AD), Wen Weiming (1470–1559 AD). This reinterpretation represents the meeting point of the Xiang River and the Dongting Lake.

Something to Do with Being Held
© » KADIST

Jordan Ann Craig

Painting (Painting)

Something To Do With Being Held by Jordan Ann Craig is inspired by a Cheyenne bead bag. Intrigued by the two shades of blue used for the source object (a deep dusty blue and a bold vivid cobalt blue) the artist replicated these shades in her painting. Craig then added in her own colors, including the pink-orange hues, to achieve a bold but soft quality about the work, as she states that she intended the work to convey vulnerability.

Got Your Back
© » KADIST

Gisela McDaniel

Painting (Painting)

Got Your Back by Gisela McDaniel depicts two women of color from different ethnic backgrounds who share similar violent experiences. However, the sitters never met and were depicted separately by artist Gisela McDaniel. The painting is thus an artificial construct, whose warm, gentle and seemingly benign look Is undermined by the accompanying soundtrack detailing their horrific experiences.

Untitled (Boom Box, Double-Sided)
© » KADIST

Mary Ann Aitken

Painting (Painting)

Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance. Known for going against trends, Aitken often favored dimensions, such as the square, that were otherwise considered out of style in contemporary painting. In this double-sided painting, one side depicts the titular boombox set up—a boxy cassette player, flanked by a pair of stereo speakers in front of wood panelling.

Secrets Between Her and Her Shadow 10
© » KADIST

Maryam Hoseini

Painting (Painting)

Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla. Hoseini’s compositions are visually inspired by the illustrations accompanying the Khamsa of Nizami , a manuscript of five poems, including Layla and Majnun , produced by the Persian poet Nizami in the 1590s. Unlike the original tale, Hoseini’s paintings focus entirely on Layla, any male characters are purposefully erased from this narrative.

They burn our village
© » KADIST

Aung Ko

Painting (Painting)

They burn our village by Aung Ko is part of the artist’s daily visual diary as an attempt to process and note what has been happening in Myanmar while he is being exiled, following the military takeover of the government in February 2021. Almost two years ago, Myanmar’s military ousted the democratically elected government of Aung San Suu Kyi and seized power in a coup. Since then, the country has descended into turmoil.

Plug the well ( July / August 2003)
© » KADIST

Keith Tyson

Painting (Painting)

The work of Keith Tyson is concerned with an interest in generative systems, and embraces the complexity and interconnectedness of existence. Philosophical problems such as the nature of causality, the roles of probability and design in human experience, and the limits and possibilities of human knowledge, animate much of his work. Language as a coded system, as a representation medium, but also as something that generates a whole variety of realities also plays a central role.

Ima: Real Estate Mogul (Harlem Women's Series)
© » KADIST

Dindga McCannon

Painting (Painting)

Dindga McCannon created the radiant portrait Ima: Real Estate Mogul from the Harlem Women’s Series by first stitching material together with a sewing machine and then using more traditional painting techniques to render a portrait of Ima, a woman from Harlem who was a real estate developer from the 20th century. As with other works in the series, McCannon completes the portrait by hand beading a personal and cultural iconography of signs and symbols around the edges of the canvas. The work is spiritual in the sense that it has an energy that comes from its directness and from the human hand.

Untitled
© » KADIST

John McCracken

Painting (Painting)

Though not strictly representational, some objects in Untitled (1962) are recognizable: a flower, an egg, a foot. The arrows and directional lines suggest movement, but the forms they point to intertwine, prohibiting a straightforward reading. The shapes are as illustrative as a Rorschach inkblot; in their confounding, simple indeterminacy, they depict nothing and everything at once.

Wateoma husipe / Larvas de oruga / Caterpillar larvae
© » KADIST

Sheroanawe Hakihiiwe

Painting (Painting)

Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions. During the process of depuration of forms he develops a series of translations whose inception is the daily life and culture of his community, deep in the Amazon rainforest. The works reveal structures rather than shapes, organization rather than form, exposing a way of seeing where nature and culture are not mutually exclusive but manifesting simultaneously.

From the Ending
© » KADIST

Rocky Cajigan

Painting (Painting)

From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor. The bright pink object central to the painting is based on a photograph, and the artist’s personal memory, of a Bontoc ancestral tomb, commonly located at close proximity to a family home. The painting is covered by a net material simulating a fence, creating a certain bodily distance from the viewer’s perspective.

NEPALI POWER
© » KADIST

Köken Ergun and Tashi Lama

Painting (Painting)

Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017. The BRI is a strategy that was set forth by China in 2013 to expand its influence by building a network of economic corridors around the globe. BRI projects in Nepal include the Kathmandu-Kerung Railway, the Galchhi-Rasuwagadhi-Kerung 400 kilovolt transmission line, the 762 megawatt Tamor hydroelectric dam, and the 426 megawatt Phukot Karnali run-of-the-river hydropower project.

The End One
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

Raymond Pettibon

Firenze Lai

Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...

Chris Johanson

Hank Willis Thomas

Maaike Schoorel

Based on photographs and domestic environments, Maaike Schoorel’s paintings are charged with an atmosphere of melancholy and loss...

Alexandre da Cunha

Carter Mull

Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...

Rocky Cajigan

Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...

Conrad Ruiz

Conrad Ruiz makes watercolor paintings of fantastic scenes...

James Weeks

James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...

Sheroanawe Hakihiiwe

Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...

Fernanda Laguna

Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...

Juan Araujo

Mona Marzouk

Mona Marzouk is an artist whose practice is deeply rooted in a keen sense for architecture...

Kaoru Arima

Kaoru Arima experiments with painting in order to discover new expressive forms...

Ad Minoliti

Ad Minoliti is a painter who combines the pictorial language of geometric abstraction with the perspective of queer theory...

Mary Ann Aitken

Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...

Clare Rojas

Prabhakar Pachpute

Prabhakar Pachpute calls attention to issues concerning land politics, industry, and labor through a multimedia practice that includes drawing, painting, sculpture, animation, and murals...

Rebecca Quaytman

In her work, Rebecca Quaytman displays great interest in the dissolution of the image...

Young Min Moon

Young Min Moon is a Korean American artist, curator, critic, and art historian, who migrated to the United States from South Korea as a teenager...

Shimon Minamikawa

Since the beginning of his career, Minamikawa Shimon has made work that deviates from conventional painting and other formats...

Chris Duncan

Chris Duncan employs repetition and accumulation as a basis for experiments in visual and sound-based media...

Bernard Piffaretti

Bernard Piffaretti was born in 1955 in Saint-Etienne...

Simon Fujiwara

Volker Eichelmann

Volker Eichelmann (b...

Tirdad Hashemi

Leaving Iran in 2017, Tirdad Hashemi now cultivates perpetual movement, between their hometown of Tehran, Istanbul, Paris, and Berlin...

Kadar Brock

Kadar Brock makes large-scale abstract paintings via a rigorous process of layering, erasing, and reworking his surfaces; his highly textured canvases are variously discordant, exuberant, and topographical in nature...