20:41 minutes
Ein Ding Mehr , or ‘one more thing,’ is part of a long-term collaborative performance series by artists Wolfgang Prinz and Michel Gholam, which consist of the pair embodying an array of material through holding various poses for extended periods of time. As the artists perform each gesture, we see them gaze on the preparatory drawings, which act as an instructional score of sorts. The drawing itself, besides featuring carefully drawn sketches of each position, also contains a list of the source material that inspired them: a scene from Pier Paolo Pasolini’s film, Salo, Eugène Delacroix’s Pietà, and a reference to a monument by Auguste Rodin among others. The performance takes place in what appears to be a local gymnasium or basketball court where the couple is filmed and photographed. Described by the artists as ‘visual scenographies,’ their poses in Ein Ding Mehr oscillate between a striking intimacy, complicity and eroticism to the solitary, challenging and even humorous.
Prinz Gholam is a Berlin-based artist duo consisting of Wolfgang Prinz and Michel Gholam. For nearly a decade, the duo have developed a performative practice that, through a series of choreographed sequences, aims at embodying a range of source material—from ancient paintings, sculptures to contemporary art, film and images from the media. Reminiscent of Gilbert and George’s living sculptures, the long-term collaboration revolves around a corporeal interpretation of the world around us: their various gestures and poses act as a form of mapping through the body of the array of information they internalize. Often performed in historically loaded venues, like a graveyard or an archaeological site, their work speaks of the information we carry in our bodies and how we experience and negotiate the world through images the mind already contains. In addition to their performances, the duo often use drawings to sketch the poses that they reenact. These preparatory studies, while referencing pictorial tradition, also play a role in their investigation: a negotiation between references, and the physical and pictorial self.
Yangon's well loved Palace of Literature (via The Myanmar Times) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles October 3, 2018 The four storey yellow painted building with big masonry work of books in black and white pages for its motif loomed high at the corner of Merchant Road and 37th street...
Palo Enceba’o is a project by José Castrellón composed of three photographs, two drawings on metal, and a video work that creates a visual and cultural analogy between the events of January 9th, 1964 in Panama City and the game of palo encebado carried out in certain parts of Panama to celebrate the (US-backed) independence from Colombia...
End of 2008, Pierre Leguillon presented at KADIST, Paris the first retrospective of the works of Diane Arbus (1923-1971) organized in France since 1980, bringing together all the images commissioned to the New York photographer by the Anglo-American press in the 1960s...
The working processes of artists: Sabrina Poon | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles April 27, 2020 Singaporean filmmaker Sabrina Poon, better known as Spoon, talks about her work and the value of storytelling by breaking down three of her short films – Sylvia , Hello Uncle and Pa ...
Another America — AI-Generated Photos from the 1940s and 50s - AI-generated images by Phillip Toledano | Interview by Jim Casper | LensCulture Interview Another America — AI-Generated Photos from the 1940s and 50s Phil Toledano has often pushed the boundaries of photography to imagine the future; now he’s tapping into AI to create alternative histories, challenging our belief in any images at all...
Human Quarry is a large work on paper by Leslie Shows made of a combination of acrylic paint and collage...
One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Romain Best — Coulissements par frictions — Frac île-de-france, le Plateau — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Romain Best — Coulissements par frictions Exposition Installations, sculpture, techniques mixtes Romain Best, Coulissements par frictions, 2023 © Romain Best Romain Best Coulissements par frictions Encore 27 jours : 9 novembre 2023 → 7 janvier 2024 Présenté dans la Project Room du Plateau, Romain Best est né en 1995 à Lyon...