In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity. This photograph makes us question what are we are looking at (and why we are present in) this seemingly ordinary situation. Burton employs soft light to emphasize the woman’s ideal beauty while problematizing the situation that affords the viewer this peek into her life. Like much of Burton’s work, Eniko Mihalik reflects both his experience as a commercial photographer and his interest in the voyeurism, desire, vulnerability, and power of the photographic act.
Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Looted art news Investigation by Portuguese newspaper reveals grappling between politicians and museums over future of Kwer’ata Re’esu Disagreement centred over whether the painting, looted in 1868 and later sold to a private collector in Portugal, should be bought by the government and returned to Ethopia Martin Bailey 5 February 2024 Share The remarkably well-preserved Kwer’ata Re’esu was taken during the British military offensive in Ethiopia in 1868 Photo: © Martin Bailey, The Art Newspaper...
An exercise of privilege: "The Class Room" at M1 Peer Pleasure 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Zinkie Aw August 18, 2019 By Adeeb Fazah (1,400 words, 6-minute read) When I signed up for The Class Room , a participatory theatre piece created and facilitated by veteran theatre practitioners Li Xie, Kok Heng Leun and Jean Ng, I was expecting a thought-provoking experience, with meaningful exchanges with people from different walks of life about issues of poverty...
Eva Papadaki—A Storage Full Of Memories - IGNANT Name Eva Papadaki Images Clemens Poloczek Words Marie-Louise Schmidlin For those with a keen eye for thoughtfully designed interiors and spaces, it’s nearly impossible to oversee Eva Papadaki and her 10AM projects when zooming in on the creative landscape of Athens...
Weekly Southeast Asia Radar: Malaysia mulls on Jawi calligraphy; racism in Singapore | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles File photo: Bernama August 8, 2019 ArtsEquator Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures | Art and design | The Guardian Skip to main content The artisans ‘If I start thinking I hate making baubles that’s the time to retire’: Will Shakspeare’s craft – in pictures Will Shakspeare’s Christmas baubles...
Weekly Picks: Indonesia (3 - 9 September 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do September 3, 2018 Top Picks of Indonesia art events in Jakarta, Bandung, and Yogyakarta from 3-9 September 2018 The Warna Warna Exhibition is a collaboration between the singer Andien and the Art Therapy Center Widyatama that is exhibited this week at Dia...
Remembering Indigenous Artist and Organizer Klee Benally Skip to content In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas In 2011, Klee Benally and his wife Princess Benally collaborated with artist Chip Thomas on a public art project in Downtown Flagstaff featuring the two gazing at each other with the words “What we do to the mountain, we do to ourselves.” (image courtesy Chip Thomas) chip thomas PHOENIX — Multiple communities are mourning the loss of Klee Benally, an anti-colonial Indigenous activist, installation artist, filmmaker, and musician whose work centered around land rights, Indigenous liberation, and climate justice...
After two years of research in close conversation with anthropologists and archaeologists, Linares eventually enrolled in classes to study archeology—specifically the history of material artifacts...
Reconstructing the Virtual in “Frogman” | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Courtesy of Arts House Limited June 14, 2019 By Shawn Chua (1,088 words, 6-minute read) Having securely fastened the headgear, I am submerged into the virtual world of Frogman...