38.1 x 20.32 x 38.1 cm
Known But to God: The Dug Up, Dissected, and Disposed for the Sake of Medicine by Doreen Lynnette Garner is a small, suspended sculpture composed of glass, silicone, steel, epoxy putty, pearls, Swarovski crystals, and whiskey. At once attractive and repulsive, the sculpture combines objects of adornment with what appears to be viscera. The sculpture’s curious delicacy evokes a ritualistic catharsis, in response to persistent forms of medical racial violence and objectification for Black people in America and around the world. The hanging glass sculpture references showglobes—early 20th century symbolic markers for pharmacies and apothecaries, typically hung in the window and filled with colored liquid. Their opulent exteriors belie abject contents: silicone body fragments floating in whiskey, alluding to the appalling history of medical violence inflicted upon black bodies.
Doreen Lynette Garner’s practice examines the histories and enduring effects of racial violence in the United States. She does this through the frameworks of medicine and pathology, by examining past and present examples of experimentation, malpractice, and exploitation enacted upon Black people. Harkening back to artists such as Lorraine O’Grady and Howardena Pindell, Doreen Lynette Garner’s work interrogates the abuse of power, the politics of redress and retribution, and ancestral revenge. Garner leverages her artistic practice as a vehicle to commemorate Black people who were enslaved, medically tortured, and racially oppressed.
How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration | Artsy Skip to Main Content Advertisement Art Market How Berlin Gallerist Michael Janssen Is Committing to New Models of Collaboration Maxwell Rabb Jan 31, 2024 6:46PM Gulnur Mukazhanova Untitled, from the series ‚Self Portaits‘ , 2023 Galerie Michael Janssen €9,000 Portrait of Michael Janssen...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
The Substation’s SeptFest 2021: Endnote | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Joelle Cecilia Quek April 15, 2021 Text and photos by Joelle Cecilia Quek The Substation’s 2021 SeptFest made a full comeback in March after 6 years, marking the 30th anniversary of Singapore’s first independent home of the arts...
BSA Images Of The Week: 11.05.23 | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Welcome to BSA Images of the Week! Nobody was out Friday night when we went to see “Stop Making Sense” on the screen; the streets of Manhattan and Brooklyn at 10 pm were rather lightly attended, possibly because everyone was recovering from a mid-week Halloween/Day of the Dead blast of drunkenness, revelry, laughter, and tears...
Podcast 67: Urinetown and Lim Boon Keng – The Musical | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Pangdemonium, Musical Theatre Ltd October 30, 2019 Theatre reviewers Matt Lyon and Naeem Kapadia are joined by ArtsEquator editor Nabilah Said in this newly rebooted theatre podcast discussing recent productions Urinetown: The Musical by Pangdemonium, and Lim Boon Keng – The Musical by Musical Theatre Ltd...
Indigenous educator and curator Sandra Benites, of the Guarani-Ñandeva people, narrates the origin myth of the bird Urutau in her native language...
In pictures: Art Basel in Miami Beach's Meridians section features big works tackling big topics Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Art Basel in Miami Beach 2023 feature In pictures: Art Basel in Miami Beach's Meridians section features big works tackling big topics Curator Magalí Arriola picks out some highlights from the fair's large-scale presentation Elena Goukassian 9 December 2023 Share Lee Mullican, Entrance of the Entertainers (1984-85) Liliana Mora Although this year’s Meridians section at Art Basel in Miami Beach lacks an official theme, many of its large-scale works reference some sort of metaphorical largeness—whether global connectivity, the environment or the universal language of music...
Are You Ready To Take The Law Into Your Own Hands: Tongue Scrapes Against Cheek | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Sarah Walker February 29, 2020 The following review is made possible through a Critical Residency programme supported by By Nabilah Said (670 words, 5-minute read) I watched Are You Ready To Take The Law Into Your Own Hands by Sipat Lawin and Friends on 26 February 2020, 34 years almost to the day of the People Power Revolution, which toppled the Marcos government in the Philippines after decades of corruption and totalitarian control and ushered in the age of Corazon Aquino as the new president...
The Black Canyon Deep Semantic Image Segments by Trevor Paglen merges traditional American landscape photography (sometimes referred as ‘frontier photography’ for sites located in the American West) with artificial intelligence and other technological advances such as computer vision...
From Here On: Going to the theatre in the time of COVID | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Esplanade – Theatres on the Bay October 1, 2020 By Jocelyn Chng (1,550 words, 5-minute read) Attending From Here On , my first live performance since COVID hit, evoked a very strange mix of emotions in me...
de montañas submarinas el fuego hace islas reader This digital publication was produced as part of the exhibition de montañas submarinas el fuego hace islas [from underwater mountains fire makes islands] , curated by Yina Jiménez Suriel and co-presented by KADIST and Pivô, which continues the curator’s research project, ‘de montanhas submarinas o fogo faz ilhas.’ Released on November 9, 2022, the reader brings together commissioned and translated texts by Félix Servio Ducoudray, Marta Aponte Alsina, Marilia Loureiro, Suely Rolnik, Olivier Marboeuf, Yásnaya Elena Aguilar, and Yina Jiménez Suriel...
The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years...