Stilleben mid Zierlauch (Still Life with Aluminum)

2014 - Photography (Photography)

60.96 x 45.72 x 3.81 cm.

Annette Kelm

location: Stuttgart, Deutschland
year born: 1975
gender: female
nationality: German

In Stilleben mid Zierlauch ( Still Life with Aluminum) Annette Kelm utilizes visual juxtaposition to bring together a gridded aluminum backdrop, a pot with a vaguely indigenous pattern on it, and two purple dandelions. The aesthetic dissonance between the mechanical, gridded aluminum and the grainy clay pot signify an interaction between systems of visual production, furthered by the aluminum grid’s inward tilt, visually apparent due to the grid pattern’s convergence at the top of the photograph. Contrasting the stark slant of the grid, the pot sits on a level surface, while the two tall stems protruding from it run at a non-parallel angle to the grid. Though there emerges an uneasy relation between the clearly demarcated individual parts of the composition, its material pluralism is evidence of the work’s conflation of different cultural technologies and functionalities.


Using a conceptually-oriented model of photography, German artist Annette Kelm explores objects and the surrounding nexus of human-driven relations that govern their existence, signification, and function. Her photographs explore systemic structures of capital and history by juxtaposing disparate genres, such as patterned textiles, designed objects, and technology, within a single work. The clashing motifs of these still life compositions sketch out richly contradictory and cross-cultural narratives, while subverting the stylistic conventions of normative photographic advertisements. Kelm often feature a single, vaguely familiar object, which she renders using a direct and realistic style that oscillates between genres, such as documentary and advertising. She makes series revolving around these objects, pressing the relationship between photography and sculpture—her work moves between the creation of images and the recording of a staged object or objects—in order to unfold her subject’s social, economic, and cultural context.


Colors:



Foreigners Everywhere (Italian)
© » KADIST

Claire Fontaine

2006

Foreigners Everywhere is a series of neon signs in several different languages...

One Must
© » KADIST

John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Wright Imperial Hotel
© » KADIST

Abraham Cruzvillegas

2004

Wright Imperial Hotel (2004) is a sort of bow and arrow made out of feathers, a São Paulo phone book, and other materials...

Untitled (Breathless)
© » KADIST

Ian Wallace

2000

Untitled (Breathless) presents a folded newspaper article on Jean-Luc Godard’s À Bout de Souffle (Breathless)...

Untitled (Rolled up)
© » KADIST

Jonathan Monk

2003

Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...

Meeting #100
© » KADIST

Jonathan Monk

Meeting #100 is one in a series of text works by Jonathan Monk...

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Study for my Heroes in the Street (Stan)
© » KADIST

Ian Wallace

1986

Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...

Video: Catherine Opie on photographing leading British artists
© » ROYAL ACADEMY

Catherine Opie

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

Cathy (bed self-portrait)
© » KADIST

Catherine Opie

1987

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...

Freeway Series
© » KADIST

Catherine Opie

1994

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...

Mike and Sky
© » KADIST

Catherine Opie

1993

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...

Alistair Fate
© » KADIST

Catherine Opie

1994

Alistair Fate (1994) depicts, presumably, a member of the LGBT community...

Raven (gun)
© » KADIST

Catherine Opie

1987

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain...