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In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh. Money, food, appearances, and consumption: the viewer is pulled into a round of transactions, a rumination on our society in which art occupies a coveted position. The film’s rhythm is suddenly interrupted by the appearance of a green polyhedron that, once licked by one of the mysterious protagonists, becomes golden yellow, a magical event accompanied by an intense swelling of violin music. As is often the case in Shahryar Neshat’s videos, the music, soundtrack and speech use surprise as a significant element in the video. Presented in a glass museum display case near a Warhol camouflage painting, the object begins to speak in a voice-over, demanding to be the exclusive center of attention and manifesting its satisfaction by a forced laugh. Another scene in the film shows a man displaying a scratch on his arm. The wound, the vulnerable body and testing desire with disgust are recurrent themes in Shahryar Nashat’s work. Hustle in Hand seems disrupted by subliminal images that disturb viewing and challenge our consented credulousness, our necessary candor while suggesting a parallel narrative to our subconscious. The installation space—with several glass and marble sculptures, presents a multitude of visions amid which the gaze shifts—giving our imagination over to these measured, odd and agitated ambivalences.
The work of Shahryar Nashat (b. 1975, Geneva, Switzerland) is made up of the interwoven fragments of baroque and renaissance sculptures, humour, sensuality and insolence. Practicing largely in installation format, which give prominence to video, include photography, sculpture and etchings, the artist creates new opportunities for critical reflection about the canon of artistic media. With an interest in art collections, libraries, artwork reproductions and archives, Nashat imagines new forms of display through artistic reuse. Combining synthetic forms mediated by organic and man-made representations, the artist’s oeuvre is an examination of the human-body’s interaction with material culture.
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Valuable Paintings Found in Unusual Places | Art & Object Skip to main content Subscribe to our free e-letter! Webform Your Email Address Role Art Collector/Enthusiast Artist Art World Professional Academic Country USA Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antarctica Antigua & Barbuda Argentina Armenia Aruba Ascension Island Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bosnia & Herzegovina Botswana Bouvet Island Brazil British Indian Ocean Territory British Virgin Islands Brunei Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Canary Islands Cape Verde Caribbean Netherlands Cayman Islands Central African Republic Ceuta & Melilla Chad Chile China Christmas Island Clipperton Island Cocos (Keeling) Islands Colombia Comoros Congo - Brazzaville Congo - Kinshasa Cook Islands Costa Rica Croatia Cuba Curaçao Cyprus Czechia Côte d’Ivoire Denmark Diego Garcia Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Eswatini Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia French Southern Territories Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guinea-Bissau Guyana Haiti Heard & McDonald Islands Honduras Hong Kong SAR China Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey Jordan Kazakhstan Kenya Kiribati Kosovo Kuwait Kyrgyzstan Laos Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macao SAR China Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Micronesia Moldova Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar (Burma) Namibia Nauru Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island Northern Mariana Islands North Korea North Macedonia Norway Oman Outlying Oceania Pakistan Palau Palestinian Territories Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Islands Poland Portugal Puerto Rico Qatar Romania Russia Rwanda Réunion Samoa San Marino Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia & South Sandwich Islands South Korea South Sudan Spain Sri Lanka St...
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