Almohada
2011 - Installation (Installation)
Variable dimensions
Mateo Lopez
Mateo Lopez uses paper as a medium to conjure personal experiences. The artist creates drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors. These props are part of a performance; he often sets up his studio in public and uses cues from his own journeys as the inspiration for his work. The objects are not dull, but sensuous, creating their own life in a Proustian narrative; slices of apple, for instance, have texture summoning the juiciness of a crisp bite. Lopez carefully creates these phantom objects and imbues them with the colors of memory. Almohada means “pillow” in Spanish, and this 2011 sculpture is a literal and playful interpretation. The large pillow made of sheets of paper leans vertically against a wall, and papers printed with images of feathers spill over the top and cascade onto the floor.
Though he often works with paper and traditional techniques such as lithography, Mateo López is interested in expanding the scope of drawing and frequently operates outside of traditional studio situations to conjure personal experiences. His early studies in architecture equipped him to consider his medium in terms of time and space, and in three rather than two dimensions. The portability of López’s methods, along with his personal approach to collecting information from his personal journeys, has become a trademark of his installations. Drawings and trompe l’oeil objects, ranging from apples to clothing hangers to doors, extend beyond their sources of inspiration as sensuous entities, creating their own life in a Proustian narrative.
Colors:
Related works featuring themes of: » Andes Region, » Art That Plays With Scale, » Contemporary Conceptualism, » Found Objects, » Colombian
© » KADIST
Nicolás Paris
2012Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
© » KADIST
Bernardo Ortiz
2011Casa de la cabeza (2011) is a drawing of the words of the title, which translate literally into English as “house of the head.” Ortiz uses this humorous phrase to engage the idea of living in your head....
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Claudia Joskowicz
2007The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
© » KADIST
Nicolás Consuegra
2008In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...
© » KADIST
Zarouhie Abdalian
2010The first iteration of Flutter was specifically conceived for the Pro Arts Gallery space in Oakland in 2010, viewable from the public space of a sidewalk, and the version acquired by the Kadist Collection is an adaptation of it...
© » KADIST
Gabriel Kuri
2010Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
© » KADIST
Pablo Rasgado
2011Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
© » KADIST
Oscar Munoz
2009In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
© » KADIST
Rivane Neuenschwander
2007Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
© » KADIST
Simon Fujiwara
2016Masks is a series of abstract paintings by Simon Fujiwara that together form a giant, fragmented portrait of German Chancellor Angela Merkel’s face...
© » KADIST
Johanna Calle
2011Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
© » KADIST
Jedediah Caesar
2009For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
© » KADIST
Claudia Joskowicz
2008The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
© » KADIST
Ximena Garrido Lecca
2014Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
© » KADIST
Robert Therrien
1985In No Title (Blue Chapel) Therrien has reduced the image of a chapel to a polygon...