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Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

Scaffold
© » KADIST

Lotus Laurie Kang

Sculpture (Sculpture)

Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum. However, the simplest arcane gesture presented in the work oscillates sculptural syllabary and verse that mysteriously run through and connotes the artist’s personal, cultural, and diasporic history. Installed on the floor with a humble combination of folded burlap bags, commonly found in Korean construction sites or markets, and aluminum cast lotus roots, a common ingredient in traditional Korean cuisine.

Pink Cloud Awaits
© » KADIST

Harit Srikhao

Photography (Photography)

Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.

Now; 1992
© » KADIST

Ali Yass

Drawing & Print (Drawing & Print)

Now; 1992 is Ali Yass’s attempt to remake his childhood drawings, which were lost after he was forced to leave Iraq following the 2003 US occupation. The drawings are chimeric compositions of animated limbs, animal, human, and machine, that seem to hurl in all directions and mediums, unified as colorful figurations posed against blank backgrounds, rendering the curious characters suspended in time. This suspension materializes the artist’s view on violence and temporality, on which he has claimed: “I will not talk about war because it is from the past.

Terraza Alta V
© » KADIST

Abel Rodríguez

Painting (Painting)

Abel Rodríguez’s precise, botanical illustrations are drawn from memory and knowledge acquired by oral traditions. They are the visions of someone who sees the potential of plants as food, material for dwellings and clothing, and for use in sacred rites. Terraza Alta V is part of a series of drawings that track the changing appearance and life of an area identified as Terraza Alta.

Untitled
© » KADIST

Frida Orupabo

Photography (Photography)

The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence. Her works are developed through a process of decontextualization of such imagery, layering and recomposing, playing with new narratives. In this work she focuses on memory and what might be triggered in the viewer.

Tadmur
© » KADIST

Majd Abdel Hamid

Installation (Installation)

Tadmur by artist Majd Abdel Hamid is influenced by a book by Mustafa Khalifa titled The Shell: Memoirs of a Hidden Observer , which details Khalifa’s imprisonment in the Assad ‘desert prison’ Tadmur. Khalifa’s compelling testimonial is now considered to have enlightened the Syrian public to the atrocities being committed in their country by the Assad regime and catalyzed a political resurgence in Syria. The prison was destroyed by ISIS in 2015 and though the initial reaction by the Syrian public was largely positive, the complete leveling of the prison erases the brutal experiences of the prisoners, many of whom died and those that survived.

Musa
© » KADIST

Minia Biabiany

Film & Video (Film & Video)

Musa is a visual and textual work by Minia Biabiany and the starting point of a broader research around the sexuality of Caribbean women, the historical legacy of slavery, and the artist’s own female lineage. Sometimes shown within an installation, sometimes on its own, the video combines images of flowers, landscapes, and bodies, with text in Creole and English. The video is conceived as a weaving, its technique creating stitchings and surfaces, upon which the artist inscribes stories.

Los Abuelos
© » KADIST

Manuel Solano

Painting (Painting)

Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

Deluminator
© » KADIST

Harit Srikhao

Photography (Photography)

Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.

Of Dice and Men
© » KADIST

Didem Pekün

Film & Video (Film & Video)

Of Dice and Men is a video diary-essay: in it, Didem Pekün’s daily life and political events are intertwined, just as they are in our individual realities. Displayed on two screens, the video brings us back and forth between London and Istanbul from 2011 to 2016, the two cities the artist inhabited at the time. Dice are thrown repeatedly throughout the video, each time triggering the occurrence of fleeting moments – sometimes very common, sometimes very violent.

Unit / y
© » KADIST

Amapola Prada

Film & Video (Film & Video)

In the video Unit/y we see Amapola Prada in the center of the screen wearing an oversized, worn out sweatshirt, socks and flip-flops—standing motionless on a dimly lit street in her native Lima, Peru. As the video progresses, people, stray dogs, and cars pass by unbeknown to her presence, inescapably fulfilling their roles in the everyday. The title of the work gives us a clue.

Between Beauty & Horror
© » KADIST

Leila Weefur

Film & Video (Film & Video)

Leila Weefur’s two-channel video installation Between Beauty & Horror focuses on the sensorial and somatic experiences that give Blackness a distinct and inherently racialized materiality. The narrative structure of Between Beauty & Horror operates on dream logic; interspersed among the dream sequences of the video are moments that fluidly shift between violence, playfulness, tenderness, and of course, beauty and horror. Weefur’s work poses many questions about the Black experience, but it offers no easy answers.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

aguamentos (sorvedouro series)
© » KADIST

davi de jesus do nascimento

Drawing & Print (Drawing & Print)

davi de jesus do nascimento’s earthy paintings, from the series sorvedouro , recall his memories as an essentially organic matter. Watercolor painting carries water as its foundational element and was the first technique that the artist applied to base his painting research on the river. He used to dip the brush on the prow of the boats: “I realized that the water is in deep dialogue with the flows of the river that I descend”.

