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Nicholas Buffon
A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment. Made out of foam, paper, glue, and paint, these miniaturized buildings (a bank, a bar, a Laundromat, and the Rite Aid building where Buffon shops) impart a tenderness and a nostalgia that outsizes their diminutive scale. Like works by other artists who recreate objects or elements from their everyday life, Buffon’s storefronts are perfectly imperfect, the wobbled lines reiterating their handmade quality.
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Richard Gordon
Washington D. C. Constitution Ave. is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA. In the image, a woman and a child walk along Constitutional Avenue as a surveillance camera on the street post directs its gaze towards them. The otherwise quiet image then becomes an exercise of resistance: together with the other images from the series, Gordon’s photograph documents the changes that have taken place in architecture, civic life, especially in a post 9/11 experience of public space.
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Gao Mingyan
In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai. For each hole, Gao traveled to significant places from his memory – his first school, his childhood playground, and his former date hangouts – and proceeded to play a makeshift round of golf at each location. In revisiting locales from his youth, Gao attempts to forge a linear connection between all the important places that comprise a life’s experience, his performative “passing” through each location poetically referencing his own passage through time.
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Jiri Kovanda
This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio. During an interview with Hans Ulrich Obrist, the artist highlighted that he had never had a studio and that this work space blended with his apartment. A piece of string cuts across the room in a diagonal; it functions as a scale to measure time and space.
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Vaclav Pozarek
Concerning his objects, Pozarek often relies on chance to guide him. He uses scraps of wood, boxes, hinges and doors, keeping a close eye on what position each object will assume later in the space. Although it suggests the opposite at first glance, Zwillinge is autonomous and functionless.
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Moe Satt
Hands Around in Yangon is both a secular and religious exploration of the meaning of hands in Myanmar. Moe Satt’s father is Muslim, while his mother is Buddhist. In the Buddhist context, hand gestures or mudras are often important in signifying the identity of deities.
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Chris Huen Sin-Kan
Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life. He does not try to capture a particular moment, but rather the simultaneously changes that occur before him in time, exploring the nuances of light and reflections and recording movements in his apartment, his dog’s behavior and reactions, the way his plant change over time, all in an attempt to find a visual expression of his cognitive experience. Doodood and John are the names of his dog and the plant.
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Santu Mofokeng
Santu Mofokeng is a South African photographer. Mofokeng was born in 1956 in Soweto. He began his career as a street photographer when he was still a teenager, then worked as an assistant in a darkroom and later became a news photographer, working on the Apartheid.
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Masaya Chiba
Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line. The picture shows a grouping of tables and stools arranged in a dense cluster. A collection of objects, all brown or burlap-hued, cover their surfaces: ceramic pots, wooden planks, roughly geometric wooden sculptures, and even a small figure that perches precariously atop of miniature cube alongside a forked wood finish form.
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Richard Gordon
San Francisco, Moscone Center is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA. In the image’s foreground we see the silhouette of a man, darkened and in contrast to the bright streetscape unfolding behind him. To the left, an American flag flutters in the wind, saluting the skyscrapers—among them the iconic architecture of the San Francisco Museum of Modern Art.
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Jean-Luc Moulène
It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops. Is this moment captured by chance or a mise en scène? There is a sort of hiatus in the image; the planes – motif and background – connect nature in full bloom, pure, fragile, ephemeral with the grey weighty tarmac.
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Jiri Kovanda
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph. Contrarily to the actions, he took the photographs himself. One of the rules he stuck to in his artistic practice was to always use material at his disposal, a real economy of means.
© » KADIST
Santu Mofokeng
Santu Mofokeng is a South African photographer. Mofokeng was born in 1956 in Soweto. He began his career as a street photographer when he was still a teenager, then worked as an assistant in a darkroom and later became a news photographer, working on the Apartheid.
© » KADIST
Gabriel Pericas
“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router. The weight of the cat that voluptuously outspreads on the router contrasts with the speed of the information circulating in the object—the two subjects are opposing in their essential existence. In a pragmatic way, the cat stretches on the router for the heat that emerges.
© » KADIST
Marcelo Cidade
This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him. He captures incongruities or everyday simplicity and highlights their suggestive power. The composition and framing of these interventions specially emphasizes the object of interest and the humor of the context.
© » KADIST
Yosuke Takeda
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog-era lens that he attaches to his digital camera.
© » KADIST
Frédéric Moser, Philippe Schwinger
In 1978, Jean-Luc Godard and Anne-Marie Miéville made the TV series: “France / tour / detour / two / children”, in which they aimed to identify the lifestyle of French people in 12 episodes of 26 minutes each. On each episode a little boy and girl are firstly asked about their daily lives. By broadening the scope of the interview, the questions of Godard and Mieville gradually bring the protagonists to think of themselves as subjects in the history of the world, to “live and see themselves on television” with a critical point of view.
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Kate Mitchell
In Time is a 24-hour video in which the artist rests, hangs and clings onto the minute hand of a large clock, 4 x 4 meters in diameter, arduously counting out a full 24-hour cycle so that the video becomes a functional time-keeping device. In standing in for and becoming time, Mitchell ultimately examines its essence as it passes before her. Dressed in blue work overalls, Mitchell appears like a maintenance or quality control worker, making sure every moment is up to muster.
© » KADIST
Juan Carlos Alom
In Amantes (Lovers) Juan Carlos points his lens at his own environment, his underground (literally) studio in Havana. A beautiful and intimate image of a seedy yet casual scene of two lovers in the background foreshadowed by a beautiful young woman smoking a joint in the foreground, a very powerful and not too subtle political representation of the current realities and truth of youth life in Havana. Juan Carlos Alom is an artist known for his documentary photography of Cuba’s subcultures and underground scenes.
© » KADIST
Laura Huertas Millán
La libertad is a “greca” film, a meander film, with no beginning nor end, weaving together fragments of daily life at the Navarro´s, counting threads and time, wondering and wandering around words as emancipation, labor, and freedom (la libertad), the word that most appeared in our conversations. The “greca”, the meander, is the main symbol weaved in the textiles made by the Navarro sisters, from Santo Tomás Jalieza, México. A geometrical form of an endless braid of diamonds, the “greca” represents corn, an entity worshiped by the pre-hispanic civilisations of Mesoamerica.
© » KADIST
YOUNG-HAE CHANG HEAVY INDUSTRIES
To the syncopations of a jazzy soundtrack, Korean words in white against a black background flashes between an English dialogue in black text against white ground. Comprised of curt lines such as “forever” “failure” “to live,” the Korean forms non-sequiturs and double entendres to the English script following a line of questioning between a detective and a victim telling a meandering story surrounding a bullet being in a wrist, going to hospital, traveling to Japan, and the discovery of a love triangle. This narrative of a potentially grave situation is told in a nonchalant manner.
© » KADIST
Yuji Agematsu
Each day, Yuji Agematsu smokes a pack of cigarettes and wanders the streets of New York City looking for trash. Needless to say, he finds it everywhere: bottle caps, gummed hair, translucent miscellany, sick feathers, hot pink plastics, unknown, and more. The varied bits are then constellated by the artist in cellophane cigarette wrappers—modest vitrines for his steady collecting habit.
© » KADIST
Eileen Quinlan
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium.
© » KADIST
Tsang Eason Ka Wai
New Landmark No. 1 is part of the series New Landmark . In this series, Tsang reversed the direction of his camera lens, and capture images of skyscrapers from an upshot angle.
© » KADIST
Davida Nemeroff
In one series, she considers issues of spectatorship at the Los Angeles Zoo. Box Stall (2013) shows the back end of a horse, highlighting what is included and excluded from the frame of vision.
© » KADIST
Teppei Kaneuji
In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing. White Discharge (Built-Up Objects #38) (2014) appears playful, like a lost landscape from a whimsical Dr. Seuss story awaiting a charmingly wacky inhabitant. But in drawing its source materials from prefabricated and mass-produced objects, Kaneuji’s work also suggests more trenchant anxieties consumer culture and the rapid and wasteful accumulation that becomes “built-up” in all of our lives.
© » KADIST
Yosuke Takeda
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog era lens that he attaches to his digital camera.
Akram Zaatari
- location: Sayda, Al-Lubnan
- year born: 1966
- gender: male
- nationality: Lebanese
Jiri Kovanda
- location: Praha, Ceská Republika
- year born: 1953
- gender: male
- nationality: Czech
Santu Mofokeng
The photographic artwork of Santu Mofokeng (b...
