Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-sized pinhole camera that dates back to ancient times and which he has used to photograph trees from various regions. Through these works Graham looks back at the history of photography while making the viewers aware of their own retinal experience.
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-size pinhole camera that dates back to ancient times. Through these works Graham looks back at the history of photography while making the viewer aware of his or her own retinal experience.
Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines.
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself. The title of the piece comes from the literal translation of René Magritte’s painting from 1938, La Durée Poignardée , whose more familiar translation is “Time Transfixed.”
There are several elements to Subject, Silver, Prism . Silver ink is applied to blocks of black foam. A simple stand, reminiscent of cheap furniture, supports a drum constructed from deer hide stretched over plastic cooking bowls and held taut by the hide and twine.
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures. Continuing his fascination with failed modernist utopias, Douglas depicts Michigan Central Station as a monolithic, almost prison-like structure lording over a desolate landscape. Once the hub of industrial transportation, the station is now devoid of any human activity and lies fallow, surrounded by train-less tracks and vegetation-less ground.
As suggested by its title, Pipe Opening (2002) depicts a hole in a wood wall exposed by the removal of a pipe. In contrast to his signature immense tableaux, Pipe Opening is a direct but modest document of a “real” scene that Wall “encountered by chance” in daily life. However factual, the image indicates certain enigmatic significance, allowing multiple interpretations.
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision. Often the artist works with the motifs of the counterculture and contemporary non-religious spiritualism. The figure hangs suspended—seemingly ascending—animation.
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years. Many of the pieces are found objects and discarded materials that he has transformed into tools and eccentric prop-like sculptures to help him on his journeys. Map (from Uncertain Pilgrimage) is one such object that could be a metaphor for the whole project: a simple empty paper map that has no location written on it.
Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless). The work uses collage techniques—it is stapled down and has a thick strip of contact sheet paper taped over it—that convert the media coverage on Godard’s film into a filmic object itself. The black paper enacts a kind of cinematic “jump cut” on the article, while simultaneously drawing attention to the medium of the film, as well as the photograph reproduced in this newspaper article.
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world. Patches of canvas cover parts of this otherwise representational photograph and ask the viewer to consider the role that editing and play in our perception of the urban landscape and modernity.
This One, That One by Micah Lexier does not have one ultimate version, but instead consists of a source body of 51 separate chapters that are edited to make up different versions. These different versions are edited depending on the context in which the work is being shown. For instance, the version that was shown at the Power Plant consisted of 20 chapters and was edited specifically for that venue, keeping in mind its length and the other works exhibited in the other rooms.
Drawing & Print (Drawing & Print)
Creole Portraits III alludes to the 18th century practice by slave women on Caribbean plantations of using tropical plants as natural abortifacients. As an act of political resistance against their exploitation as “breeders” of new slaves and to protest the inhumanity of slavery, some slave women chose to either abort or kill their offspring. Armed with practical knowledge passed on orally from their African ancestors and/or Amerindian counterparts, enslaved Creole women collected the seeds, bark, flowers, sap, and roots from various plants which allowed them to secretly put an end to their pregnancies.
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions. This work by Native Art Department International signals a reminder that we–the audience and institution–are located on and occupy traditional territories. The work appropriates and twists white artist Sam Durant’s You Are On Indian Land Show Some Respect (2008) in response to his work Scaffold (2012) installed in 2016-7 at the Walker Art Center in Minneapolis.
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand). The most bombed nation on earth, Laos still bears the physical and mental scars of the U. S. military’s epic aerial offensive, launched largely from bases in Isaan, during the Second Indochina War. Between 1964 and 1973 the US dropped an estimated 250 million cluster bombs on Laos.
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand. Santiago considers these mobile box enclosures a method of transporting narratives of home and intimacy, diasporic identity, and experiences most often hidden or concealed from view. These Walls is a sculptural piece made from a reclaimed jewelry box, clay, paint, wool, plastic figurines, and human hair.
Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities. When they were presented together, the paintings were arranged according to a black horizontal line placed at 160 centimeters from the floor, which traced the entire perimeter of the gallery. According to hygiene standards in Europe, this would mark the height below which walls should be washed in order to prevent the spread of illnesses.
