Biennale, Dog
2003 - Drawing & Print (Drawing & Print)
Xu Tan
Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities. Biennials help various localities produce their own art scenes and provide playgrounds for the international art world to expand its activities and influences. This is a highly contradictory process that renders local productions globally visible, but yet risks reducing their complexity, difference, and independence. In a way, these temporary art exhibitions are the perfect example of the negative and positive impact of globalization that affects both social reality and personal destiny. Xu’s Biennials enact and publicize different “possible scenarios” that these contradictory factors might effect on the social imaginary.
Xu Tan began his career as a member of the well-known Guangzhou-based artist collective Big Tail Elephant. His installation and video works explore issues crucial to the post-Cold War, post-colonial, and increasingly globalized world like urbanization, the geopolitical relationships between the developed and developing worlds in terms of political, economic, and cultural production and their impacts on personal lives and their expressions. Xu’s works are often site-specific, dealing intimately with everyday experiences to critically demonstrate the tension between globally circulating images, modes of communication, and the impact they have locally. Powerfully and intelligently, Xu’s work calls for contemporary art to engage with social reality in our time.
Colors:
Related works featuring themes of: » Australia and New Zealand, » Cinematic, » Collective History, » Cross-Cultural Dialogue, » Dutch
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Daniel Crooks
2014The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
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Bani Abidi
2008The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
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Ximena Garrido Lecca
2014Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
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Juliana Huxtable
2017Herculine’s Prophecy by Juliana Huxtable features a kneeling demon-figure on what appears to be a screen-print, placed on a wooden table, which has then been photographed and digitally altered to appear like a book cover, with a title and subtitle across the top, and a poem written across the bottom...
Other related works, blended automatically
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Daniel Crooks
2014The Illusion of Everything (2014) follows an unseen pedestrian as he navigates the Australian city of Melbourne’s dense and intricate network of laneways...
© » KADIST
Bani Abidi
2008The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
© » KADIST
Wong Wai Yin
2021Drawn from the widely circulated images of protests around the world in support of women rights and racial equality, the phrase I can’t believe we are still protesting is both the title of Wong Wai Yin’s photographic series and a reference to similar messages seen on protest signages...
Related works sharing similar palette
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Minia Biabiany
2019Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...
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Hank Willis Thomas
2014Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Other works by: » Xu Tan
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Related artist(s) to: Xu Tan » Liu Ding, » Zheng Guogu, » Cao Fei, » Danh Vo, » Hu Fang, » Anton Vidokle, » Nairy Baghramian, » Rosemarie Trockel, » Simon Fujiwara, » Adrián Villar Rojas
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Anton Vidokle
2020Shot in Oliveto Lucano, a village in the south of Italy, AUTOTROFIA (meaning self-eating) by artist Anton Vidokle is a cinéma vérité style film that slides fictive characters into real situations, and vice-versa, to draw a prolonged meditation on the cycle of life, seasonal renewal, and ecological awareness...
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Adrian Villar Rojas
2010The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Related works found in the same semantic group
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Border Biennial showcases art across the Texas-Mexico border Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Exhibitions news Border Biennial showcases art across the Texas-Mexico border It’s the first physical iteration of the El Paso and Juárez exhibition in five years, after the onset of the Covid-19 pandemic shut down the 2020 edition Carlie Porterfield 15 December 2023 Share Pico del Hierro-Villa's Las Virgencitas Enamoradas (2022) Courtesy of the artist The Border Biennial, which celebrates art and culture across the US-Mexico border, is returning for the first time since the onset of the Covid-19 pandemic and related travel restrictions interrupted the 2020 edition of the event...