The wall installation Friction/Where is Lavatory (2005) plays off anxieties about time but utilizes sound to create a disconcerting experience of viewership: comprised of dozens of wall clocks sutured together, the work presents a monstrous vision of time at its most monumental. The clocks, however, are effectively broken, altered so that the second hand of each clock obstructs one another as they sweep across the face. Often combining a sense of physical incongruity and visceral displeasure with touches of humor and cruelty, Taiyo utilizes conceptual approaches as a means of challenging preconceived ideas about social organization. His work frequently interrogates how we organize space and time through discretely measured units, and in parodying that obsessively precise ways that we mark our very existence – through instruments that direct our bodily movements or denote our sense of time – Taiyo invites us to consider our relationship not just to devices but to our very sense of ontological being.
Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life. He studied at the Sokei Academy of Fine Art and Design in Tokyo. Kimura’s solo exhibitions include “Taiyo Kimura: 55 Bethune Street, NYC” ARTCOURT Gallery, Osaka, Japan (2014); “Taiyo Kimura – new works” nca | nichido contemporary art, Tokyo (2012); Propagation, Branch Gallery, Durham, N.C. (2008); Japanda: A Cross-Cultural Curatorial Exchange, Part One, Art Gallery of Southwestern Manitoba, Canada (2007); Taiyo Kimura, Yokohama Portside Gallery, Yokohama, Japan (2005); and Taiyo Kimura: Unpleasant Spaces, Württembergischer Kunstverein, Stuttgart, Germany (2004).
Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...
End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...
« On ne démocratise pas le rapport à la musique, à la danse en les réduisant à un “éveil musical ou dansant” » Offrir Le Monde F in octobre tombait une nouvelle pour le moins sidérante : le directeur académique des services de l’éducation nationale en Indre-et-Loire annonçait le démantèlement des classes à horaires aménagés musique et danse ( CHAM et CHAD ), de la 6 e à la 3 e , du lycée Paul-Louis-Courier, de Tours, au nom de la mixité sociale et scolaire...
Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...
In Permanent Laughter (2011), dozens of portable compasses are scattered under a sheet of acrylic board, which is in turned covered with what appear to be the diffuse remains of an unidentified skeleton...
Installation art by Şakir Gökçebağ - The re:art Installation art by Şakir Gökçebağ The art of Şakir Gökçebağ plays with one’s perception of normality and challenges any prior convention or knowledge of how things were designed to function and how they exist in the order and logic of the everyday man-made world...
In Time is a 24-hour video in which the artist rests, hangs and clings onto the minute hand of a large clock, 4 x 4 meters in diameter, arduously counting out a full 24-hour cycle so that the video becomes a functional time-keeping device...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
Nicolás Bacal uses everyday materials to evoke systems in his sculptures and installations...