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s. This visual detournement of Indiana’s sculpture into the form of a ring is an indictment of pop art’s apolitical nature, as well as of its increasingly commodified status. General Idea instead proposes that art’s expansive platform for messaging be used to spread awareness and create accountability for political negligence of the AIDS epidemic.
First exhibited as part of the recent multidisciplinary project Code Switching and Other Work , at Art Mûr, Berlin in late 2018, Nadia Myre’s Untitled (Tobacco Barrel) takes inspiration from the cylindrical vessels used to import tobacco from North America to Europe during periods of early colonial settlement. Responding to the history of clay pipe production in the ports of London, Bristol, and Glasgow by weaving together the literal detritus of the colonial tobacco trade, Myre’s work poetically untangles material links between the British Empire, Canada, and Indigenous peoples. Following contact with the so-called New World in the 1600s, the growing popularity of tobacco use in Europe led to the design and widespread manufacturing of disposable, pre-stuffed clay tobacco pipes in Britain.
The Canadian artist collective General Idea (Felix Partz, Jorge Zontal and AA Bronson), active from 1967-1993, was an instrumental source of early conceptual art through their multidisciplinary practice...
American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...
Kapwani Kiwanga is a contemporary researcher, installation, video, photography, sound and performance artist currently based in Paris...
Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...
Micah Lexier is a critically acclaimed Canadian artist living in Toronto...
The work of Nadia Myre, member of the Kitigan Zibi Anishinabeg First Nation, is notable for its embrace of cross-cultural mediations as a strategy towards celebrating and reclaiming the far-reaching intellectual and aesthetic contributions of Indigenous communities...
Native Art Department International is a collaborative project created in 2016 and administered by Maria Hupfield and Jason Lujan...
Yeni Mao’s sculptures have a narrative undertone and are frequently autobiographical, with regard to the Canadian Chinese artist’s transnational background...
Curtis Talwst Santiago is a multimedia artist making work centered on the diasporic experience, transculturalism, and memory...
Joscelyn Gardner is a Caribbean / Canadian visual artist working primarily with printmaking and multimedia installation...
How ANNA WEYANT Became The Most Talked About Painter In The Art World advertise donate post your art opening recent articles cities contact about article index podcast main February 2024 "The Best Art In The World" "The Best Art In The World" February 2024 How ANNA WEYANT Became The Most Talked About Painter In The Art World © ANNA WEYANT...
Texas Hold ‘Em: Beyoncé drops two country-tinged singles | Dazed â¬…ï¸ Left Arrow *ï¸âƒ£ Asterisk â Star Option Sliders âœ‰ï¸ Mail Exit Music News The singer announces the second stage of her Renaissance trilogy, and releases a duo of new tracks 12 February 2024 Text Dazed Digital During the Superbowl last night, Beyoncé announced that her new album – Act II – will be released on March 29...
MoMA Returned Valuable Chagall Painting with Disputed Provenance Skip to main content By Angelica Villa Plus Icon Angelica Villa View All February 12, 2024 1:55pm The glass facade of the newly expanded and renovated Museum of Modern Art, reflects the surrounding buildings...
Bite me! How Apple’s download chart became a new battleground for pop – and politics | Music | The Guardian Skip to main content Skip to navigation Skip to navigation Megan Thee Stallion and Nicki Minaj: fans have rallied behind them on the Apple Music store...
Phillips's selling show of contemporary Indigenous art reflects surge in curatorial interest Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art market news Phillips's selling show of contemporary Indigenous art reflects surge in curatorial interest Collectors’ enthusiastic response to 'New Terrains' exhibition is latest signal that the market is finally catching up Carlie Porterfield 9 February 2024 Share Death of Adonis (2009) was one of two paintings by Cree artist Kent Monkman in the Phillips show © Kent Monkman Just after ringing in the New Year, Phillips opened the doors of its Park Avenue headquarters for New Terrains , a selling exhibition of work by around 65 contemporary Indigenous artists from the US and Canada across seven decades...
Is Italy’s government meddling in who runs top museums? Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums news Is Italy’s government meddling in who runs top museums? Cultural figures voice concern about culture ministry’s appointments to run institutions including Florence’s Uffizi Galleries and Milan’s Pinacoteca di Brera James Imam 6 February 2024 Share Milan’s Pinacoteca di Brera is now run by Angelo Crespi, a culture official under Silvio Berlusconi, replacing James Bradburne....
Artists announced for Venice Biennale 2024, which will spotlight queer and Indigenous names...
Maude Arsenault – Resurfacing – AMERICAN SUBURB X Skip to content Her work invests the themes of female representation, private space, domesticity and intimacy within the framework of a photographic and material approach which oscillates between abstract compositions, self-portraits, landscapes and images documentaries...
Jan Gatewood on Psychoanalysis, Br’er Rabbit and Exhibiting in London for the First Time - Something Curated Copy Features Interviews Profiles Guides Jobs Interviews - 22 Jan 2024 - Share American artist Jan Gatewood ’s works expand on traditions of drawing through an amalgam of mediums and processes, probing the junctures of painting, collage and drawing...
Heffel and Cowley Abbott’s live sales punctuated narratives driving the Canadian art market, from the renewal of Norval Morrisseau to the celebration of......
As Poor Things director Yorgos Lanthimos bemoaned the lack of sex in mainstream film, a recent study from UCLA found that a good chunk of Gen Z just doesn't really want to see sex in TV and movies anymore...
Emmanuelle Debever: Prosecutors probe death of Gerard Depardieu accuser - BBC News Image source, Les Films du Losange Image caption, A young Emmanuelle Debever, who appeared in several films and television programmes in the 1980s By Hugh Schofield BBC News, Paris Paris prosecutors are investigating the apparent suicide of an actress who alleged she was sexually assaulted decades ago by Gérard Depardieu...
Quagga-mire: Great Lakes shipwrecks slowly consumed by invasive molluscs Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Archaeology news Quagga-mire: Great Lakes shipwrecks slowly consumed by invasive molluscs Preserved for centuries in pristine condition, submerged archaeological sites are now being destroyed by quagga mussels Kimberly Hatfield 15 December 2023 Share The Milwaukee , which sank in 1929 while transporting rail cars full of Kohler bathtubs, now blanketed in mussels Wisconsin Historical Society The unique conditions of the Great Lakes of North America once fostered a museum-like time capsule for important submerged archaeological sites...
Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news Protesters calling for Gaza ceasefire stage die-in at Canadian Museum for Human Rights The action, staged on International Human Rights Day, lasted 64 minutes in observance of the 64 days since the Israel-Hamas war began Hadani Ditmars 13 December 2023 Share The 10 December protest at the Canadian Museum for Human Rights Listen from Queers for Palestine - Winnipeg Palestinian solidarity groups, activists and community members marked International Human Rights Day on Sunday (10 December) by calling for an immediate ceasefire in Gaza and staging a mass “die-in”for 64 minutes at the Canadian Museum for Human Rights (CMHR) in Winnipeg...
10 Must-See Artworks by Indigenous American Artists at the Seattle Art Museum | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
Five curators join Whitney Biennial team for the 2024 edition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Appointments & departures news Five curators join Whitney Biennial team for the 2024 edition The additional staff will programme sound art, film and performance events Theo Belci 9 December 2023 Share The Whitney Museum of American Art Photo: Ajay Suresh (CC BY 2.0) New York’s Whitney Museum of American Art has announced the expansion of its biennial in 2024, including five additional curators in sound art, film and performance...
Nevada lithium mine threatens cultural sites Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Heritage news Nevada lithium mine threatens cultural sites The US federal government’s manoeuvres to boost domestic lithium extraction are raising fears from tribal communities about archaeological and environmental impacts Gabriella Angeleti 8 December 2023 Share Members of the Fort McDermitt Paiute-Shoshone tribe gather to oppose the Thacker Pass lithium mine Photo: Carolyn Cole/Los Angeles Times via Getty Images The construction of an open-pit lithium mine in northern Nevada, which is scheduled to begin full-fledged operation in 2026, will have irreversible effects on the environment and cultural heritage sites in the region, according to archaeologists, environmentalists and Native American communities who oppose the project...
Citing Silencing of Arab Voices, Artists Cut Ties With Art Canada Institute Skip to content Rana Nazzal Hamadeh, "Untitled" (2020), color digital photograph, inkjet on vinyl, 60 inches x 120 inches (image courtesy of the artist) A number of artists and curators have said they are cutting ties with Art Canada Institute (ACI) after the arts nonprofit was accused late last month of attempting to suppress the voices of a group of Arab and Muslim artists...
Has Banksy Finally Revealed His True Identity? | Observer A Welsh politician...
Canadian Collector Michael Audain Has Written a Memoir Titled "One Man in His Time" - via The Georgia Straight...
PuSh International Performing Arts Festival - Steve Lambert PuSh International Performing Arts Festival - Steve Lambert Steve Lambert has a book coming out Art Works News Writing About Steve Contact Resume Now Newsletter Book Creative Commons BY-NC-SA January 2022 Exhibitions Canada , Capitalism Works For Me! True/False , Vancouver I’ll be showing Capitalism Works For Me! True/False at the PuSh International Performing Arts Festival in Vancouver, British Columbia....
Who's Afraid of the VOD? : Highlights of SIFA On Demand | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints June 5, 2021 Let’s face it...
Weekly Southeast Asian Radar: Alcohol & East Malaysians; The Singapore Grip | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar ZiJing/Flickr September 10, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Weekly Southeast Asia Radar: The woes of Ballet Philippines; Saigon's forgotten museum | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Alberto Prieto...
Between Worlds: Café Sarajevo, ATARA and No Place | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Crispian Chan February 17, 2020 By Nabilah Said and Germaine Cheng (1,580 words, 7-minute read) What does it mean to be between worlds? To behold yet not belong? Three works – Café Sarajevo , ATARA and No Place – presented as part of M1 Singapore Fringe Festival 2020 ask these questions, of their audience and of themselves....
Weekly Southeast Asia Radar: Singaporean rapper BGourd; the studio of Pinoy comic book legends | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Buro Singapore January 31, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
The Paris Opera Ballet performs Crystal Pite’s "The Seasons’ Canon": Esplanade’s da:ns series 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Julien Benhamou May 20, 2019 By Elizabeth Chan (750 words, four-minute read) The prestigious Paris Opera Ballet arrives on local shores this June as part of Esplanade’s da:ns series, bringing with them a trio of wide ranging works...
Weekly Picks: Singapore (10 – 16 September 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 12, 2018 Tiger of Malaya by Teater Ekamatra , 12 – 23 Sept, Drama Centre Black Box In 1943, the Japanese film ‘The Tiger of Malaya’ was released...
Spacejunk Bayonne: La Belle Peinture group show - The re:art Spacejunk Bayonne: La Belle Peinture group show Spacejunk Bayonne presents the group show La Belle Peinture ( The Beautiful Painting ) featuring international artists, masters of Pop Surrealism, whose works revisit old masters such as Caravaggio, those of the Dutch Golden Age and Flemish painting or Japanese print, yet through composition and narrative remain deeply relevant to our times...
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s...
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...
Uncertain Pilgrimage is an ongoing project in which Moore draws from his unplanned travels in recent years...
Ben Shaffer’s Ben Deroy (2007) is part performance, part self-portrait, and part spiritual vision...
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
Drawing & Print
Creole Portraits III alludes to the 18th century practice by slave women on Caribbean plantations of using tropical plants as natural abortifacients...
This One, That One by Micah Lexier does not have one ultimate version, but instead consists of a source body of 51 separate chapters that are edited to make up different versions...
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
Kapwani Kiwanga’s Linear Painting series (2017) reflect the artist’s research into disciplinary architecture, including schools, prisons, hospitals, and mental health facilities...
The neon sign Walk the Walk (Sam Durant) overlays a Walk/Don’t Walk Sign crosswalk sign onto the text “You Are On Indian Land Show Some Respect.” The sign asks viewers to not walk on Indigenous lands without respecting it, and, switching between a walking person icon in white and a raised hand icon in red, redirects their actions...
First exhibited as part of the recent multidisciplinary project Code Switching and Other Work , at Art Mûr, Berlin in late 2018, Nadia Myre’s Untitled (Tobacco Barrel) takes inspiration from the cylindrical vessels used to import tobacco from North America to Europe during periods of early colonial settlement...
Pratchaya Phinthong’s work has explored the mineral and karmic economies of Laos, a country that shares language, beliefs, and a long border with his own native region of Isaan (Northeast Thailand)...