Suburbia 1, Espinca bifida #3, Laconista7

2003 - Drawing & Print (Drawing & Print)

Dimensions vary

Johanna Calle

location: Bogota, Colombia
year born: 1965
nationality: Colombian
home town: Bogota, Colombia

Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities. A newspaper is both reproduced and modified to call attention to the newspaper as a means of information transmission. This also emphasizes the effect of various seemingly unimportant support mechanisms: the role of visual layout and images. In other drawings Calle explores systems: the unfurling of suburban streets, resembling text and the veins on a leaf. These congruences point to the unity of Calle’s thematic interests: the circulation of information, human energies, and lives.


Johanna Calle’s drawings use pre-existing systems to explore issues of built space, cultural identity, and language. Her work often departs from common lines of handwriting, altering them with energy and pattern. The practice of drawing is considered expansively in Calle’s work, as she inserts stitching, metal, and even, returning to her background as a painter, the covering capacity of paint.


Colors:



Related works featuring themes of: » Andes Region, » Gender, » Globalization, » Language, » Monochromatic, » Colombian

Primero Estaba el Mar
© » KADIST

Felipe Arturo

2012

Primero estaba el mar ( First Was the Sea , 2012) is a system of equivalences between syllables and silhouettes of waveforms cast in cement...

Trópico entrópico
© » KADIST

Felipe Arturo

2012

Defined as entropy, the second law of thermodynamics proposes that energy is more easily dispersed than it is concentrated...

Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors
© » KADIST

John Houck

2013

John Houck’s brown- , sienna- and golden-toned composition, Untitled #185, 65, 535 combinations of a 2×2 grid, 16 colors , features densely packed lines of color moving diagonally across the creased page...

Untitled
© » KADIST

Gabriel Sierra

2010

Untitled consists of a small wooden sculpture that leans against a wall...

Baby Shoes, Never Worn
© » KADIST

John Houck

2013

Baby Shoes, Never Worn is part of photographer John Houck’s series of restrained still-life photographs capturing objects from his childhood...

Drawn and Quartered
© » KADIST

Claudia Joskowicz

2007

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

Untitled #242, 104, 975 combinations of a 2×2 grid, 18 colors
© » KADIST

John Houck

2013

Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...

Los rastreadores
© » KADIST

Claudia Joskowicz

2014

Los rastreadores is a two-channel video by Claudia Joskowicz narrating the story of a fictitious drug lord, Ernesto Suarez, whose character is based on the well-known Bolivian drug dealer, Roberto Suárez...

On Fire
© » KADIST

Runo Lagomarsino

2020

On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...

Vallegrande 1967
© » KADIST

Claudia Joskowicz

2008

The primary interest in the trilogy is Joskowicz’s use of cinematic space, with long tracking shots that portray resistance to habitual viewing experiences of film and television...

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

2005

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America...

Alistair Fate
© » KADIST

Catherine Opie

1994

Alistair Fate (1994) depicts, presumably, a member of the LGBT community...

Good Life
© » KADIST

Danh Vo

2007

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo...

Juego de Banderas
© » KADIST

Antonio Caro

2016

Juego de Banderas (a play on words that loosely translates to both set of flags and game of flags) is a triptych of modified Colombian flags by Antonio Caro...

Metaphors of the presence or conversations at the speed of light
© » KADIST

Nicolás Paris

2012

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

Instituto de visión (Institution of Vision)
© » KADIST

Nicolás Consuegra

2008

In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...

Fordlândia Fieldwork
© » KADIST

Clarissa Tossin

2012

In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...

Les Fleurs d’intérieur
© » KADIST

Danh Vo

2009

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show...