33 x 48 cm
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives. Pairing these distorted and decaying images with their original newspaper captions, the abstracted images and specificity of the texts collide, opening up the imagery to new and imagined interpretations. Struggling towards clarity, the patterns and forms contained within the images are only defined by the positive and negative (black and white) spaces of the compositions. For example, Untitled (Ruby Downing Sitting Between Two Unidentified Men in a Room) depicts an amorphous congregation of pools and splotches. With the context muddied by time, the detailed caption provokes questions and considerations concerning the protagonists and context of the imagery—who is Ruby Downing? What room? Why was this a newsworthy event? Similarly, Untitled (Joseph T. Robinson Standing at a Podium in a Room) presents only a frenetic constellation of almost pixelated spots, like static on a screen. While, Untitled (Governor of Ohio Judson Harmon) illustrates a fluid, almost gaseous ball of energy, like a fire set ablaze. Embracing the physical erasure of the content, Oppenheim’s project underscores how temporal distance changes the interpretations of a historical event, while also demonstrating how what is considered newsworthy shifts over time
Lisa Oppenheim’s artistic practice is rooted in a research-based methodology that focuses on the intersection of images, their sources, and their contexts. Working predominantly in photography, the artist frequently references library, collection, documentary, and online archives as resources for her projects that are marked by both their conceptual and aesthetic complexity. Visually, her images embrace fragmentation, exposures, substitutions, and other physical manipulations that reveal the nuanced mechanics and chemistry of the photographic medium, its history, and theory. Merging strategies of appropriation and recontextualization, Oppenheim reconstitutes past and present by assigning new meanings to historical imagery, records, and materials. Bound up in the expansiveness of photography’s trajectory, Oppenheim’s project consider the process, modes of consumption, and circulation of photography.
The title Untitled Passport II was first used by Felix Gonzalez-Torres in an unlimited edition of small booklets, each containing sequenced photographs of a soaring bird against an open sky...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
Weekly Southeast Asia Radar: Puja Pantai in Selangor; young Cambodian singers talk old music | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar AP January 16, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
Abigail Lane — Doing Time — Galerie Semiose — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Abigail Lane — Doing Time — Galerie Semiose — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Abigail Lane — Doing Time Exposition Installations Abigail Lane, Black bird, Doing Time Abigail Lane Doing Time Encore 27 jours : 13 janvier → 9 mars 2024 La série exposée dans la project room chez Semiose, Doing Time, consiste en des broderies d’oiseaux insérées dans des boîtes fermées par des barreaux...
Au non de la liberté (Tiko drink Kumba drunk) is a photographic series by Zacharie Ngnogue and Chantal Edie that considers the correlation between those who hold power in Cameroon and how their actions affect the populations they rule in often compromising ways...
The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental...
‘Poor Things’ Review: An Anarchic, Artistic Celebration of Life | KQED Skip to Nav Skip to Main Skip to Footer The Do List ‘Poor Things’ Is a Gloriously Anarchic Celebration of Life Without Limits Rae Alexandra Dec 5 Save Article Save Article Failed to save article Please try again Facebook Share-FB Twitter Share-Twitter Email Share-Email Copy Link Copy Link Emma Stone as Bella Baxter in ‘Poor Things.’ (Searchlight Films) If you happen across a film critic this week who insists that Poor Things is a bad movie, please make a mental note that a) they are lying, and b) they’re probably being a contrarian because they know every other critic on Earth is going to fall over themselves with glee to sing this movie’s praises...
This installation combines the display of real objects with the deceptively painterly amalgamation of their content as the subject of a photograph...
Marcelo Cidade’s sculpture Abuso de poder (Abuse of Power, 2010) is a mousetrap elegantly crafted in Carrara marble...
In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms....