© » KADIST
Nalini Malani
Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel. The video is largely silent until violent crashes and female voices overwhelm the viewer, portraying the inner voice of a woman who is brutally gang raped. Malani addresses the fatal place of women in Indian society and the geo-politics of national identity.
© » KADIST
Nalini Malani
Memory: Record/Erase is a stop-motion animation by Nalini Malani based on ‘The Job,’ a short story by celebrated German poet and playwright Bertolt Brecht. Brecht’s story follows a poverty-stricken family during the German depression, as the central character, Frau Hausmann, is forced to impersonate her late husband to procure his job as a nightwatchman to support her two children. Despite her exceptional performance during the job, and even after receiving public commendation for catching a thief, when eventually her identity is discovered during a factory accident she is forced into a precarious existence where she resorts to selling herself to get by.
© » KADIST
Clarissa Tossin
In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry. When his rubber trees died from disease and his primarily indigenous workforce revolted, his enterprise went busts within a few short years. Ford never faulted his own planning, but instead blamed the “inhospitable” Brazilian landscape.
© » KADIST
Clarissa Tossin
Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture. By re-appropriating the structure as a temple and imbuing it with a dance performance based on movements and postures found in ancient pottery and murals, the choreography takes its influence from the house’s design and the body positions on ancient Maya ceramics and buildings. A pulse, breathing, and a pre-Columbian clay flute are among the sounds on the soundtrack.
© » KADIST
Nicolás Consuegra
A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community. An important town during the colonial era as the main port on the Magdalena River, Honda is presently rife with poverty, unemployment, and environmental deterioration. Here he produced the work Nadie sabe de la sed con que otro bebe (No one knows the thirst with which another drinks) , a variable arrangement of cut glasses in front of a mirror so that they appear whole.
© » KADIST
Nicolás Consuegra
In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision. As a metaphor for this process, he looks to the afterlife of the image as evidenced in signs. When a company goes out of business or moves, their sign often lingers and slowly fades creating a ghosted image of their sojourn.
© » KADIST
Runo Lagomarsino
Drawing & Print (Drawing & Print)
On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages. The work’s connection to Amazon deforestation is difficult to ignore. Yet still, it also engages in broader issues about the country’s fractures, such as the 2018 fire at Rio de Janeiro’s National Museum and the ongoing erasure of its past.
© » KADIST
Danh Vo
Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo. The installation features a series of small square vitrines, inset, dark and precisely spot-lit. Inside these are framed photographs, mostly black and white, of young Asian men, taken, as the titles on the neat brass name plates tell us, in Vietnam in the 1960s and early 1970s.
© » KADIST
Danh Vo
The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.
© » KADIST
Nicolás Consuegra
Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist. Consuegra’s mirrored Colombia is similar to an earlier version, made to be show opposite a mirror of the United States. Whether reflecting his two homes within one another (Consuegra studied in the US and has made several works about this experience of living in exile from his homeland), or simply reflecting its surroundings, Colombia is a simple yet evocative work about the identity of a nation, and the things that we project—really and metaphorically—onto its form.
© » KADIST
Runo Lagomarsino
Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video. It features a single shot of a vintage postcard depicting the Columbus Monument and the port of Barcelona, both of which are linked to colonial histories and historical trajectories. The sea is an unnaturally bright blue.
© » KADIST
Johanna Calle
Drawing & Print (Drawing & Print)
Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet. There is a drawing for each letter, in which the letter is repeated over and again in various directions and scales, thereby demonstrating how a symbol can be reoriented without changing its linguistic meaning. Here, the letter K is outlined and surrounded by a dense and varied field of other K s.
© » KADIST
Johanna Calle
Drawing & Print (Drawing & Print)
Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities. A newspaper is both reproduced and modified to call attention to the newspaper as a means of information transmission. This also emphasizes the effect of various seemingly unimportant support mechanisms: the role of visual layout and images.
© » KADIST
Cildo Meireles
Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.
© » KADIST
Yogesh Barve
Global? 1 & 2 documents an annual event during which people of a particular religious group gather around Jejuri in Maharashtra, India. The six-day festival, from the first to sixth lunar day of the bright fortnight of the Hindu month of Margashirsha is celebrated to allow the meeting of the principle God (Khandoba) with other gods carried from different homes of the patrons who take them back at the end of the ceremony.
© » KADIST
Yee I-Lann
Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors. The artwork belongs to Yee’s series Picturing Power (2013) that deals with the destabilizing impacts of neo-colonialism and globalization on Southeast Asia’s history. Yee approaches the aesthetics and politics of the ethnographic gaze with both irony and humanity, challenging the modes of seeing inherent to the British colonization of Malaysia.
© » KADIST
Xu Tan
Drawing & Print (Drawing & Print)
Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the marketing posters of official biennials (Shanghai, Berlin, Venice, etc.) Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.)
© » KADIST
Yoshua Okón
Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city. Okón focuse d on Ciudad Juárez as a site for many ‘ maquiladoras ’ ( factories) and on its role within the global context. A mixed media and video installation , the work takes the form of a fictitious factory that produces canned laughter for sitcoms.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Yuichiro Tamura
The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years. They were a popular souvenir among the US military stations in postwar Japan during the Korean War (1950-1953). With origins rooted in military occupation of in the East Asia region, the jackets fuse the American “bomber,” or baseball jacket, with traditional hand-stitched designs of Japanese iconography, including dragons, tigers, Mt.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Lim Sokchanlina
The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape. The inharmonious landscape is gradually captivated by the exquisite balance between inorganic material and mystical background. The photos were taken in places that in recent years have become targets of large-scale exploitation under a massive globalization of capital and other political interests.
© » KADIST
Wong Hoy Cheong
Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society. Named after an American daytime soap opera that been running for over forty years, Days of Our Lives is a series of six photographs that explore contemporary Europeaness. Here, domestic, everyday scenes drawn from French paintings in the Museum of Fine Arts in Lyon——preparing food, relaxing, reading and playing music, giving charity to the poor, being evicted from home, or going off to War—are reenacted by Muslim Nigerians, Iranians, Turkish, and Buddhist Burmese minorities.
© » KADIST
Ciprian Muresan
The video I am protesting against myself presents a puppet in a garbage can citing numerous reasons why one should protest against it. Ciprian Muresan utilizes the comic effects typical of popular culture and the media. Progressively during the video, one appropriates the reasons for this characters discontent.
© » KADIST
Xu Tan
Drawing & Print (Drawing & Print)
Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions. Displayed alongside the official marketing materials of biennials (Shanghai, Berlin, Venice, etc.) Xu’s works provide a satiric and provocative alternative to the official system and make publicly visible images of many realities.
© » KADIST
Tao Hui
For 7 Materials , Tao Hui films seven scenes selected from the countless scenarios in his notebooks, including a group of ethnic minority girls in a spoil pit in the rain, a reporter interviewing a corpse, and a deity sailing on the river. Due to the lack of internal logical order, these one-minute video “materials” are not played in a fixed sequence but randomly. For Tao Hui, to film his diary is to adorn and embellish his memories before evoking and reviving their spirits.
© » KADIST
Hong Hao
Drawing & Print (Drawing & Print)
Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s. The series includes 37 prints to date, each of which resemble the pages of an ancient cartography book. In this series, the artist reflects on the authoritative influence of ancient books that shape dominant understandings of the world.
![A World Undone [Protolith]](https://kadist.org/wp-content/uploads/2017/11/IMG_Installation-view-3_WEB.jpg)
© » KADIST
Nicholas Mangan
Executed in 2012, A World Undone revolves around a single, metaphorically rich substance, drawing on geological research into an ancient mineral, Zircon, unearthed in remote Western Australia. These rocks are now studied, like a time capsule, revealing intriguing clues about the state of the planet more than 4 billion years ago. Mangan procured a sample of the material and reduced it to a fine dust that he then filmed, in flux, with a high-speed video camera.
© » KADIST
Olaf Breuning
In the work We only move wehen something changes !! !, Olaf Breuning composes a portrait of posed antiglobalization protesters, each wearing clown noses, inside of a scene reminiscent of an event. Like in the work Easter Bunnies (2004) (photographs of the Moai of Easter Island with big ears and rabbit teeth supported by scaffolding) the artist introduces the outside frame into his photographic frame.
Lim Sokchanlina
Lim Sokchanlina, nicknamed ‘Lina’, works across documentary and conceptual practices with photography, video, installation, and performance; particularly drawn to the use and function of space where urban communities meet rural attitudes...
Xyza Cruz Bacani
Xyza Cruz Bacani is a Filipina author and photographer who uses documentary-style photography to call attention to less visible, erased, and under-reported global events...
Andrew Norman Wilson
Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...
Shilpa Gupta
- location: Mumbai, India
- year born: 1976
- gender: female
- nationality: Indian
- home town: Mumbai, India
Wong Hoy Cheong
- location: Kuala Lumpur, Malaysia
- year born: 1960
- gender: male
- nationality: Malaysian
- home town: George Town, Malaysia
Paulo Nazareth
Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...
Eric Baudelaire
Currently based in Paris, Franco-American artist Eric Baudelaire has developed an oeuvre primarily composed of film, but which also includes photography, silkscreen prints, performance, publications and installations...
Sergio De La Torre
Sergio De La Torre has worked with and documented the manifold ways in which citizens reinvent themselves in the city they inhabit, as well as the site-specific strategies they deploy to move “in and out modernity.” De La Torre often collaborates with his subjects, resulting in both intimate and critical reflections on topics like housing, immigration, and labor...
Danh Vo
- location: Berlin, Germany
- year born: 1975
- gender: male
- nationality: Vietnamese and Danish
- home town: Ba Ria, Vietnam
Rocky Cajigan
Rocky Cajigan is a Bontoc Igorot artist working in the contemporary contexts of Indigenous people from the Cordilleras region in the northern state of Luzon island in the Philippines...
Humberto Diaz
Context is everything when it comes to the work of Humberto Diaz...
Bo Wang
Through new media, installation, and video and film, Bo Wang’s practice embodies sociopolitical and cultural subjects in contemporary China and beyond...
Ho Rui An
The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...
Xu Tan
- location: Amsterdam, Netherlands
- year born: 1966
- gender: female
- nationality: Dutch
- home town: Pekan Baru, Indonesia
Runo Lagomarsino
- location: Malmo, Sweden
- location: Sao Paolo, Brazil
- year born: 1977
- gender: male
- nationality: Italian-Argentine-Swedish
- home town: Sweden
Clarissa Tossin
- location: Los Angeles, California
- year born: 1973
- gender: female
- nationality: Brazilian
- home town: Porto Alegre, Brazil
Chen Chieh-Jen
- location: Taipei, Taiwan
- year born: 1960
- gender: male
- nationality: Chinese
- home town: Taoyuan, Taiwan
Johanna Calle
- location: Bogota, Colombia
- year born: 1965
- nationality: Colombian
- home town: Bogota, Colombia
Nalini Malani
- year born: 1946
- gender: female
- nationality: Indian
- home town: Karachi, Pakistan
Khvay Samnang
Khvay Samnang’s work critically examines the interlocking nature of ritual and politics, the humanitarian and ecological impacts of globalization, colonialism and migration, and the cultural-material histories of exchange that have shaped the Southeast Asia region...
Sharon Lockhart
- year born: 1964
- gender: female
- nationality: American
- home town: Norwood, Massachusetts
Leung Chi Wo and Wong Sara
Leung Chi Wo tends to highlight in his art the boundaries between viewing and voyeurism, real and fictional, and art and the everyday...
Tao Hui
Tao Hui indeed believes that fairy tales can ease people’s intensive mind...
Yee I-Lann
- location: Kuala Lumpur, Malaysia
- year born: 1971
- gender: female
- nationality: Malaysian
- home town: Sabah, Malaysia
Yogesh Barve
Yogesh Barve (b...
Lucia Madriz
Born in Costa Rica and living in Germany, artist Lucía Madriz has a global perspective...
Cao Fei
- location: Beijing, China
- year born: 1978
- gender: female
- nationality: Chinese
- home town: Guangzhou, China
Cian Dayrit
Cian Dayrit is a Filipino multimedia artist...
Chen Shaoxiong
- location: Beijing
- location: Guangzhou, China
- year born: 1962
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
© » ARTEFUSE
about 3 months ago (02/09/2024)
Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, Switzerland (News) - ArteFuse Art Basel reveals 287 leading galleries and expanded city-wide program for its 2024 edition in Basel, the first led by the show’s new Director Maike Cruse With 287 premier galleries from 40 countries and territories, Art Basel will once again bring together the international art world at its marquee fair in Basel, Switzerland...
© » FAD MAGAZINE
about 3 months ago (02/08/2024)
Art Basel in Basel 2024: A Comprehensive Guide - FAD Magazine Skip to content By Mark Westall • 8 February 2024 Share — Art Basel in Basel 2024 to host 287 leading galleries and an expanded city-wide program...
© » ART CENTRON
about 3 months ago (02/03/2024)
Ojuelegba Comes Alive in Emeka Ogboh's Multisensory Installation - Artcentron Home » Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation ART Feb 3, 2024 Ξ Leave a comment Ojuelegba Comes Alive in Emeka Ogboh’s Multisensory Installation posted by ARTCENTRON Emeka Ogboh, Ojuelegba 2023...
