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Hypertransform Sculpture
© » KADIST

Rudolf Polanszky

Sculpture (Sculpture)

Polanszky’s sculpture is made from raw, found materials that have the patina of age. He brings together disparate material discarded by society to form aggregates. Although it is not his intention to make works of meaning the viewer endows them with poetic meanings and constructs.

A child and dreamer my whole life long (broken tree)
© » KADIST

John Isaacs

Sculpture (Sculpture)

A child and dreamer my whole life long (broken tree) (2004) is a sculpture made of filler, wire, copper, oil paint, and wood depicting a tree just at it’s moment of breaking into half – one part alive with foliage and blooming branches and the other the crisp of the break exposed, with the trunk adhered solidly to a plinth. The sculpture appears to speak quite bluntly about Isaac’s own sense of bleak pessimism when exposing a severed tree, the universe’s sacred sign of life and birth. Through the perfect rendering of this encapsulated moment, Isaacs demonstrates the strength of the sculptural artifact and his interest in failure and fragility.

Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine
© » KADIST

Doreen Lynette Garner

Sculpture (Sculpture)

Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey. At once attractive and repulsive, the sculpture combines objects of adornment with what appears to be viscera. The sculpture’s curious delicacy evokes a ritualistic catharsis, in response to persistent forms of medical racial violence and objectification for Black people in America and around the world.

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

Sculpture (Sculpture)

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist. Both of those interests feed deeply into his artistic practice, which ranges from workshops, dialogues, and exchanges to environments, drawings, and sculpture. Metaphors of the presence or conversations at the speed of light (2012) is a sculpture of a lightbulb that the artist altered.

Abuso de poder (Abuse of Power)
© » KADIST

Marcelo Cidade

Sculpture (Sculpture)

Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble. Originally made for the Carrara Biennale in 2010, it re-creates the iconic form down to the piece of cheese waiting for an unsuspecting victim. In this sculpture, Cicade challenges the viewer’s participation and intervention into the artistic object.

Dance Sticks
© » KADIST

Brian Tripp

Sculpture (Sculpture)

For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography. The two works in the KADIST collection are a continuation of these forms with in the medium of sculpture.

Bodily Study of Unthinking Groups
© » KADIST

Matthew Angelo Harrison

Sculpture (Sculpture)

In Bodily Study of Unthinking Groups, Harrison combines two disparate materials into one stratified stack: automotive clay (used in detailing cars) forms the earthy base, while fragments of zebra skull become imbedded in this falsified soil. Harrison’s forged archeological artifact compresses two cultural contexts together: that of Africa, represented by the bleached zebra skull; and that of Detroit, the birthplace of the American car. Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others.

Wagon Wheel
© » KADIST

Toby Ziegler

Sculpture (Sculpture)

Wagon Wheel is a work with a fundamental dynamism that derives both from the rotating movement of the elements suspended on poles and the kicking of the legs of the figure. It is based on a pornographic image by Giulio Romano (ca.1499-1546). Romano had completed Raphael’s frescos in the Vatican after the latter’s death but was not paid for the work.

Hummingbird
© » KADIST

Brian Tripp

Sculpture (Sculpture)

For many years Tripp has been involved in reviving Karuk ceremonies that had been discontinued for decades, he developed his signature abstract style, based in Karuk design, ceremonial regalia forms, and related cultural and political iconography. The two works in the KADIST collection are a continuation of these forms with in the medium of sculpture.

Fauna
© » KADIST

Auriea Harvey

Sculpture (Sculpture)

Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical. Making use of old and new technologies, the work is a self-portrait. The sculpture features a soft and gentle human face made of 3D printed composite, sprouting from a clutter of clay and other materials.

7-headed Lalandau Hat
© » KADIST

Yee I-Lann

Sculpture (Sculpture)

7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo. The materiality and form of this traditional headpiece represents the strength and fierceness of forest warriors. Their ‘chimneys’ on top are intended to resemble trees in the jungle onto which hornbill feathers would once have been stuffed.

Hommage To Balotelli's Missed Trick
© » KADIST

Burak Delier

Sculpture (Sculpture)

Burak Delier’s sculpture Homage to Balotelli’s Missed Trick is a symbol of resistance to the demand for success and performance. The sculpture represents Italian soccer player Mario Balotelli, who intentionally missed an opportunity to score during a 2011 game between LA Galaxy and Manchester City. The miniature Balotelli stands on his left foot, raising his right foot to kick the ball.

