There are several elements to Subject, Silver, Prism . Silver ink is applied to blocks of black foam. A simple stand, reminiscent of cheap furniture, supports a drum constructed from deer hide stretched over plastic cooking bowls and held taut by the hide and twine. The tightness of the drum and the stiffness of its table offset the floppy softness of the black foam. The semantic and visual echo between the pots-and-pans drums of suburban children and the deer hide and wood drums of First Nations people are literally bound together in this piece.
Brian Jungen’s works create complex interrelationships between global consumer commodities and traditional First Nations objects. He often physically reworks brand-name products into forms associated with First Nations material culture, such as masks and teepees. More than a simple critique of American-European imperialism, Jungen’s hybrids are irreducible to either trajectory or even a one-way process of influence.
Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself...
In Made In Heaven , we are face to face with a sculptural apparition, a divine visitation in the artist’s studio...
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...
Michigan Central Station is part of a larger photographic series, Detroit Photos , which includes images of houses, theaters, stadiums, offices, and other municipal structures...
Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
Wallace says of his Heroes in the Street series, “The street is the site, metaphorically as well as in actuality, of all the forces of society and economics imploded upon the individual, who, moving within the dense forest of symbols of the modern city, can achieve the status of the heroic.” The hero in Study for my Heroes in the Street (Stan) is the photoconceptual artist Stan Douglas, who is depicted here (and also included in the Kadist Collection) as an archetypal figure restlessly drifting the streets of the modern world...
Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...
Intentionally Left Blanc alludes to the technical process of its own (non)production; a procedure known as retro-reflective screen printing in which the image is only fully brought to life through its exposure to flash lighting...
Bread and Roses takes its name from a phrase famously used on picket signs and immortalized by the poet James Oppenheim in 1911...
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...