about 3 months ago (02/12/2024)
Zanele Muholi’s Potent Portrait of South Africa’s Queer Community | AnOther As their new exhibition opens in San Francisco, Zanele Muholi talks about their powerful photos of queer survivors of hate crimes, couples in everyday moments, and self-portraits referencing history February 02, 2024 Text Emily Steer Zanele Muholi creates potent portraits. Photographing both themselves and those within their LGBTQ+ community in South Africa, the artist speaks to both trauma and resilience; violence and beauty. The people within their photographs often return a powerful gaze directed toward the viewer, and Muholi makes playful use of props, in one well-known image depicting themselves covered in cameras.
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...
In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
In Un Hombre que Camina (A Man Walking) (2011-2014), the sense of rhythm and timing is overpowered by the colossal sense of timelessness of this peculiar place...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
Gypsy shows an ambivalent scene, in which broken blinds and its unsmiling subject are balanced with the stilllife plentitude of watermelon slices and the beautifully lit nudity of the sitter...
Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
Golia’s Untitled 3 is an installation in which a mechanical device is programmed to shoot clay pigeons that are thrown up in front of a white wall...
Weekly Picks: Malaysia (20 – 26 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do August 20, 2018 Artist-sharing: Hymen Instinct by Sonia Kwek , at Rumah Attap Library & Collective, 22 Aug, 8pm Performer Sonia Kwek, in conversation with her Malaysian collaborator Lucian, will share documentation and a new script of her solo work Hymen Instinct before the performance goes to the Asia Weekend Theatre Festival in Taiwan...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
As a visual activist for the rights of Lesbian, gay, bisexual, transgender, queer and intersex (LBGTQI), Muholi’s photographs radically transgress the conventional perception of lesbian and transgender communities in South Africa...
David Goldblatt’s “Boksburg series” is a telling portrait of the small town that became a notorious symbol of racism in South Africa...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
The Royal House of Allure is a name of a safe house on mainland Lagos where members of the queer community in need of boarding, due to various circumstances, live together...
‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity | South China Morning Post ‘I thought I was god’s gift to China’: art gallery owner Pearl Lam on her ‘colonial attitude’ and embracing her ethnicity Profile Art gallery owner Pearl Lam on growing up as the daughter of property tycoon Lim Por-yen, losing her colonial mindset and celebrating diversity Kate Whitehead + FOLLOW Published: 7:45am, 3 Dec, 2023 Why you can trust SCMP I was born in Hong Kong and lived in Jardine’s Lookout...
In the Artist’s Studio – A Photo Essay – Art and Cake June 20, 2023 June 20, 2023 Author In the Artist’s Studio – A Photo Essay Julie Lipa https://julielipaartist.com/ @julielipaartist My shop only looks this clean and tidy after I’ve finished a piece and I need a clean slate to start something new...
Artist Spotlight: Jeff Musser – Art and Cake June 27, 2023 June 20, 2023 Author Artist Spotlight: Jeff Musser What does a day in your art practice look like? After I have finished my morning routine of meditation, coffee, and emails, I turn off the Wi-Fi on my phone, put on some music or a lecture/podcast in the background, and I paint for a solid, uninterrupted two hours...
"The Misinterpreted Futures of George Town 2068": Missing Futures | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tan Thian Chang September 27, 2018 By Akanksha Raja (960 words, four-minute read) Prior to stepping into the mystifying world of The Misinterpreted Futures of George Town 2068 , I was curious and fascinated by that science-fictioney title, coupled with the exciting premise of a performance with no performers: the technical elements of the show (lights, sound design, video projections) perform in lieu of human bodies...