Sal Sem Carne
© » KADIST

Cildo Meireles

Sculpture (Sculpture)

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.

Fedex® 10kg Box 2006 FedEx 149801 REV 9/06 MP, Standard Overnight, Los Angeles-San Francisco, trk#800983717740, December 18-19, 2012, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

Sculpture (Sculpture)

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.

Pau-Brasil
© » KADIST

Thiago Honório

Sculpture (Sculpture)

Pau-Brasil is a sculpture by Thiago Honório that references Oswald de Andrade’s 1925 classic of Brazilian modernist literature of the same title. De Andrade’s work demands the resuscitation of “Brazilian” language and culture, advocating for the cultivation of invention and an illogical, “agile and candid” attitude. In response, Honorio’s work takes the physical form of a laquered stalk of the pau brasil tree, from which de Andrade’s work drew its title, piercing the physical form of the book itself.

Untitled
© » KADIST

Gabriel Sierra

Sculpture (Sculpture)

Untitled consists of a small wooden sculpture that leans against a wall. Here, a rectangular piece of wood holds a folded article from a vintage design magazine whose Italian text states: “Villa per una persona sola. Arquitectura Pasadena California.” On the flipside of the paper is a feature with different images of paintings and architecture, including a painting by Piet Mondrian.

Untitled
© » KADIST

Jiri Kovanda

Sculpture (Sculpture)

Untitled (1992) responds to the same principles of an economy of means as the artist’s actions and installations: three empty cardboard boxes which have contained photographic film are piled one on top of the other. Nevertheless there is a harmony in the assembly of forms, writing, colors, proportions; an aesthetic construction is carried by this contemporary still life. This work charts the passing of time: the cardboard yellows, the film becomes obsolete in the digital age.

Telescopic Pole (Tennis Balls Red) and (Tennis Balls)
© » KADIST

Chadwick Rantanen

Sculpture (Sculpture)

Telescopic Pole is an adjustable telescopic pole that extends vertically from floor to ceiling and is held up by its own internal pressure. The ends, protected by two, cut-open tennis balls, recall the legs of a walker. For Rantanen’s second solo exhibition at Jancar Jones Gallery, San Francisco in 2010, one pole was placed inside the gallery while the other was located outside.

Fedex® Large Kraft Box 2004 FEDEX 155143 REV 10/04 SSCC, International Priority, Los Angeles-Beijing trk#875468976062, September 9-14, 2011, International Priority, Bejing-London trk#874594463978, March 13-15, 2012, International Priority, London-San Francisco, trk#777001529227, August 16-18, 2016, International Priority, San Francisco-Beijing, trk# 775046700145, October 27-November 5, 2021
© » KADIST

Walead Beshty

Sculpture (Sculpture)

Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination. Displayed with the cardboard boxes (and their shipping labels, which chart the journey in a different way) that contain them during the journey, these damaged forms draw from minimalist sculpture, and conceptual artworks that focused on distance, travel, and virtual connections.

Cumulonimbus capillatus incus
© » KADIST

Evariste Richer

Sculpture (Sculpture)

Cumulocumulonimbus capillatus incus functions on the mode of a mise en abîme: it is a cube composed with 8000 dice. The work plays with chance, each installation produces a renewed visual combination. Robert Filliou said that Eins.

Hole #1
© » KADIST

Matthew Angelo Harrison

Sculpture (Sculpture)

In Hole #1 a zebra scull stands in as a representation of Africa, while the plexiglass box and the hole made through it represent the inaccessibility of that culture to African-Americans.

First Born
© » KADIST

Rachel Rose

Sculpture (Sculpture)

First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs. For this sculpture made of rock and glass the artist has created a milky glass-blown shape, almost like fabric in its form, which is draped over a metallic rock in the shape of an egg. For the artist, the egg is an alchemical symbol that is representative of conception and birth.

Blue Elbow (Coude Bleu)
© » KADIST

Jumana Manna

Sculpture (Sculpture)

Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics. The materials related to the techniques of the sculpture or the painting but also others, which refer to commerce, to objects of consumption. The chair refers directly to the body as does the title of the work, Blue Elbow .

