65H x 8W x 20D inches
Continuing Oursler’s broader exploration of the moving image, Absentia is one of three micro-scale installations that incorporate small objects and tiny video projections within a miniature active proscenium. Mounted on platforms suspended in space on metal stands, the video sculpture contemplates human relationships, expressed here by shouts and murmurs, the strange and the familiar.
Tony Oursler has gained international renown through his controversial exhibitions that uniquely combine sculpture, video, and performance to engender both irony and pathos. The artist’s research into the history of moving images, spirit photography, psychological disorders and cases of multiple personality have provided inspiration for the scripted mutterings, screams and twitches that he and his actors record on video. Recent large installations have drawn from youth culture and wireless communication.
Poised with tool in hand, Jeffry Mitchell’s The Carpenter (2012) reaches forward, toward his workbench...
Though the title might suggest an Adonis, Jeffry Mitchell’s The Swimmer (2012) is a squat, jolly man with a protuberant belly...
Domes #1 represents a significant moment in Chicago’s career when her art began to change from a New York-influenced Abstract Expressionist style to one that reflected the pop-inflected art being made in Los Angeles...
#17 Pink is a photogram, a photographic image produced without the use of a camera...
San Pedro is a seaside city, part of the Los Angeles Harbor, sitting on the edge of a channel...
Sign #1 , Sign #2 , Sign #3 were included in “Found Object Assembly”, Copeland’s 2009 solo show at Jack Hanley Gallery, San Francisco...
In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...
In Captain X , Star Trek’s Captain Kirk, played by William Shatner, is limply draped over a large boulder in what looks like a hostile alien environment...
The Last Post was inspired by Sikander’s ongoing interest in the colonial history of the sub-continent and the British opium trade with China...
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
Untitled (Wheelchair Drawing) is a ten-foot photo transfer of the image of a wheelchair with burning embers in its seat...
Milena Bonilla’s discursive practice explores connections among economics, territory, and politics through everyday interventions...
In the series Horizons (2010), Lipps uses appropriation to riff on Modernism’s fascination with abstract form...
In line with Hernández’s interest in catastrophe, Vulnerabilia (choques) is a collection of images of shipwrecks and Vulnerabilia (naufragios) collects scenes of car crashes...
The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...