The two pieces in the Kadist Collection depict foggy landscapes, one at dawn, the other at nighttime. Both dimly lit scenes are dominated by an eerie feeling. Taken by a road, these painterly photographs suggest the uncanny character of the transient.
Deeply interested in the topic of housing in the United States, Todd Hido’s large, colored photographs of American suburbia emphasize feelings of isolation and anonymity. Heavily influenced by Larry Sultan’s work, Hido’s images have a very narrative, almost cinematic quality to them. Northern Californian fog frequently recurs in his photographs has become one of his most recognizable trademarks.
Rudolph Schindler’s designs, part of a practice he called “Space Architecture,” marry interior with exterior and space with light...
Lambri’s careful framing in Untitled (Miller House, #02) redefines our understanding of this iconic mid-century modernist building located in Palm Springs, California...
Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Constructed out of metal or glass to mirror the size of FedEx shipping boxes, and to fit securely inside, Walead Beshty’s FedEx works are then shipped, accruing cracks, chips, scrapes, and bruises along the way to their destination...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
This photograph is part of the series titled “Iris Tingitana project” (2007) focusing on the disappearance of the iris...
Ammo Bunker (2009) is a multipart installation that includes large-scale wall prints and an architectural model...
Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Shot in the streets of Tokyo, Collapse , is a meditation on the passing of time and on the complicated way in which we are smashed between the past and the future...
Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Modotti’s Diego Rivera Mural: Billionaires Club; Ministry of Education, Mexico D...
Barbara Kasten’s Studio Construct 51 depicts an abstract still life: a greyscale photograph of clear translucent panes assembled into geometric forms, the hard lines of their edges converging and bisecting at various points...
Office Work by Walead Beshty consists of a partially deconstructed desktop monitor screen, cleanly speared through its center onto a metal pole...
A mesmerizing experience of a vaguely familiar yet remote world, History of Chemistry I follows a group of men as they wander from somewhere beyond the edge of the sea through a vast landscape to an abandoned steel factory...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
For the past two decades, An-My Lê has used photography to examine her personal history and the legacies of US military power, probing the tension between experience and storytelling....