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Bruno Zhu
Mr. Black, Mr. Navy, Mr. Stripes is a photographic series of opera gloves made of men’s tailored trousers that were presented in 2017 in “La Plage” in Paris, a shop window turned into an experimental art space. The personification of the objects named after characters intended to compose a fiction from the display. The project follows Zhu’s thinking on the definition of “queer”: how to express a state?
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John Lucas and Claudia Rankine
Drawing & Print (Drawing & Print)
Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes. In the twenty-first century, blondeness is the look desired by American presidents, pop stars, rappers, television announcers, Hollywood celebrities, the boy next door, and some Asian Americans, African Americans, white Americans, Arab Americans, and LatinX Americans. The desirability of blonde hair has no genre boundaries, no pronoun limitation, and no class limit.
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Jeff Burton
In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror. They are both two examples of the artist’s many enigmatic photographs of models, actors, musicians, and other powerful figures rooted in the celebrity-driven culture of Los Angeles. Catching a glimpse of the model, the viewer enters into the world of the celebrity.
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Jeff Burton
Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous. Like much of Burton’s work, Negligee reflects both his experience as a commercial photographer and his interest in the voyeurism, desire, vulnerability, and power of the photographic act.
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John Baldessari
Drawing & Print (Drawing & Print)
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive. In Person with Pillow: Desire, Lust, Fate , a woman’s facial expression is obscured by such void, leaving only her posture to suggest her emotional state. The two images stacked above the woman can be read as comic-style thought bubbles, intimating that she has lust, desire, and fate on her mind.
Jeff Burton
- location: Los Angeles, California
- year born: 1963
- gender: male
- nationality: American
- home town: Anaheim, California
John Baldessari
- location: Los Angeles, California
- year born: 1931
- gender: male
- nationality: American
- home town: National City, California
John Lucas and Claudia Rankine
John Lucas and Claudia Rankine are interdisciplinary thinkers and makers committed to exploring the nuances of race and power in our daily lives...
Bruno Zhu
Bruno Zhu (b...
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1990-1999
John Baldessari
Drawing & Print
1991(Drawing & Print) The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
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2010-2019
Jeff Burton
2012In Eniko Mihalik (2012), the camera captures a glimpse of the eponymous Hungarian model as seen through a rearview mirror...
Jeff Burton
2013Negligee (2013) serves as an example of this tension, with its artful angle and play with shadow and light upon the sensual subject, rendering the image ambiguous...
John Lucas and Claudia Rankine
Drawing & Print
2018(Drawing & Print) Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes...