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Abraham Oghobase
This series of photographs is inspired by the artist’s travels to Jos, Nigeria. Having grown up in the urban environment of Lagos, Abraham Oghobase was struck by the tin-mining deposits and the man-made ponds and lakes that form a dominant part of the landscape in the city of Jos and its surroundings. While visually striking, the landscape also holds a complex history, excavated by the artist, who researched the prevalent mining of tin deposits that dates back to 1904 during the British colonial mineral exploration in the Northern Protectorate.
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Carter Mull
Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background. One of the images is borrowed from a billboard, Double Block (for Alanna Pearl, Nik Nova and R. Mutt) (2013) that Mull created to hang above some storefronts in downtown Los Angeles. The pair of photographs features a woman posed in the center for rings of numbers, her body and shadow taking the place of the mechanical hands.
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David Haxton
In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter. As inferred from the title—and the titles of most of his work—Haxton has a methodical, near-scientific approach to studying and documenting the effects of light. In Holes in White and Holes in Cream with?
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Ana Roldán
Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico. These botanical portraits, like this one of the Pseudobombax ellipticum, or shaving brush tree, bristle against the edges of the image’s frame, fecund and wild, familiar yet foreign. Ana Roldán works in diverse media such as performance, sculpture, installations, video and collage.
© » KADIST
Abraham Oghobase
This series of photographs is inspired by the artist’s travels to Jos, Nigeria. Having grown up in the urban environment of Lagos, Abraham Oghobase was struck by the tin-mining deposits and the man-made ponds and lakes that form a dominant part of the landscape in the city of Jos and its surroundings. While visually striking, the landscape also holds a complex history, excavated by the artist, who researched the prevalent mining of tin deposits that dates back to 1904 during the British colonial mineral exploration in the Northern Protectorate.
© » KADIST
Rebecca Quaytman
R. H. Quaytman’s family on her father’s side is of Jewish heritage from Poland. In the summer of 2016, Quaytman traveled to Poland to research an upcoming retrospective exhibition taking place in Warsaw and ?ódz, the town from which her great-grandfather emigrated to the United States. Tracing her grandfather’s and great-grandfather’s origins, Phocis Pole is from a series of paintings that explores her paternal lineage.
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Reza Aramesh
The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory. Based on photographic sources from journalism, they have preserved a ‘memento mori’ in the intimate form of a sculpture, yet derived from a source which is not only public but also voyeuristic. They have been entirely dislocated from their original context, and transferred to the realm of photography again, into fragile silver gelatin prints.
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Sergio Rojas Chaves
Más vale pájaro en mano que cien volando (A bird in the hand is worth more than two in the bush) is part of a larger series of pieces developed by Sergio Rojas Chaves in Honduras in 2018 that engages with tourism and in particular amateur-ornithologists that overrun the country in pursuit of the nation’s extreme diversity of bird species. The works include a performance in which artist Sergio Rojas Chaves, dressed like a bird, observes the ornithologists as if they too are birds, another work features an audio recording of amateur ornithologists imitating bird sounds in the jungle of Honduras. This series of photographs was taken during an amateur-ornithologist research trip.
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David Haxton
16 films is a selection of David Haxton’s single-screen videos, which he began producing in the 1970s as a continuation of some of the conceptual underpinnings of his earlier film installations. As the described by Haxton, “[he] became interested in in examining the nature of the medium [of film] including light, movement, and the formation of a three-dimensional illusion of space in a flat surface.” This selection of films were produced in 16mm film between 1970 and 1982 and have been digitally mastered in high definition from the original 16mm films, which are preserved by the Academy Film Archive in Los Angeles. Reminiscent of the paired back, low-fi quality of other conceptual video work from that period, Haxton abides to a certain criteria to restrict aspects of the medium: he does not do any editing, always fixes the camera onto a single position for the whole duration of the films, and he limits the actions of the performers.
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Eileen Quinlan
Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium.
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Oscar Munoz
In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person. Since a photograph is fixed, it cannot encapsulate the spirit of someone who is gone. Muñoz etched onto the surface of a mirror an appropriated historical image, a daguerreotype from 1839.
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Andrew Norman Wilson
In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production. The artist creates disturbances in typical notions of time and space to highlight the existential terror of humans trying to make sense of their memories and perception in the 21st century. On its surface, Kodak questions how improvements in digital imagery have affected the analog film industry, but it also showcases the consequences for how humans relate to their memories.
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Sadie Benning
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity. This small painting, titled Mom , is a concise, eloquent visual statement. Many of her paintings incorporate found imagery, family photos, and everyday objects.
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Collier Schorr
Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject. American Flag (Scratch) (1999), for example, depicts an unidentified male subject clad in an American flag-print singlet. With his head and extremities out of frame, the camera focuses on his flush-red torso, his left nipple protruding from the singlet’s strap.
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Trevor Paglen
NSA-Tapped Fiber Optic Cable Landing Site, Mastic Beach, New York, United States
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Akram Zaatari
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.
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Akram Zaatari
“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls. They invented the poses, the gestures and situations.” Hashem El Madani. Hashem El Madani, a studio photographer in Saida, began working in 1948.
© » KADIST
Lucas Blalock
Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents. Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay.
© » KADIST
Lucas Blalock
Drawing & Print (Drawing & Print)
Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay. Within the dark obscurity of three, three, three (2013), he frustrates and complicates this conditioned response to the photographic medium, questioning the photograph’s purpose.
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Elad Lassry
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions. An example of this is Floor, Legs (2013), a gelatin silver print in which a large black rectangle obscures the upper half of a candid photograph with two figures that are ultimately only identifiable by their legs and feet, which are even then indiscernibly crossed and posed beyond easy recognition. Even though its unclear if Lassry’s source image is a found photograph or an original composition, the underlying themes – of the photograph’s function as an object, and the impossibility of discerning “the real” through its representation – continue to resonate.
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Chris Wiley
Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012). In photographing seemingly mundane images of doorways and walls, Wiley collapses the viewer’s experience of inhabiting space by foregrounding features that we all too often miss in our built environment: the peeling white paint on a Corinthian column or the rusty studs on a blue door.
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Trisha Donnelly
Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook. Donnelly’s interest in the waveform–visually, aurally, and perceptually–is made manifest in works across multiple media, including photography, drawing, video, sculpture, and performance.
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John Houck
Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood. In this image, drafting materials (pencils, compasses, and protractors) are laid out next to shotgun shell casings. Presenting these objects in juxtaposition but without commentary, Houck offers a partial but interesting glimpse into his own biography.
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Rodney Graham
Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-size pinhole camera that dates back to ancient times. Through these works Graham looks back at the history of photography while making the viewer aware of his or her own retinal experience.
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Allen Ruppersberg
Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California. Taken outside Palmdale, Littlerock, Pearlblossom, Victorville, and Barstow, towns where the population does not exceed 20,000, Ruppersberg’s trip follows the outskirts of Los Angeles. As with many of his other photographic series, the artist here inserted into each view a constant element that disturbs the otherwise quiet scenes: a hand holding an open magazine.
Abraham Oghobase
Abraham Onoriode Oghobase’s artistic practice explores identity in relation to socio-economic and historic geographies...
Akram Zaatari
- location: Sayda, Al-Lubnan
- year born: 1966
- gender: male
- nationality: Lebanese
Yosuke Takeda
Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...
Catherine Opie
- location: Los Angeles, California
- year born: 1961
- gender: female
- nationality: American
- home town: Sandusky, Ohio
David Haxton
Although trained as a painter, David Haxton is known for his exploration of light through the mediums of photography and film...
Lucas Blalock
- year born: 1978
- nationality: American
- home town: Asheville, North Carolina
Reza Aramesh
Working across a wide range of materials and processes, Aramesh examines simultaneously the history of Western art and contemporary commentary on the politics and history of the Middle East, concocting a unique visual language to address the contemporary conditions of violence and bio-politics...
Philip-Lorca diCorcia
The works of Philip-Lorca diCorcia oscillate between two possible definitions of photography – from a recording system in the tradition of documentary and a system of representation in the tradition of fiction...