The Anatomy Classroom
© » KADIST

Hikaru Fujii

Film & Video (Film & Video)

The film The Anatomy Classroom is part of a research project developed by Hikaru Fujii around objects and artifacts evacuated from the Futaba Town Museum of History and Folklore, which is located in the “difficult-to-return zone” since the Fukushima Daiichi nuclear accident. In order to avoid radioactive contamination and biological damage, the objects have been removed from the museum, where they were once part of a collection that the curator had developed over twenty years to represent the local community and its long history on the land. Fujii has been closely following the movements of these historical objects, while organizing visits to the site and hosting discursive events on the crisis of memory and culture.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

The New Man and My Father
© » KADIST

Adrian Melis Sosa

Film & Video (Film & Video)

Shot a few months before the USA and Cuba restored diplomatic relations in 2015, The New Man and My Father looks into the quiet aftermath of one family’s individual experience of the Cuban Revolution (1953-1959). The film brings to the fore a socio-political system made for a country whose successes and failures fell upon the individual men and women who experienced it. In the film, Melis interviews his father about the Cuban Revolution, as well as the more recent re-introduction of capitalism to the island after 60 years of the US-imposed embargo.

A Blank Slate
© » KADIST

Sara Eliassen

Film & Video (Film & Video)

Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory. Set in a sleepy and unidentified coastal town, the film begins as the protagonist unexpectedly finds herself inside a hotel room in a lucid state. Attempting to grasp her surroundings, she falls into a deeper metaphysical reality where her memories blur with her awareness of her surroundings until she finds herself again alone in a dream-like state.

Didn't Know I Died
© » KADIST

Manuel Correa

Film & Video (Film & Video)

Manuel Correa’s short film Didn’t Know I Died is a testimonial portrait of the acclaimed Colombian poet Olga Elena Mattei. Earlier in her life during a simple medical operation, Mattei was declared medically dead. In the film, she recounts her first memory upon waking up, a dream.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

Infinity and Infinity Plus One
© » KADIST

Cao Shu

Film & Video (Film & Video)

The installation Infinity and Infinity Plus One by Cao Shu is a modern fable of destruction, collective consciousness, and future memory told through the lens of a seaside hotel erected in the 1990s on an island in China. Combining 3D-rendered images and shot footage, the work travels through a seemingly-unlimited number of rooms, infinite corridors, and breathtaking viewpoints on site. Meanwhile, an official voiceover tells an absurd story about philosophy and mathematics in the form of a monologue.

Pause/Tanmpo
© » KADIST

Bili Bidjocka

Film & Video (Film & Video)

The short two-channel video Pause/Tanmpo takes its cue from a coincidental encounter artist Bili Bidjocka had in Dakar. Walking down the corniche, he saw a boxer, a Senefalese man, training at the beach. It immediately reminded the artist of Le Boxeur—the most well-known brand of matchsticks in Cameroon.

Notebook 10, l'enfance de sanbras
© » KADIST

Kelly Sinnapah Mary

Installation (Installation)

Notebook 10 , l ‘enfance de sanbras (The Childhood of Sanbras) series by Kelly Sinnapah Mary is a sequel to an earlier series by the artist titled Cahier d’un non retour au pays natal (2015). This earlier work considers the process of reconstructing an identity of the Indian workers who arrived in the Caribbean during the post-slavery period. The work addresses the conditions of recruitment of these Indian workers, the strategies of the recruiters, how they lured them onto ships to bring them back to the plantations.

Estratos II
© » KADIST

Cynthia Gutiérrez

Sculpture (Sculpture)

Estratos II by artist Cynthia Gutiérrez features a large white plinth with a transversal cut through the lower half, revealing a collection of archeological objects. These pieces of history have seemingly been lost to time and have lived covered under a sterile exterior. To create the ceramic objects for this project, Gutiérrez worked closely with an artist that creates Mesoamerican replicas.

Kelly Sinnapah Mary

Kelly Sinnapah Mary is a multidisciplinary artist who’s work is informed by the diasporic journey of her ancestors...

Amapola Prada

As the daughter of an actor, Amapola Prada recalls frequently attending the theater as a child and noticing that she never saw herself (her body or reality) represented...

