Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures. Continuing his fascination with failed modernist utopias, Douglas depicts Michigan Central Station as a monolithic, almost prison-like structure lording over a desolate landscape. Once the hub of industrial transportation, the station is now devoid of any human activity and lies fallow, surrounded by train-less tracks and vegetation-less ground. Douglas’s preoccupation with obsolete sites like this seems less concerned with revisiting or memorializing them than in reviewing the conditions of their failure.
Stan Douglas makes videos and photographs that draw on the legacy of modernism to explore the cultural, social, and political history of the twentieth century. This is evident in his reference to large-scale housing works and other public projects. It also surfaces, perhaps more unexpectedly, in his connections to that period’s cultural production, like the great “auteur” filmmakers and authors, whose grand and utopic artistic projects now seem impoverished.
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...
The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...
From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
Untitled (Women) (2011) presents a startlingly succinct history of violently romanticized femininity...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water...