Adaptando la Carta #1, #2, #3, #4, #5

2013 - Drawing & Print (Drawing & Print)

Fabiola Torres-Alzaga

year born: 1978
gender: female
nationality: Mexican
home town: Mexico City, Mexico

Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions. Her interests and the resulting aesthetic projects seem couched in the 19thcentury sideshow, more than the contemporary art world. In her delicate drawings, Adaptando la Carta, layers of tracing paper reveal different hand positions, concealing and revealing a playing card hidden among the curves of the magician’s hand. The artist’s fixation on the hand is persistent throughout the works, as she considers the limits between reality and illusion.


Fabiola Torres-Alzaga plays with magic, illusion, and sleight-of-hand, fabricating installations, drawings, and films that toy with our perceptions. Her interests and the resulting aesthetic projects seem couched in the 19th-century sideshow, more than the contemporary art world.


Colors:



Related works featuring themes of: » Mexico, » Mixed-Media, » Sculpture, » Work on Paper, » Mexican

Espectacular cortina
© » KADIST

Pia Camil

2012

Camil has made numerous paintings and photographs of halted projects along Mexico’s highways (she calls them “highway follies”), and of abandoned billboards that look like theater curtains dramatizing failed capitalist strategies...

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Useless Wonder
© » KADIST

Carlos Amorales

2006

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Avenida Corona del Rosal
© » KADIST

Pablo Rasgado

2011

Pablo Rasgado’s paintings and installations serve as a visual record of contemporary urban human behavior...

Interrupted Passage
© » KADIST

Julio Cesar Morales

2008

The video Interrupted Passage presents a performance Morales staged in the former home of Mariano Guadalupe Vallejo, a mid-nineteenth-century Mexican general serving in California...

Until It Makes Sense
© » KADIST

Mario Garcia Torres

2004

Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

Mimbres pottery kill hole sequence
© » KADIST

Mariana Castillo Deball

Mariana Castillo Deball’s set of kill hole plates are part of a larger body of work problematizing archeological narratives, and drawing attention to the conservation process and its role in recreating an imagined object...

The Transparencies of the Non-Act
© » KADIST

Mario Garcia Torres

Mario Garcia Torres discovered the work of artist Oscar Neuestern in an article published in ARTnews in 1969...

Cemetery #1
© » KADIST

Gabriel Orozco

2002

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

Serengeti Green
© » KADIST

Phillip Maisel

2015

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

From Useless Wonder 04
© » KADIST

Carlos Amorales

2007

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006)...

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

1994

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...

El hombre que hizo todas las cosas prohibidas
© » KADIST

Carlos Amorales

2014

Carlos Amorales, based in Mexico City, works in many media and combinations thereof, including video, drawing, painting, photography, installation, animation, and performance...

Borrando la Frontera
© » KADIST

Ana Teresa Fernández

2011

The artist writes about her work Borrando la Frontera, a performance done at Tijuana/San Diego border: “I visually erased the train rails that serve as a divider between the US and Mexico...

Untitled (Ticket Roll)
© » KADIST

Gabriel Kuri

2010

Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...