Untitled
© » KADIST

Jedediah Caesar

Sculpture (Sculpture)

For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms. This technical rework allows for a clinical inspection of the material contents of the piece and the resulting slanted industrial monolith echoes minimalist sculpture, although with a different expressive texture. Indeed, Untitled can be seen as a contemporary pyramid with a painterly surface.

Holly Golightly
© » KADIST

Jason Meadows

Sculpture (Sculpture)

Titled afterTruman Capote’s protagonist famously played by Audrey Hepburn in the film Breakfast at Tiffany’s (1961), Holly Golightly (2011) captures the essence of the character: seductive and bold, mysterious and capricious. Though tied to the ceiling by a chain, the suggested figure is literally light on her feet, with a pointed boot hovering just above the gallery floor. Non-parallel lines and inconsistent angles lend the sculpture a sense of airy haphazardness.

And shadows will follow
© » KADIST

Thea Djordjadze

Sculpture (Sculpture)

The sculpture And Shadows Will Follow is an angle piece that articulates a space since its appearance highly changes depending on the point of view. Initially conceived for an exhibition with natural light, this work diffracts light and projects a shadow like a cut-out. Surprisingly the work stands like a drawing in space, a graph and its imprint, a line and a point.

shores shored (Working Title)
© » KADIST

Michael Dean

Sculpture (Sculpture)

The sculpture shores shored (Working Title) makes reference to the human form. The two sides of the sculpture are distinctively different, with the rear showing an anamorphic-corrugated structure, the front suggesting the human form, making perhaps an unconscious reference to Giacometti or Barnett Newman. But whereas their work suggests immanence, Michael Dean refuses any notion of transcendence, remaining rooted in presentness .

Sideways Time
© » KADIST

Olivia Erlanger

Sculpture (Sculpture)

Sideways Time by Olivia Erlanger is the result of the artist’s interest in networks, seen and unseen, financial and ecological, the collapse of which has resulted in the fracturing of a middle class American identity. Consumption and the construction of value are a frequent concern of her sculptures that explore the structural friction between a public and private. Erlanger looks to the architecture that connects these systems for inspiration and in this sense, the language of scaffoldings, foundations and facades that percolate throughout her work.

Glorie #7
© » KADIST

Caspar Heinemann

Sculpture (Sculpture)

Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way. Initially, Heinemann began this project by wanting to make a series of birdhouses, an interest of his that derived from walking in parks during lockdown, when bird life was so much more present as a result of the reduction in traffic noise and the absence of aircrafts. Though birdhouses may be safe spaces to nurture fledglings, they are also inherently absurd, as human constructs projected onto bird life.

Horizontal Striation Scrap Lamp and Vertical Striation Scrap Lamp
© » KADIST

Jason Meadows

Sculpture (Sculpture)

The Striation Scrap Lamps (vertical and horizontal) although functioning as utilitarian objects also represent Jason Meadows’s interest in a certain kind of crafted sculpture. In fact, one could go as far as to say that these pieces connect with different lines running through the 101 collection: they combine both the appropriation of found materials that responds to a very common practice in certain forms of West Coast avant-garde with an interest in the intersection of art and design (something that is present to a certain extent in more slick, design-oriented pieces such as Chadwick Rantanen’s Telescopic Poles for example).

Jonathan Monk

Prabhakar Kamble

Prabhakar Kamble is an artist, curator, and cultural activist...

Jedediah Caesar

Mariana Castillo Deball

Brian Tripp

Brian D...

Arseny Zhilyaev

Arseny Zhilyaev is arguably one of the most influential contemporary Russian artists of his generation...

Haegue Yang

Jason Meadows

Mateo Lopez

Matthew Angelo Harrison

Detroit’s Matthew Angelo Harrison works at the intersection of sculpture and technology, building his own 3D printers (which rise to the status of sculpture), and using these creations to formulate others...

Walead Beshty

Guillaume Leblon

Guillaume Leblon is a sculptor, who questions the vocabulary of forms – he uses material encompassing copper alloy of tin and zinc, flows like water, lightning, smoke, and space to express notions of landscape and weightlessness...

Yee I-Lann

Naama Tsabar

Naama Tsabar is an Israel-born, New York-based sculpture artist...

Lotus Laurie Kang

Lotus Laurie Kang works with sculpture, photography, and site-responsive installation...

Marcelo Cidade

Rometti Costales

Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...

Christopher Badger

Christopher Badger begins with a root fascination—a shape, a landscape, or a sound—and then pursues it methodically to its logical, and usually open-ended, conclusion...

Curtis Talwst Santiago

Curtis Talwst Santiago is a multimedia artist making work centered on the diasporic experience, transculturalism, and memory...

Marepe

Robert Therrien

Doreen Lynette Garner

Doreen Lynette Garner’s practice examines the histories and enduring effects of racial violence in the United States...

Jes Fan

Jes Fan is a Brooklyn-based artist born in Canada and raised in Hong Kong...

Jumana Manna

Jumana Manna is a Berlin-based artist whose work revolves around the body, national identity, and historical narratives...

Phoebe Collings-James

Phoebe Collings-James’ work engages with experiences of hybridity, referring to the work of writer Sylvia Wynter as a route through which to decipher relations to Western ceramics as well as her own familial origins...

Judith Hopf

In her sculptures, installations and videos, German artist Judith Hopf transforms everyday settings and humble materials into comic expressions of humanist values, verging on the absurd...

Abigail DeVille

African American artist Abigail DeVille’s large sculptures and installations reflect on social and cultural oppression, racial identity, and discrimination in American history...

Amy Balkin

Based in San Francisco, Amy Balkin’s various long-term projects respond to society’s relationship to the land, the atmosphere, the ocean and other natural resources, and how these resources have been used and valued...

Piero Golia

Engel Leonardo

Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...

© » THE GUARDIAN

about 3 months ago (02/11/2024)

When Forms Come Alive; Beyond Form: Lines of Abstraction 1950-70 review – a restless triumph and a badly lit jumble sale | Sculpture | The Guardian Skip to main content Skip to navigation Skip to navigation ‘You are viscerally aware of being caught in some nameless system’: Pumping (2019) by Eva Fàbregas at the Hayward Gallery...

© » COLOSSAL

about 3 months ago (02/10/2024)

Paris-based artist Aurélie Hoegy expertly conjures a seamless vacillation between movement, material, and environment within her dynamic rattan sculptures...

© » COLOSSAL

about 3 months ago (02/09/2024)

In museums or galleries, artist Sydnie Jimenez never saw figurative sculpture that looked like her or that felt relatable...

© » AESTHETICA

about 3 months ago (02/09/2024)

Aesthetica Magazine - When Forms Come Alive: 5 Must-See Sculptures When Forms Come Alive: 5 Must-See Sculptures Hayward Gallery’s When Forms Come Alive is a lively and playful exhibition that presents different facets of sculptures...

© » ARTEFUSE

about 3 months ago (02/07/2024)

The best exhibitions and openings of 2024: North America - ArteFuse It’s an exciting year for art lovers — from Alicia Keys and Swizz Beatz’s world-class collection of contemporary art to the world’s first exhibition exploring Matisse and the sea — there’s something for everyone Abraham Ángel: Between Wonder and Seduction Dallas Museum of Art Through 28 January 2024 Praised as one of the leading artists of his generation, Abraham Ángel produced just 24 paintings — four of which remain lost — before his tragic death at 19 years old, but those works established him as a legendary figure in the canon of modern Mexican art...

© » THE GUARDIAN

about 3 months ago (02/05/2024)

Beyond Form review: the dogged gunk rockers who besieged the art world – and the disco | Art and design | The Guardian Skip to main content Skip to navigation Skip to navigation Stuck on you … Lynda Benglis pouring Adhesive Products (1971)...

© » THE GUARDIAN

about 3 months ago (02/04/2024)

Entangled Pasts: Art, Colonialism and Change review – the most radical show in the RA’s history | Art | The Guardian Skip to main content Skip to navigation Skip to navigation The First Supper (2021-23), Tavares Strachan’s lifesize recreation of Leonardo da Vinci’s The Last Supper in the Royal Academy’s courtyard, the parts all played by heroes of Black history...

