7 min 28
In Monster (1996-97), the artist’s face becomes grotesque through the application of strips of transparent adhesive tape, typical of Gordon’s performance-based films that often depict his own body in action. Also characteristic of his work, the scene takes place in front of a mirror, suggesting the kind of personal self-reflection that one is capable of – both good and evil. The video makes clear cinematographic reference to the ‘alter-ego’ transformation in Mamoulian’s Dr. Jekyll and Mr. Hyde, and to the “You looking at me?” sequence performed in front of a mirror by Robert De Niro in Scorsese’s Taxi Driver which also inspired Gordon’s through a looking glass ( 1999).
Douglas Gordon is a celebrated Scottish artist whose work revolves around the themes of memory, time and our perception of it. Spanning across film, video, installation, photography, and sculpture, his work offers a new experience of the cinematic in the space of contemporary art, creating what critic Dominique Païni described as ‘exhibition cinema.’ Interested in how we experience temporality, Gordon has often slowed down either original or appropriated footage in order to play with the viewers’ perception. An example is his celebrated work 24 Hour Psycho (1993) , in which Gordon stretched the duration of Alfred Hitchcock’s iconic movie to last 24 hours. This gesture both monumentalized time and intensified the imagery, structurally reframing the film by shifting our perception away from the movie’s original narrative and directing it towards the finer details that constitute every single frame. Several of his works incorporate that universal dichotomies: of life and death, innocence and guilt, and dual identities. Harboring the tension between opposing forces, Gordon then employs formal strategies of repetition, mirroring, and doubling to construct a deliberate ambiguity and multiplicity of meaning.
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Untitled (Perfect Lovers + 1) by Cerith Wyn Evans takes as its starting point Felix Gonzales-Torres’s seminal work Untitled (Perfect Lovers) , in which two clocks were synchronized and left to run without interference, the implication being that one would stop before the other...
The photograph Exquisite Eco Living is part of a larger series titled Executive Properties in which he digitally manipulated the images to insert iconic buildings of Kuala Lumpur in the view of derelict spaces also found in the city...
Part of a larger series of photographic works, Alessandro Balteo Yazbeck’s Corrupted file from page 14 (V1) from the series La Vega, Plan Caracas No...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
The video Swimming in rivers of Glue is composed of various images of nature, exploring the themes of exploration of space and its colonization...
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
The artist describes the work as “very performative video-pieces but they take on a more sculptural feel...
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...
Thomas’ lenticular text-based works require viewers to shift positions as they view them in order to fully absorb their content...
Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos...