Never Leave Home Without It
2007 - Film & Video (Film & Video)
Aaron Young
The artist describes the work as “very performative video-pieces but they take on a more sculptural feel. The action is simple: I kick a video camera through a site that is embedded with sociological elements, which I try to question through my practice. I chose Red Square as the site to work in Moscow. The square is interesting as a kind of high/low, new/old dichotomy of a new capitalist regime, with the most expensive World-brands of fashion, design and architecture creeping in like a drug that everyone is forced to take but hasn’t been tested long enough to know the effects. All of this is in direct opposition to an almost outdated value system represented by Lenin’s tomb across the road. After summing up this pyramid of power and history, having it laid out in a square where there can be a final point… me as an American here performing a very minimal, radical action of kicking a camera over time within those parameters. The camera breaks down within three to four minutes, creating a time-based situation: the image that is being recorded disappears kick after kick and visually erases all the embedded history, the politics… the finished work lends itself to a social/cultural amnesia that I find exists in this place.”
Aaron Young’s artworks rely on the aftereffects of dynamic, energetic, and sometimes even dangerous performances. He hires participants stereotyped as marginalized rebels, such as skateboarders and motorcycle riders, to perform various stunts in exhibition spaces on specially prepared platforms—such as the performance Arc Light for the exhibition, for what you are about to receive. Like Steven Parrino, Young uses destructive actions as generative force; the traces of his ephemeral acts are recorded as videos, drawings, sculptures, and photographs to constitute artistic artifacts.
Colors:
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Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
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Mystery Zone, or A Lotta Endings : Open Space November 23, 2021 Mystery Zone, or A Lotta Endings by Poetry Collaborations with Creative Growth They lived happily ever after And then the sun came up And then the sun go down The couple is riding off into the sunset The End They threw a pie at the shark, the end “We’ll have to do this again sometime” “See ya later, turkey!” “I have a train to catch” My hero! Good night and God bless We’re closed! Take and catch an airplane Keep in touch, never come back! I imagine the dummy It’s how the turkey played the game With no strings attached Exit stage left And the two-timer was never heard from again How the turkey danced tutu in the ballet I will kick you off the curb I will kick you off the planet You cheating turkey! Love me never to say I’m sorry And they danced to music Dogs chance squares sometimes to bark The family played the piano Goodnite, Johnboy Forgiving you family And the wind swept the plain The wind moving the grass Like life Tune in tomorrow! The dog is happy with the owner What a happy ending The tail hit my leg Aloha! A flying dog flying in the mountains Gloomy gray sky The elevator doors closed — Juan Aguilera, Chris Corr-Barberis, D’Lisa Fort, Jorge Gomez, Gail Lewis, Larry Randolph, Elizabeth Rangel, Julie S., Nicole Storm, Monica Valentine, Kathy Zhong Tags: collaboration , poetry , Poetry Collaborations with Creative Growth Leave a comment Cancel reply Please tell us what you think...