© » FRANCE24

about 3 months ago (02/01/2024)

Swedish-Burkinabé artist Theresa Traoré Dahlberg on bridging past and present - arts24 Skip to main content Swedish-Burkinabé artist Theresa Traoré Dahlberg on bridging past and present Issued on: 01/02/2024 - 16:02 12:13 arts24 © FRANCE 24 By: Marion CHAVAL | Yinka OYETADE | Alison SARGENT | Loïc CHALAVON | Sonia PATRICELLI With a mother from Sweden and a father from Burkina Faso, visual artist and filmmaker Theresa Traoré Dahlberg grew up with a dual perspective...

© » LONDONIST

about 4 months ago (01/12/2024)

Wild About Babies In Paternoster Square | Londonist Giant Gorilla In Paternoster Square.....

© » COLOSSAL

about 5 months ago (12/18/2023)

Since the 1960s, British artist Antony Gormley has used the language of sculpture to examine relationships between human beings, nature, and the cosmos...

© » AESTHETICA

about 5 months ago (12/18/2023)

Aesthetica Magazine - Mixed-Media in Focus: 5 Group Exhibitions for 2024 Mixed-Media in Focus: 5 Group Exhibitions for 2024 Textiles...

© » AESTHETICA

about 5 months ago (12/17/2023)

Aesthetica Magazine - Aesthetica Art Prize: Sculpting the Future Aesthetica Art Prize: Sculpting the Future Sculpture is constantly evolving, with its definition widening as we move into an increasingly digital world...

© » ARTSJOURNAL

about 5 months ago (12/17/2023)

Jeff Koons Killed Her Review - The New York Times Art & Design | Jeff Koons Killed Her Review https://www.nytimes.com/2023/12/17/arts/design/jeff-koons-brooklyn-rail-tulips-golan.html Share full article 271 Advertisement SKIP ADVERTISEMENT It all began with the flowers, and the hands holding them aloft...

© » HYPERALLERGIC

about 5 months ago (12/12/2023)

Artist Rodrigo Valenzuela’s Futuristic Ruins Unveiled in LA Skip to content Rodrigo Valenzuela, "The Underpinning" (2023) (photo Matt Stromberg/ Hyperallergic ) LOS ANGELES — On Saturday afternoon, a crowd gathered at Los Angeles State Historic Park on the edge of Chinatown for the opening of Rodrigo Valenzuela’s new public artwork, commissioned by the local nonprofit Clockshop...

© » COLOSSAL

about 5 months ago (12/12/2023)

Strips of cardboard, papier-mâché, and precision folding are just a few of the techniques artists employ as they explore of the endless potential of paper...

© » THE GUARDIAN

about 5 months ago (12/12/2023)

Renaissance bronze Apollo donated to British nation to pay inheritance tax bill | Museums | The Guardian Skip to main content Skip to navigation Skip to navigation The Apollo Belvedere, by Antico, described as ‘the quintessential Italian Renaissance bronze masterpiece’...

© » MODERN MET ART

about 5 months ago (12/11/2023)

25th "Sculpture by the Sea" Brings Over 100 Artworks to Australian Coast Home / Art / Sculpture 25th Annual ‘Sculpture by the Sea’ Brings 100 Artworks to Australian Coast By Margherita Cole on December 11, 2023 Gleb Dusavitskiy, “I Believe I Can Fly.” (Photo: Tyr Liang) Once a year, part of the Australian coastline is transformed into an outdoor museum during the Sculpture by the Sea festival...

© » COLOSSAL

about 5 months ago (12/11/2023)

Guttation is a botanical process that occurs when fungi or plants like grasses and ferns secrete sap from their pores...

© » MODERN MET ART

about 5 months ago (12/07/2023)

Artist Transforms Bicycle Chains Into Human Figures With Tethers Home / Art / Sculpture Artist Transforms Bicycle Chains Into Faceless Human Figures Tethered to the Modern World By Margherita Cole on December 7, 2023 Rather than carve sculptures from one material, Young-Deok Seo assembles his art from numerous, even hundreds, of individual pieces...

© » BOOOOOOOM

about 5 months ago (12/04/2023)

"(Up)Rooted" by Artist Dominique Fung Submit New York-based artist Dominique Fung (previously featured here ) embarks on her first solo exhibition in Europe with “(Up)Rooted,” an allegorical journey featuring a mixture of paintings and sculpture...

