The Third Seal—They Are Already Old. They Don’t Need To Exist Anymore is part of The Seven Seals , Tsang’s ongoing series of digital videos that are projected as installations onto the walls and ceilings of dark rooms. Using texts and computer technology, the series draws its reference from various sources—the Bible, Judeo-Christian eschatology, existentialism, metaphysics, politics, among others—to articulate the world’s complexity and the dilemmas that people face while approaching “the end of the world.” The Third Seal is a nineteen-by-twenty-seven-foot projection on a single wall that, together with sound, creates an immersive and dynamic environment. Crawling up from the bottom of the wall are black, worm-like texts that comment on class struggle, revolutionary riots, labor and production, human existence, and social justice. Without a clear beginning or end, the work suggests a cycle and the non-linear nature of history, and, by extension, life and death.
Navigating relationships among words, images, and languages, Tsang Kin-Wah’s text-based work span various media: wall prints, silkscreen, and digital video projections. His wallpaper prints usually feature beautiful floral patterns that recall the swirls of nineteenth-century decorative wallpapers. However, upon closer inspection, details reveal the patterns to be composed of text in both English and Chinese characters. Their provocative and sometimes offensive meanings mock art, the art market, the artist and his Chinese ethnicity, as well as other broader culture issues. In 2009, Tsang began experimenting with new media and produced The Seven Seals , an ongoing series of digital video installation works that takes its name from the New Testament’s Book of Revelation. Tsang’s practice allows a range of interpretations and encourages viewers to search the relationship between image and text, between pictographic and phonetic writing systems.
Five curators join Whitney Biennial team for the 2024 edition Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Appointments & departures news Five curators join Whitney Biennial team for the 2024 edition The additional staff will programme sound art, film and performance events Theo Belci 9 December 2023 Share The Whitney Museum of American Art Photo: Ajay Suresh (CC BY 2.0) New York’s Whitney Museum of American Art has announced the expansion of its biennial in 2024, including five additional curators in sound art, film and performance...
For Richard Bell, art is not simply a vehicle through which to represent and convey political content...
Whispers - Photographs by Yuanbo Chen | Text by Magali Duzant | LensCulture Feature Whispers A multi-layered approach to visual storytelling — a conversation, a portrait, and a detail of a personal object or a place — captures the shared experiences of Chinese citizens coping with isolation while abroad during the Covid lockdown...
Noticing the lack of archives on the queens of various African kingdoms, artist Ishola Akpo created several series of work that retrace their history...
To produce the series of sculptures collectively titled Utarand , Prabhakar Kamble relocated his studio to Kolhapur, Maharashtra, near the village where he was born into a family of daily wage earners...
The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
Freehand artist Mr Doodle comes to Hong Kong on mission to ‘doodle the world’: Briton’s work on show at K11 Musea and Pearl Lam Galleries | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more British artist Sam Cox, better known as Mr Doodle, draws on a model spaceship at Hong Kong MTR station in Central, Hong Kong on November 19...
Maria Taniguchi works across several media but is principally known for her long-running series of quasi-abstract paintings featuring a stylized brick wall device...
In New York City’s Chinatown, subject Suat Ling Chua’s morning exercise is to practice the hula hoop...
Originally a multi-channel video installation with sculptures and sound, this iteration of The Workshop by Gilad Ratman is a three-channel distillation of the expansive project that follows a group’s underground pilgrimage from Mt...
The Traditional Body, The Contemporary Mind and The (Dancing) Mother | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Sivarajah Natarajan September 27, 2019 By January Low (1,693 words, 7-minute read) A little over a year ago, I was invited to be a part of MI(X)G , Festival Tokyo’s 2018 opening production, and the cherry on the sundae was to work together with legendary Thai contemporary dance artist Pichet Klunchun for five weeks spread out over four months...
These two images come from the series called “State of Control” which Kilpper made in the building formerly occupied by the Stasi in Berlin...