I used to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance
1978 - Photography (Photography)
29.25H x 40.25W inches
Daniel Joseph Martinez
For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied. Against a bare white background, the men appear unexpectedly vulnerable, caught between performance and rehearsal, public and private. While they present themselves deliberately as exemplars of strength, they also inadvertently expose something about the value system that underlies their endeavors—whatever drove them to keep building by tearing tissue, and whatever makes flexing feel like the most honest pose possible.
For more than three decades, the Los Angeles–based artist Daniel Joseph Martinez has used every art medium at his disposal to investigate raw aspects of American culture, dipping adeptly into derangements of body and brain, individual and society. In one well-known piece that he produced for the 1993 Whitney Biennial, he replaced the text on the museum’s admission ticket with the phrase “I Can’t Ever Imagine Wanting to Be White.” Visitors held the sentiment in their hands and kept it in their pockets. In The House America Built (2004), he re-created in exacting detail the cabin in which the Unabomber penned his manifesto. While Martinez’s concepts are tight and concise, they leave ample space to implicate the viewer. His work prompts more than finger pointing; it catalyzes introspection, signaling the necessity of taking stock of one’s own role in perpetuating difficult yet ubiquitous images.
Colors:
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