© » ARTSY
about 3 months ago (02/01/2024)
29 Emerging Black Artists to Discover This Black History Month, Part 1 | Artsy Skip to Main Content Art 29 Emerging Black Artists to Discover This Black History Month, Part 1 Isis Davis-Marks Feb 1, 2024 4:57PM To recognize Black History Month, Artsy is spotlighting 29 emerging Black artists—one for each day of this important month...
© » ARTEFUSE
about 3 months ago (02/01/2024)
The Rubin Museum of Art, dedicated to Himalayan art and culture, is set to close its New York City location on October 6, 2024...
© » ARTSY
about 3 months ago (01/24/2024)
Pace Gallery announces global representation of Paul Thek’s estate...
© » FLASH ART
about 5 months ago (12/14/2023)
Liu Chuang "Lithium Lake and Island of Polyphony" Antenna Space / Shanghai | | Flash Art Flash Art uses cookies strictly necessary for the proper functioning of the website, for its legitimate interest to enhance your online experience and to enable or facilitate communication by electronic means...
© » ARTOBSERVED
about 5 months ago (12/11/2023)
AO on site at NADA Miami 2023, here with Harkawik NADA Miami 2023, the 21st edition of the art fair presented by the New Art Dealers Alliance, showcased a diverse array of galleries from over 50 cities globally, including more than 85 NADA members and 34 first-time exhibitors...
© » ARTLYST
about 5 months ago (12/07/2023)
In the shifting landscape of the digital realm, Non-Fungible Tokens (NFTs) emerged as a possible revolutionary force, reshaping how we perceive and engage with art The post NFTs From Digital Phenomenon to Global Meltdown appeared first on Artlyst ....
© » BROOKLYN STREET ART
about 5 months ago (12/05/2023)
Alan Ket’s ‘The Wide World of Graffiti’: A Testament to the Art Form’s Global Impact | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Graffiti artists often dismiss histories or narratives not of their own making, including those from their peers...
© » ARTLYST
about 6 months ago (10/19/2023)
The echoes of colonialism reverberate in UK museums shaping not just the artefacts on display but the very essence of these institutions...
© » LENS CULTURE
about 9 months ago (08/01/2023)
Image Cities - Photographs by Anastasia Samoylova | Interview by Gregory Eddi Jones | LensCulture Feature Image Cities Traversing 17 of the world’s most influential cities, Anastasia Samoylova’s latest body of work is a multi-layered exploration of the photographs that invade and occupy public space—and the many ways they infiltrate and shape our lives and desires...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Cheng Xindong's contemporary art collection on display in Beijing - CGTN ABOUT US Home China World World Asia-Pacific Americas Europe Middle-East and Africa Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World World Asia-Pacific Americas Middle-East and Africa Europe Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World Asia-Pacific Americas Europe Middle-East and Africa Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Home China World Asia-Pacific Americas Middle-East and Africa Europe Politics Business Opinions Tech & Sci Culture Sports Travel Nature Picture Video Live TV Specials Download Art 19:59, 21-Dec-2020 A snapshot of globalization: Cheng Xindong's contemporary art collection on display in Beijing By Ding Siyue Share Copied 02:32 Tsinghua University Art Museum is hosting an exhibition for the renowned Chinese art collector Cheng Xindong...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
How Collectors in Indonesia, Malaysia, Thailand, and Taiwan Are Shaping Their Countriesâ Art Scenes - via ARTnews...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
BTSâs RM, Art Collector, Has Sent K-Pop Fans Flooding to Art Museums Thanks to His Instagram - via ARTnews...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Expert advice and helpful tips for how to incorporate their paintings into interior design...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Asian Millennials Move into Global Art Market - via Nikkei Asian Review...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The CEO of Apollo Global Management complains that the public market doesn’t understand “rare, valuable creatures” like his company....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Piece will be fixed onto nose of an Ariane 5 launcher that will be collecting data on climate change's impact on Africa...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
In the six years since Mary Rozell published The Art Collector’s Handbook: The Definitive Guide to Acquiring and Owning Art, the art world has seen major shifts....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Globally significant and first-of-their-kind art sites are making their debut across the globe this year....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
The founder of Miami's CIFO foundation takes a wide-ranging view of contemporary art, informed by her own experiences as a global citizen....
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Yusaku Maezawa and Other Global Collectors Snap Up Millions of Dollars in Art From David Zwirnerâs Virtual âBasel Onlineâ Gallery - via artnet news...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Swizz Beatz and Alicia Keys Are Opening an Art and Music Center in Upstate New York to Build a âGlobal Creative Communityâ - via artnet news...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Durjoy Bangladesh Foundation (DBF) is established to support artists and art practitioners, who offer new insights on our world and our future...
© » ARTS EQUATOR
about 26 months ago (03/24/2022)
RED LINES: 60 Global Cartoonists Talk Fear And Favour | ArtsEquator Skip to content "If satire is so toothless, then why are cartoonists so often badly bitten?" Ann Lee reviews RED LINES: Political Cartoons and the Struggle Against Censorship by Cherian George and Sonny Liew...
© » ARTMARKETMONITOR
about 35 months ago (06/11/2021)
To Level Up, Mickalene Thomas’s Market Is Going Global 2020 exhibition “Mickalene Thomas: Origins of the World” at the Brooklyn Museum...
© » ARTS EQUATOR
about 47 months ago (07/02/2020)
Weekly Southeast Asia Radar: Closure of Scala Theatre; Wayang Orang lives on | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar National Geographic Indonesia/Paguyuban Wayang Orang Bharata July 2, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
© » ARTS EQUATOR
about 60 months ago (06/04/2019)
“Invisible Habitudes”: The Personal Goes Political Goes Global | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Bernie Ng June 4, 2019 By Nabilah Said (621 words, three-minute read) On a Monday afternoon in Goodman Arts Centre, I am watching a group of dancers working...
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1970-1979
Allan Sekula
1973San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Cildo Meireles
1975Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil...
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1990-1999
Hong Hao
Drawing & Print
1995(Drawing & Print) Selected Scripture is a series of silkscreen prints that Hong Hao has been working on since the 1980s...
Nalini Malani
1996Memory: Record/Erase is a stop-motion animation by Nalini Malani based on ‘The Job,’ a short story by celebrated German poet and playwright Bertolt Brecht...
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2000-2009
Xu Tan
Drawing & Print
2000(Drawing & Print) Shanghai Biennale, Awaiting Your Arrival is an appropriation of the posters made to promote biennial art exhibitions...
Olaf Breuning
2002In the work We only move wehen something changes !!!, Olaf Breuning composes a portrait of posed antiglobalization protesters, each wearing clown noses, inside of a scene reminiscent of an event...
Humberto Diaz
2002The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
Johanna Calle
Drawing & Print
2003(Drawing & Print) Calle’s drawings all inhabit received forms but alter them to call attention to specific qualities...
Xu Tan
Drawing & Print
2003(Drawing & Print) Biennale, Dog is an appropriation of the posters made to promote biennial art exhibitions...
Wong Hoy Cheong
2004Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
Minerva Cuevas
Drawing & Print
2006(Drawing & Print) During her research on primitive currencies and cultural cannibalism, Cuevas came across the Donald Duck comic book issue “The Stone Money Mystery,” where Donald goes on a quest to find missing museum objects...
Juan Araujo
Drawing & Print
2006(Drawing & Print) Many of Araujo’s works depict reproductions and Libro Ponti II is a recreation of a book on Italian architect Gio Ponti...
Claire Fontaine
2006Foreigners Everywhere is a series of neon signs in several different languages...
Shimabuku
2006For the two-channel work Asking the Repentistas – Peneira & Sonhador – to remix my octopus works Shimabuku asked two Brazilian street singers to compose a ballad about his previous works with octopi (in which he created traditional Japanese ceramic vessels to catch octopi, with a fisherman who took him on his boat to test them out as we can see on one of the channel)...
Chen Shaoxiong
2007After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Rivane Neuenschwander
2007Mapa-Mundi BR (postal) is a set of wooden shelves holding postcards that depict locations in Brazil named for foreign countries and cities...
Roni Mocan
2007Roni Mocan’s work Welcome is a floorwork comprised of a grid-like arrangement of doormats that the artist borrowed from the local community, people in his building, and even from participating artists from the exhibition where it was first presented...
Nicolás Consuegra
2008In his project Instituto de Vision (2008), Consuegra investigates how modernism gave rise to many new technological forms of vision, most notably the camera, yet also resulted in the disappearance of outmoded forms of vision...
Shilpa Gupta
2008The three monkeys in Don’t See, Don’t Hear, Don’t Speak are a recurring motif in Gupta’s work and refer to the Japanese pictorial maxim of the “three wise monkeys” in which Mizaru covers his eyes to “see no evil,” Kikazaru covers his ears to “hear no evil,” and Iwazaru covers his mouth to “speak no evil.” For the various performative and photographic works that continue this investigation and critique of the political environment, Gupta stages children and adults holding their own or each other’s eyes, mouths and ears...
Sergio De La Torre
2008Nuevo Dragon City is a reenactment of a historical event from 1927 in which six Chinese were either trapped or voluntarily hid themselves inside a building in northern Mexico...
Sharon Lockhart
2008Lockhart’s film Lunch Break investigates the present state of American labor, through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Sharon Lockhart
2008Lockhart’s film Lunch Break investigates the present state of American labor through a close look at the everyday life of the workers at the Bath Iron Works shipyard—a private sector of the U...
Yoshua Okón
2009Canned Laughter was Okón’s response to an invitation from Ciudad Juárez , Mexico, where artists were asked to create works based on their experience of the city...
Wong Hoy Cheong
2009Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
Luis Garciga
2009In Destinos Posibles Garciga performs a service in Havana, Cuba by offering strangers in the streets a “ride” to wherever they are going for free, in exchange he demands that the passengers address the question “what do they want from life?” A poignant video within the context of the limitations the Cubans have in terms of choices, desires, fantasies, and longing....
Shilpa Gupta
2009In Untitled (Sword) , addressing histories of colonialism with abstraction, a large steel blade extends from the gallery wall...
Humberto Diaz
2009The two works in the Kadist collection, Observador Pasivo and 3600 besos por hora by Diaz are culled from a vast compilation of videos and performances for the camera...
Kennedy Browne
2009Milton Friedman on the wonder of the free market pencil is an installation based on 42 blank pages...
Wong Hoy Cheong
2009Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
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2010-2019
Leung Chi Wo and Wong Sara
2010Photojournalist with Two Cameras restages a portrait of a photojournalist from the background of an old photograph of protest published in South China Morning Post on January 10, 2010 under the headline “Return of the Radicals: Recent angry protests are nothing new.” The photojournalist in the photograph, probably from a protest of earlier decades, was capturing the scene of a protester’s arrest while wearing two cameras...
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Chen Chieh-Jen
2010Empire’s Borders II – Passage and Empire’s Borders II – Workers are from the three-channel film installation Empire’s Borders II – Western Enterprise, Inc...
Leung Chi Wo and Wong Sara
2010Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
Shahzia Sikander
2010The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
Gabriel Kuri
2010Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Adrian Villar Rojas
2010The two drawings in the Kadist Collection are part of a larger series entitled Las Mariposas Eternas (The Eternal Butterflies)...
Johanna Calle
Drawing & Print
2011(Drawing & Print) Johanna Calle’s Abece “K” (2011) is part of a series of drawings (compiled into an artist book called Abece ) based on the alphabet...
Ciprian Muresan
2011The video I am protesting against myself presents a puppet in a garbage can citing numerous reasons why one should protest against it...
Ranu Mukherjee
2011Conceived as a large-scale mural-like projection, Color of History, Sweating Rocks is a neo-futuristic, hybrid film that combines cinematic language, collage, animation, and inventive forms to highlight the plight of the peoples of the Sahara—and refugees in general—who have been displaced by oil-mining....
Eric Baudelaire
2011In a society saturated by images, Eric Baudelaire is interested in political events that have not found their representation...
Jompet Kuswidananto
2011Third Realm (2011) grew out of the artist’s long-term research of Indonesia’s colonial history and the processes of modernization and urbanization that have taken place there...
Sergio De La Torre
2011This is not in Spanish looks at the ways in which the Chinese population in Mexico navigates the daily marginalization they encounter there...
Ho Tzu Nyen
2011The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...
Woto Wibowo
2011Vertical Horizon by Wito Wibowo addresses a media scandal in 2010 that took over the cultural milieu of Indonesia...
Nalini Malani
2012Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel...
Clarissa Tossin
2012In Fordlândia Fieldwork (2012), Tossin documents the remains of Henry Ford’s rubber enterprise Fordlândia, built in 1928 in the Brazilian Amazon to export cultivated rubber for the booming automobile industry...
Nicolás Consuegra
2012A residency program in the blazing hot city of Honda, Colombia, inspired artist Nicolás Consuegra to consider the difficulty in understanding the needs of a distant community...
Nicholas Mangan
2012Executed in 2012, A World Undone revolves around a single, metaphorically rich substance, drawing on geological research into an ancient mineral, Zircon, unearthed in remote Western Australia...
Amy Balkin
2012Data mining is a computer software process that can involve the neutral or benign analyzing of internet data for patterns, however, it can also imply the more sinister activities of surveillance or subject-based information gathering...
Robert Zhao Renhui
2012Expedition #46 is a work from the series “The Glacier Study Group,” which consists of artists, scientists, activists, and enthusiasts of glacial and polar activity in the Artic Circle to conduct scientific investigation, data collection, and glacier sampling...
Yogesh Barve
2013Global? 1 & 2 documents an annual event during which people of a particular religious group gather around Jejuri in Maharashtra, India...
Yee I-Lann
2013Sarcastically titled to call attention to the problematic notions underlying colonialism, this photograph shows hundreds of Native Malaysians seated quietly behind one of their colonial oppressors...
Eric Baudelaire
2013With the war-torn Beirut cityscape as its backdrop—urban alleys, glistening beaches, abandoned buildings—Eric Baudelaire’s complex film, The Ugly One , unfolds in a time and place that vacillates among revolutionary narratives of the past, the fragile and ever-changing political situation of the present, and attempts to piece together the memories of those that live, or once lived, in the city...
Amie Siegel
2013Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition...
Phan Quang
2013Phan Quang’s portrait series Re/cover grapples with a lesser-known history in Vietnam...
Nicolás Consuegra
2014Consuegra’s Colombia is a mirror made in the shape of the artist’s home country—a silhouette that has an important resonance for the artist...
Ximena Garrido Lecca
2014Destilaciones ( Distillations , 2014) is an installation composed of a group of ceramic pots, presented on the floor and within a steel structure...
Andrew Norman Wilson
2014Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke was shot in the American Southwest at Mid-century modern architectural structures that were built to house regional independent banks and have since been bought up by Chase, Bank of America, and TD Bank...
Khvay Samnang
2014The video Rubber Man continues exploring issues related to land use, also noticeable in his Untitled series (2011)...
Lucia Madriz
2014In her geometric paintings on wood panel, Madriz employs the Fibonacci numbers to illustrate, in simplified form, the pattern of natural plant growth—beginning from a single stem, and growing exponentially, rationally, and efficiently outward from there...
Shilpa Gupta
Drawing & Print
2014(Drawing & Print) These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
Shilpa Gupta
Drawing & Print
2014(Drawing & Print) These hand drawn maps are part of an ongoing series begun in 2008 in which Gupta asks ordinary people to sketch outlines of their home countries by memory...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Xyza Cruz Bacani
2014Occupy HK 2014 is a series of 18 photographs that Xyza Cruz Bacani’s shot at the height of the Umbrella Movement in Hong Kong...
Amor Muñoz
2014Yuca_tech: Energy by Hand is an installation by Amor Muñoz that resulted from a local technology lab in a small village in the Yucatán henequen zone, in the Mayan region of Mexico...
Carolina Caycedo
2014YUMA o la tierra de los amigos (YUMA, or the Land of Friends) by Carolina Caycedo is a large mural containing a series of satellite photographs mounted on acrylic...
Heecheon Kim
2015Lifting Barbells is a video by Kim Heecheon that narrates his letters in Spanish to his girlfriend in Argentina, discussing his feelings after his father died in a bicycling accident...
Adriana Martínez
2015Her 2015 work Orión is a black flag-like cloth with glow-in-the-dark symbols embroidered in the shape of the constellation...
Gabriella and Silvana Mangano
2015There is no there by Gabriella and Silvana Mangano is a black and white looped video with sound, in conjunction with a live performance...
Michael Armitage
2015In “And so it is” shows the image of a faceless man before a microphone, ready to deliver an important message...
Adriana Martínez
2015Her work Al final del arcoiris (At the end of the rainbow, 2015) is a bundle of bills from Chile, Venezuela, Brazil, Colombia, Nicaragua, and Costa Rica, arranged by color to form a tight spiraling rainbow held close with a rubber band...
Rodrigo Torres
Drawing & Print
2016(Drawing & Print) In his Conceito abstrato series, however, Rodrigo Torres turns to the abstract, using the shapes, numbers, lines, and subtle colors of international currencies to create non-representational forms with lavish geometries and baroque curving forms....
Miao Ying
2016As part of her project Chinternet Plus , a “counterfeit ideology” and parodic take on the strategy “Internet Plus” launched by Chinese Prime Minister Li Keqiang in 2015, the video work Post commentary, monetary likes, Morgan Freeman’s advice on reality gives an insight into Internet Culture in China...
Clarissa Tossin
2017Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Yuichiro Tamura
2017The installation Hey Daddy, Hey Brother comprises a series of “Sukajan” jackets, which Tamura collected over a period of several years...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2017The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Rocky Cajigan
2017From the Ending by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Rocky Cajigan
2017From the Beginning by Rocky Cajigan consists of an assemblage painting, with accompanying sculptural objects presented on the floor...
