Days of Our Lives: Reading

Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...

Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...

For I use to eat lemon meringue pie till I overloaded on my pancreas with sugar and passed out; It seemed to be a natural response to a society of abundance (1978), also known as the Bodybuilder series, Martinez asked male bodybuilding competitors to pose in whatever position felt “most natural.” They are obviously trained in presenting their ambitiously carved physiques, but their facial expressions seem comparatively unstudied...

Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...

Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...

Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...

Visalia Livestock Market, Visalia, California results from Lockhart’s prolonged investigation of an agricultural center and community...

Rele Gallery to open new space in Mayfair, London...

What We Lose When Curating Follows the Money Skip to content Gerhard Richter, "Tante Marianne" (1965), oil on canvas (all photos Olivia McEwan/ Hyperallergic ) LONDON — Something feels off from the introductory lines of the exhibition booklet for Tate Modern’s Capturing the Moment ...

Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint - The New York Times Arts | Quietly, After a $4 Million Fee, MoMA Returns a Chagall With a Nazi Taint https://www.nytimes.com/2024/02/12/arts/chagall-moma-return-over-vitebsk.html Share full article 25 Advertisement SKIP ADVERTISEMENT For years, “Over Vitebsk” occupied a central place in the collection of the Museum of Modern Art, which spoke of Marc Chagall’s painting of his hometown in the Russian empire as an important part of its holdings...

Weekly Southeast Asia Radar: Rashomon in KL; Burmese cartooning pioneers | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar TRBANPHOTO March 5, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...

Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...

The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...

David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...

Saturday, June 25, 3pm Space is very limited, please RSVP to participate in the discussion...

In Reyes’s words, “We should be able to extract the technological nutrients before we excrete our waste...

Calvin Warren calls it an ‘ontological equation’/or methods of estimating the odds to rise in the coming centuries by Kameelah Janan Rasheed is part of A Casual Mathematics , a series of interpretive art diagrams, which revisit W...