Sculpture (Sculpture)

Anne Samat’s Puteri 3 references Ulek Mayang, a classical Malay dance, performed in a ritualistic pre-Islamic context. It is based on the myth of a princess from the sea who steals the soul of a fisherman she falls in love with, leaving his body lifeless. A battle ensues for the soul of the fisherman, between a shaman (bomoh) trying to bring back the spirit into the earthly flesh and the princess aided by five of her sisters.

Film & Video (Film & Video)

In the film Hustle in Hand (2014) we observe secret negotiations carried out between two characters with only their torsos visible in the frame— negotiations that consider fetishizations, meaning and symbolic value of the body and flesh. Money, food, appearances, and consumption: the viewer is pulled into a round of transactions, a rumination on our society in which art occupies a coveted position. The film’s rhythm is suddenly interrupted by the appearance of a green polyhedron that, once licked by one of the mysterious protagonists, becomes golden yellow, a magical event accompanied by an intense swelling of violin music.

Film & Video (Film & Video)

Artist Wong Ping’s madcap video, Wong Ping’s Fables 1 , might at first appear to resemble a crazy screensaver. Grid-like patterns allude to the work’s deep digital structure, while comic-book imagery illustrates a set of curious moral parables. The video tells the story of three flawed characters named Elephant, Chicken, and Tree.