Columpio

1999 - Photography (Photography)

40,4 x 51 cm

Gabriel Orozco

location: New York City, Paris
location: Mexico
year born: 1962
gender: male
nationality: Mexican
home town: Jalapa, Mexico

Gabriel Orozco could be described as a traveler-artist, without a fixed studio. He works following contexts and produces work that flows. “Special Service” (1997) is a collage on a plane ticket, and indicates nomadism, between territories. The artist, who is the son of muralist Mario Orozco Riviera, questions the boundaries of his artistic identity in Mexico. In “Crazy tourist” (1991), Orozco creates a situation with oranges in the Brazilian market tables in a desert. The artist uses objects or “poor” situations, found in the everyday landscape, natural or urban. By their division, their juxtaposition, or collage, inventing semantic or sensitive scenarios, always surprising, sometimes humorous and sometimes lyrical … The sculptural practice of the artist, inseparable from his drawings, photographs, or films, invents relationships of space, and disrupts our perception of objects. Such is the case of “Yielding Stone” (1992), a photo of a plasticine ball, the weight of the artist, rolled through the streets of New York. Gabriel Orozco was born in 1962 in Jalapa, Mexico. He lives and works in New York, Mexico, and Paris.


Colors:



Perpetual Motion Two
© » KADIST

Diana Thater

2005

In Perpetual Motion (2005) the seemingly erratic flight of the bright orange Monarch butterfly—filmed in its winter habitat of Michoacán, Mexico—is intensified by the artist’s editing in which frames are randomly dropped and the film is sped up...

Untitled (series)
© » KADIST

Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...

Related works featuring themes of: » Complex Geometry, » Mexico, » Cityscapes, » Color Photography, » Contemporary Conceptualism, » Figurative Painting, » Mexican  
» see more

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Until It Makes Sense
© » KADIST

Mario Garcia Torres

2004

Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...

From the series the Old and the New (XI)
© » KADIST

Carlos Garaicoa

2010

From the series the Old and the New (XI) by Carlos Garaicoa belongs to the series Lo viejo y lo nuevo / Das Alte und das Neue (The Old and the New) which was first exhibited in 2010 at Barbara Gross Gallery in Germany...

Other related works, blended automatically  
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Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

Canned Laughter
© » KADIST

Yoshua Okón

2009

Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Study for a Recycling Device
© » KADIST

Pedro Reyes

2005

In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...

Related works sharing similar palette  
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Map of the universo from El Cerro
© » KADIST

Chemi Rosado-Seijo

2016

Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...

Dominique Petitgand
© » KADIST

Dominique Petitgand à propos de “Le bout de la langue” (2003)...

El territorio no está en venta
© » KADIST

María Buenaventura

2011

The Territory is not for sale is a process of reflection and research with people, thinkers and community leaders from Usme, a rural part of Bogotá on the tenuous verge of becoming urban...

Contemporary Art Station announces ’Shibuya Station Exhibition’ for March 19
© » KUMI CONTEMPORARY JAPANESE ART

Contemporary Art Station, the platform that facilitates both emerging and established artists to display their works in public, is pleased to announce the first edition of ’Shibuya Station Exhibition’...

Other works by: » Gabriel Orozco  
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Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

1992

Gabriel Orozco often documents found situations in the natural or urban landscape...

Cemetery #1
© » KADIST

Gabriel Orozco

2002

Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

1994

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994)...

Related artist(s) to: Gabriel Orozco » Francis Alÿs, » Louise Bourgeois, » Cai Guo-Qiang, » Mona Hatoum, » Olafur Eliasson, » Ed Ruscha, » Rosemarie Trockel, » Shirin Neshat, » Danh Vo, » Jeff Wall  
» see more

Pipe Opening
© » KADIST

Jeff Wall

2002

As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe...

Good Life
© » KADIST

Danh Vo

2007

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo...

Untitled (series)
© » KADIST

Francis Alÿs

2006

This series of small drawings is executed with varying materials—pen, ink, colored pencil, charcoal, and masking tape—on architect’s tracing paper...