Richard Gordon
Originally from Chicago, Richard Gordon was a self-taught photographer best known for his intelligent and masterfully printed black-and-white photographs...
Yosuke Takeda
Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...
Chris Wiley
- location: New York, New York
- year born: 1981
- gender: male
- nationality: British
James Weeks
James Weeks, born in 1922, was an important figure in the Bay Area figurative painter tradition, with contemporaries such as Richard Diebenkorn, Elmer Bischoff, and David Park...
Gabriel Orozco
- location: New York City, Paris
- location: Mexico
- year born: 1962
- gender: male
- nationality: Mexican
- home town: Jalapa, Mexico
Vaclav Pozarek
Growing up in Czechoslovakia, Vaclav Pozarek experienced political aggression, spying and ludicrous impediments...
Engel Leonardo
Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...
Mohammed Kazem
Mohammed Kazem (b...
Luke Murphy
Luke Murphy is a systems-based artist whose work is loosely bound by common themes of quantifying elements of the psyche and spirit with a particular interest in the Gnostic gospels, religious paintings, and digital languages – codes and systems to make art...
Eileen Quinlan
Eileen Quinlan makes photographic images through unusual processes, stripping the medium down to its essentials, and working experimentally with light, lenses, chemicals, reflections, and shadows...
Moe Satt
Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...
Davida Nemeroff
Davida Nemeroff turns her camera toward scenes from everyday life, creating compositions within the frame of her lens that are strong, even introspective...
Alexandre da Cunha
- location: London, United Kingdom
- year born: 1969
- gender: male
- nationality: Brazilian
- home town: Rio de Janeiro, Brazil
Teppei Kaneuji
Teppei Kaneuji produces sculptures and installation-based work that interrogates Japan’s continuously burgeoning postwar culture of commodification...
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
YOUNG-HAE CHANG HEAVY INDUSTRIES
YOUNG-HAE CHANG HEAVY INDUSTRIES, a partnership between the South Korean artist Young Hae Chang and the American poet Mark Voge, is widely known as a pioneering net art project...
Cinthia Marcelle
- location: Belo Horizonte, Brazil
- year born: 1974
- gender: female
- nationality: Brazilian
- home town: Belo Horizonte, Brazil
Fang Lu
Fang Lu uses intimacy as a place for self-expression in her videos and draws out mundane moments from everyday life as a strategy to heighten one’s awareness of existence from the rest of the world...
Aki Sasamoto
Aki Sasamoto is an artist whose mediums include performance, sculpture, dance, and whatever other form it takes to get her ideas across...
Jennifer Bornstein
- location: United States
- year born: 1970
- gender: male
- nationality: American
- home town: Seattle, Washington
Kate Mitchell
Kate Mitchell’s work addresses everyday worries; time, money, work and the future...
Nan Goldin
- year born: 1953
- gender: female
- nationality: American
- home town: Washington, D.C.
Daniel Crooks
- year born: 1973
- gender: male
- nationality: New Zealander
- home town: Hastings, New Zealand
Abraham Cruzvillegas
- location: Mexico
- year born: 1968
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
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1950-1959
Akram Zaatari
1950“While taking the picture it was challenging to make the boys sit properly without moving...
Akram Zaatari
1956“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
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1960-1969
Akram Zaatari
1966“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
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1970-1979
Akram Zaatari
1972“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani...
Jiri Kovanda
Drawing & Print
1977(Drawing & Print) All Kovanda’s artistic practice poses the question of visibility...
Jiri Kovanda
1979This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio...
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1980-1989
Jiri Kovanda
1980Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Jiri Kovanda
1980Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
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1990-1999
Gabriel Orozco
1992Gabriel Orozco often documents found situations in the natural or urban landscape...
Jennifer Bornstein
1994Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...
Gabriel Orozco
1994Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...
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2000-2009
William E. Jones
2000His series, The Golden State, harkens back to his early career and his photographic training...
Richard Gordon
2003San Francisco, Moscone Center is a silver gelatin print from the series American Surveillance , a ten-year-long project where Richard Gordon photographed surveillance cameras across USA...
Jean-Luc Moulène
2004It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...