Rebecca Quaytman

In her work, Rebecca Quaytman displays great interest in the dissolution of the image...

Natalia Lassalle-Morillo

Natalia Lassalle-Morillo’s films explore familial, neighborly, and citizen relationships in the context of Puerto Rico’s fraught history with the United States and the resulting imperialist oppression that has altered generations of families’ material and spiritual trajectories...

Reza Aramesh

Working across a wide range of materials and processes, Aramesh examines simultaneously the history of Western art and contemporary commentary on the politics and history of the Middle East, concocting a unique visual language to address the contemporary conditions of violence and bio-politics...

Joana Hadjithomas & Khalil Joreige

Joana Hadjithomas and Khalil Joreige collaborate as both filmmakers and artists, producing cinematic and visual artwork that intertwine, spanning feature and documentary films, video and photographic installations, sculpture, performance lectures and texts...

Nidhal Chamekh

Based between his native Tunis and Paris, Nidhal Chamekh’s work is an investigation into history as a point of access to our contemporary times...

Harit Srikhao

Harit Srikhao perceives photography as a culturally determined medium...

Hikaru Fujii

Hikaru Fujii utilizes film to bridge art and social activism...

Wingyee Wu, Lap-See Lam

Wingyee Wu is an NYU and Central Saint Martins educated filmmaker, as well as a businesswoman with roots in the Hong Kong diaspora, currently living and working in Stockholm...

Meiro Koizumi

Meiro Koizumi is a Japanese video and performing artist, born in 1976...

Lotus Laurie Kang

Lotus Laurie Kang works with sculpture, photography, and site-responsive installation...

Sancintya Mohini Simpson

Sancintya Mohini Simpson is an artist, writer, and researcher whose work addresses the impact of colonization on the historical and lived experiences of her family and broader diasporic communities...

Ha Tae-Bum

Ha Tae-Bum (b...

Hong-Kai Wang

Wang is an artist working primarily with sound...

Maaike Schoorel

Based on photographs and domestic environments, Maaike Schoorel’s paintings are charged with an atmosphere of melancholy and loss...

Kiri Dalena

Kiri Dalena is an acclaimed visual artist, filmmaker, and activist...

Shilpa Gupta

Wang Mowen

Trained as a photographer, artist Wang Mowen was born and raised in Dalian and she currently lives and works in Beijing...

YOUNG-HAE CHANG HEAVY INDUSTRIES

YOUNG-HAE CHANG HEAVY INDUSTRIES, a partnership between the South Korean artist Young Hae Chang and the American poet Mark Voge, is widely known as a pioneering net art project...

Anna Boghiguian

Anna Boghighian makes drawings and paintings of individuals and urban spaces as well as being a writer and a poet...

Minouk Lim

Guadalupe Rosales

Guadalupe Rosales is a multidisciplinary artist, activist, and educator...

Mateo Lopez

Jane Jin Kaisen and Guston Sondin-Kung

Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...

Chen Shaoxiong

Basma Alsharif

Basma Alsharif is an artist and filmmaker of Palestinian origin, born in Kuwait, and raised between France, the US and the Gaza Strip...

Haroon Gunn-Salie

Haroon Gunn-Salie (b...

Maya Watanabe

Drawing on her background in theater design and direction, Maya Watanabe is known for her multi-channel video installations that explore the relationship between language, collectivity, identity, and space...

Wong Kit Yi

Wong Kit Yi’s conceptual and performance-based work animates human interactions by measuring, locating, and quantifying the intangible...

© » KADIST

about 46 months ago (07/07/2020)

© » KADIST

about 53 months ago (12/14/2019)

© » KADIST

about 59 months ago (06/29/2019)

© » KADIST

about 60 months ago (05/22/2019)

© » KADIST

about 68 months ago (09/29/2018)

© » KADIST

about 78 months ago (11/15/2017)

© » KADIST

about 80 months ago (09/16/2017)

© » KADIST

about 87 months ago (03/04/2017)

© » KADIST

about 87 months ago (03/01/2017)

© » KADIST

about 99 months ago (03/11/2016)

© » KADIST

about 110 months ago (04/07/2015)

© » KADIST

about 125 months ago (01/06/2014)

© » KADIST

about 129 months ago (09/04/2013)

© » KADIST

about 157 months ago (06/01/2011)

© » KADIST

about 174 months ago (01/19/2010)

© » KADIST

about 178 months ago (09/13/2009)

© » KADIST

about 184 months ago (03/01/2009)

© » KADIST

about 195 months ago (04/11/2008)

© » KADIST

about 202 months ago (09/20/2007)