© » ARTEFUSE

about 5 months ago (12/04/2023)

Interview with Megan Nugroho and Samuel Alexander Forest - ArteFuse Where do we look for the antidote to the inevitable challenges and disenchantment of living in global metropolises? At Tutu Gallery, Land Language/Bahasa Bumi offers a place of refuge rooted in Javanese landscape and opens up a world in which nature’s intimate immediacy is materialized...

© » THE GUARDIAN

about 5 months ago (12/03/2023)

Turner prize 2023 – and the winner should be… | Turner prize 2023 | The Guardian Skip to main content Skip to navigation Skip to navigation Clockwise from top left: works by 2023 Turner prize contenders Ghislaine Leung, Jesse Darling, Barbara Walker and Rory Pilgrim at Towner Eastbourne...

© » MODERN MET ART

about 5 months ago (11/30/2023)

Artist Renders Pensive Figurative Sculptures in Gray Monochrome Home / Art / Sculpture Pensive Figurative Sculptures Rendered in Gray Monochrome Are Lost in Deep Thought By Margherita Cole on November 30, 2023 When we think of famous sculptures , stark, white marble is usually what comes to mind...

© » LITHUB

about 5 months ago (11/29/2023)

Muse as Medium: On the Women Pablo Picasso Remade in His Image ‹ Literary Hub Craft and Criticism Fiction and Poetry News and Culture Lit Hub Radio Reading Lists Book Marks CrimeReads About Log In Literary Hub Craft and Criticism Literary Criticism Craft and Advice In Conversation On Translation Fiction and Poetry Short Story From the Novel Poem News and Culture The Virtual Book Channel Film and TV Music Art and Photography Food Travel Style Design Science Technology History Biography Memoir Bookstores and Libraries Freeman’s Sports The Hub Lit Hub Radio Behind the Mic Beyond the Page The Cosmic Library Emergence Magazine Fiction/Non/Fiction First Draft: A Dialogue on Writing Just the Right Book Keen On Literary Disco The Literary Life with Mitchell Kaplan The Maris Review New Books Network Open Form Otherppl with Brad Listi So Many Damn Books Thresholds Tor Presents: Voyage Into Genre Windham-Campbell Prizes Podcast WMFA Reading Lists The Best of the Decade Book Marks Best Reviewed Books BookMarks Daily Giveaway CrimeReads True Crime The Daily Thrill CrimeReads Daily Giveaway Log In Muse as Medium: On the Women Pablo Picasso Remade in His Image Mara Naselli Considers the Visceral Visual Violence of the Artist’s Oeuvre Via AGNI By Mara Naselli November 29, 2023 Featured image: Pablo Picasso, Les Demoiselles d’Avignon 1...

© » IGNANT

about 6 months ago (11/08/2023)

Theodore Psychoyos: Working With Matter - IGNANT Name Theodore Psychoyos Images Clemens Poloczek Words Marie-Louise Schmidlin The practice of Athens-based artist Theodore Psychoyos revolves in its essence around matter...

© » IGNANT

about 7 months ago (09/30/2023)

Latika Nehra: Imagining The Future Through Clay - IGNANT Name Latika Nehra Images Clemens Poloczek Words Marie-Louise Schmidlin Latika Nehra creates objects that invite us into a cosmos where multiple stories intertwine...

© » FRANCE24

about 8 months ago (09/15/2023)

Colombia's most famous artist Fernando Botero passes away at 91 Skip to main content Colombia's most famous artist Fernando Botero passes away at 91 Colombia's most famous artist, Fernando Botero, who was known for his voluptuous depictions of people and animals, has died aged 91, President Gustavo Petro announced Friday...

© » HIGH FRUCTOSE

about 52 months ago (01/23/2020)

The illusionary works of Thomas Medicus include "What It Is Like to Be," an anamorphic sculpture consisting of 144 hand-painted strips of glass that reveal new images when turned...

© » HIGH FRUCTOSE

about 52 months ago (01/16/2020)

Carrying a mystical undercurrent, Chie Shimizu’s sculptures are rooted in an exploration of "the significance of human existence.” The artist, born in Japan and based now in Queens, New York, has crafted these riveting figures over the past couple decades, moving between different scales and textural approaches....

© » HIGH FRUCTOSE

about 54 months ago (12/07/2019)

In Amy Brener's "Omni-Kit" sculpture series, everyday objects and imagery are reprocessed into totem-like sculptures that speak to ritual and memory...