Carla Zaccagnini
2005This series of photographs, Sobre la igualdad y las diferencias: casas gemelas (On Equality and Differences: Twin Houses) , taken in Havana in 2005, belongs to a wider group of works that the artist has been developing over many years, generally titled Bifurcaciones y encrucijadas (Forking Paths and Crossroads) ...
Alexandre da Cunha
2005His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs...
Marcelo Cidade
2006This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
Marcelo Cidade
2006This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him...
Ceal Floyer
2007NO POSITIONS AVAILABLE is composed of panels covering the entire wall of the gallery exemplifying one of the tendencies of the artist...
Gao Mingyan
2008In City Golf (2008) the artist Gao Mingyan films himself playing 18 “holes” of golf throughout the mega-city of Shanghai...
Jonathan Hernández
2008In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
Miguel Calderon
2009Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
Humberto Diaz
2009The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
Eko Nugroho
2009Nugroho’s installations and performances have their roots in the shadow puppet rituals in Indonesia, particularly the Javanese Wayang tradition whose essence is in the representation of the shadows...
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2010-2019
YOUNG-HAE CHANG HEAVY INDUSTRIES
2010To the syncopations of a jazzy soundtrack, Korean words in white against a black background flashes between an English dialogue in black text against white ground...
Orion Shepherd
Drawing & Print
2010(Drawing & Print) Ballad of the Unabomber Part I is a painting by Orion Shepherd that features several manila folders stacked in order according to their size, resting atop a grainy hardwood pattern...
Nathaniel Dorsky
2010Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...
Motoyuki Daifu
2010Seven family members and a cat all squeezed into the small five-room house, where Motoyuki Daifu grew up in Yokohama...
Masaya Chiba
2011Fairy #2 (2011) depicts a surreal scene of roughly assembled household ephemera, potted plants, and a faintly visible figure rendered in thin red line...
Frédéric Moser, Philippe Schwinger
2011In 1978, Jean-Luc Godard and Anne-Marie Miéville made the TV series: “France / tour / detour / two / children”, in which they aimed to identify the lifestyle of French people in 12 episodes of 26 minutes each...
Yosuke Takeda
2011Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Juan Carlos Alom
2012In Amantes (Lovers) Juan Carlos points his lens at his own environment, his underground (literally) studio in Havana...
Felipe Arturo
2012Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...
Aki Sasamoto
2012Poetry Light Stool evokes the spirit of Fluxus, the intermedia movement that encouraged artmaking to be simple, fun, and address everyday life...
Cinthia Marcelle
2012Cinthia Marcelle’s video work Automóvel (2012) re-edits the mundane rhythms of automotive traffic into a highly compelling and seemingly choreographed meditation on sequence, motion, and time...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Chris Huen Sin-Kan
2013Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life...
Gabriel Pericas
2014“Weight & velocity (cat on router)” is a duo of two humorous photographs of a cat lying on a computer router...
Yosuke Takeda
2014Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Teppei Kaneuji
2014In his White Discharge series (2002 to today), arguably his best known works, Kaneuji assembles old toys and plastic scarps into dramatic mounded heaps and covers the surface with white plastic resin, drawing on allusions to landfills, commodity fetishism, and creative repurposing...
Daniel Crooks
2014The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
Kate Mitchell
2015In Time is a 24-hour video in which the artist rests, hangs and clings onto the minute hand of a large clock, 4 x 4 meters in diameter, arduously counting out a full 24-hour cycle so that the video becomes a functional time-keeping device...
Yuji Agematsu
2015Each day, Yuji Agematsu smokes a pack of cigarettes and wanders the streets of New York City looking for trash...
João Maria Gusmão and Pedro Paiva
2015The artist duo João Maria Gusmão and Pedro Paiva traveled to Japan for a month to make a series of short 16mm films, often shot in slow-motion...
Nina Könnemann
2015For many years, Nina Könnemann has placed a camera before a billboard situated in the suburb Neukoln in Berlin...
Nicholas Buffon
2016A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment...
Laura Huertas Millán
2016La libertad is a “greca” film, a meander film, with no beginning nor end, weaving together fragments of daily life at the Navarro´s, counting threads and time, wondering and wandering around words as emancipation, labor, and freedom (la libertad), the word that most appeared in our conversations...
Eileen Quinlan
2016Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
Luke Murphy
2016What Color is Luke Murphy’s outstanding digital painting that elegantly loops in nonstop motion...