Khvay Samnang
2017Originally commissioned for documenta 14, Khvay Samnang’s two-channel video work Preah Kunlong (The way of the spirit) takes land politics, resource extraction and Indigenous Cambodian resistance as its primary concern...
Eric Baudelaire
2017Baudelaire’s latest film, Also known as Jihadi (2017) tells the story of a young French boy from Parisian suburbs and his assumed journey to the Al-Nusra front in Syria to join ISIS and fight Bashar al-Assad’s regime...
Wong Kit Yi
2017Artist Wong Kit Yi’s A River in the Freezer combines directed and found footage to meditate upon glacial memory, cryogenics, and frozen fiction...
Wolfgang Tillmans
2017Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
Karan Shrestha
2017After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Lim Sokchanlina
2018The photographic series Wrapped Future II by Lim Sokchanlina brings fences used on construction sites to enclose the surrounding areas, to different locations, lakes, valleys and forests; and places them at the center of works to obscure the beautiful Cambodian landscape...
Mélanie Matranga
2018My Shape (2018) is the final work of the exhibition “Sorry”, taking the form of a Levi’s denim jacket pattern, expanded three or four times larger than its original shape...
Andrés Pereira Paz
2018Juan III (Pescadores En Una Isla) is a series of embroideries made with fake pre-Columbian fabrics produced by the Gonzales family, a three-generation family of pre-Columbian textile “forgers” based in Lima, Peru...
Cian Dayrit
2018Yuta Nagi Panaad (Promised Land) by Cian Dayrit addresses the impacts of the globalized economy and its powerful ideology on the spaces of everyday life...
Guy Woueté
2019The video installation Le Fou Postcolonial Insane by Guy Woueté is a series of five videos that examine the concept of insanity in the post-colonial Democratic Republic of Congo...
Musquiqui Chihying
2019The Sculpture by Musquiqui Chihying comprises a two-channel lecture performance and a photograph...
He Xiangyu
2019He Xiangyu’s Terminal 3 presents excerpts from the lives of young African acrobats attending the Hebei Wuqiao Acrobatic Arts School in China...
Andrew Norman Wilson
2019In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production...
Noara Quintana
2019The series Belle Époque of the Tropics by Noara Quintana has as its background the history of the rubber industrialization in North of Brazil...
Musquiqui Chihying and Gregor Kasper
2019Addressing the legacy of colonialism, The Guestbook by Musquiqui Chihying and Gregor Kasper is a slow-paced, black-and-white film exploring the German colony of Togoland, now the Republic of Togo...
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2020-2029
Runo Lagomarsino
Drawing & Print
2020(Drawing & Print) On Fire by Runo Lagomarsino comprises twenty pieces of parchment, each of which has had the contours and map of Brazil burned in stages...
Runo Lagomarsino
2020Yo también soy humo (I am also smoke) is a 16mm film that has been digitized to video...
Andrew Norman Wilson
2020Z = |Z/Z•Z-1 mod 2|-1: Lavender Town Syndrome by Andrew Norman Wilson is a multi-channel video that uses three different imaging technologies—a photographic lens, photorealistic ray tracing animations, and fractal ray-marching animations—to travel through three constructed environments...
Andrew Norman Wilson
2020On the first day of the Covid-19 lockdown in New York, Andrew Norman Wilson was evicted from his sublet and decided to board a $30 flight to Los Angeles that evening...
Pu Yingwei
2020ChinaCapital: Dream, Hot Land, Interstellar Colonization by Pu Yingwei addresses a complicated phenomena of intertwined influences from different political powers, capital forces, and ideologies in the reality of China...
Köken Ergun and Satyam Mishra
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Köken Ergun and Satyam Mishra
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Köken Ergun and Tashi Lama
2022Nepal and China signed an agreement for the Belt and Road Initiative (BRI) in 2017...
Agnieszka Kurant
2022For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Agnieszka Kurant
2022For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Agnieszka Kurant
2022For Sentimentite Agnieszka Kurant collaborated with Justin Lane, CEO and Co-Founder of CulturePulse, to gather global sentiment data that has been harvested from millions of Twitter and Reddit posts related to 100 seismic events in recent history...
Olga Grotova
2022Our Grandmothers’ Gardens by Olga Grotova is based on the history of Soviet allotment gardens, which were small plots of land distributed amongst the families of factory workers to compensate for poor food supply in a country that was over-producing weapons...