John Houck
- year born: 1977
- gender: male
- nationality: American
- home town: South Dakota
Rodney Graham
- location: Vancouver, Canada
- year born: 1949
- gender: male
- nationality: Canadian
- home town: Vancouver, Canada
James Welling
- location: New York, New York; Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Hartford, Connecticut
Elina Brotherus
Elina Brotherus depicts, through her photographic work a portrait of the contemporary artist made during different artistic residencies...
Trevor Paglen
Trevor Paglen’s work combines the knowledge-base of artist, geographer and activist...
Sergio Rojas Chaves
Sergio Rojas Chaves’s work focuses on contemporary depictions of animals and of plants and affective approaches to biology...
Allan McCollum
- year born: 1944
- gender: male
- nationality: American
- home town: Los Angeles, California
Nan Goldin
- year born: 1953
- gender: female
- nationality: American
- home town: Washington, D.C.
Sara Cwynar
Cwyner is both related to a photo conceptual tradition of photography from Vancouver as well as to a new school of photography working with digital manipulation, scanners, stock photography and the notion of photography after image making, both of which are represented in the Kadist collection via artists such as Arabella Campbell, Ron Terada, Tim Lee, Rodney Graham, Ian Wallace from Vancouver and artists such as Chris Wiley, Lucas Blalock, Erin Shirreff or John Houck, who recently have explored the idea of photography beyond image making....
Emeka Okereke
Emeka Okereke is a Nigerian visual artist and writer who lives and works between Lagos and Berlin, moving from one to the other on a frequent basis...
Rebecca Quaytman
In her work, Rebecca Quaytman displays great interest in the dissolution of the image...
Awol Erizku
A contemporary response to the historical motif of the still-life, Awol Erizku’s studio photography is brimming with color and symbolism...
Jordan Kantor
Jordan Kantor’s artworks explore relationships between painting and photographic mediums...
Oscar Munoz
- location: Cali, Colombia
- year born: 1951
- gender: male
- nationality: Colombian
- home town: Popayán, Colombia
Sadie Benning
When she was fifteen Sadie Benning’s father gave her a kiddie PixelVision camera, a device that recorded grainy black-and-white video on standard audio cassettes...
Carter Mull
Los Angeles-based artist Carter Mull is an obsessive sort, and his fascinations show through in his multimedia photographic and installation-based works...
Chris Wiley
- location: New York, New York
- year born: 1981
- gender: male
- nationality: British
Moe Satt
Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...
Juan Araujo
- year born: 1971
- gender: male
- nationality: Spanish
- home town: Caracas, Venezuela
Pascal Shirley
Pascal Shirley’s photographs portray a California of beaches, music festivals, families, and hipsters wandering through the hills...
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1950-1959
Akram Zaatari
1956“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
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1960-1969
Akram Zaatari
1966“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
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1970-1979
Akram Zaatari
1970“People often asked if they could pose with the Kodak advertisement where a full scale woman is featured with a camera offering Kodak rolls...
Allen Ruppersberg
1970Untitled (City Limits) is a series of five black-and-white photographs of road signs, specifically the signs demarcating city limits of several small towns in California...
David Haxton
197016 films is a selection of David Haxton’s single-screen videos, which he began producing in the 1970s as a continuation of some of the conceptual underpinnings of his earlier film installations...
Akram Zaatari
1972“The two men were relatives and both were in the Lebanese Army.” Hashem El Madani...
Peter Hujar
1975Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose...
Malick Sidibé
1976Au bord du Fleuve Niger (1976) offers a unique insight into the lives of the 1970s in Bamako...
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1980-1989
Allan McCollum
1982In the work titled The Glossies (1980), an affinity for photography manifested itself before McCollum actually began to use photography as a medium...
Catherine Opie
1987Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
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1990-1999
Rodney Graham
1991Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California...
Catherine Opie
1994Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture...
Rodney Graham
1996Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California...
Collier Schorr
1999Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject...
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2000-2009
William E. Jones
2000His series, The Golden State, harkens back to his early career and his photographic training...
Jean-Luc Moulène
2004It rains, Paris, 1st July 2000 , which could be the refrain of a song, is the title of a photograph of a minimal moment, the vision of a Parisian pedestrian, a cut flower lying on the pavement covered in rain drops...
David Haxton
2005In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter...
Harrell Fletcher
2005The American War , which takes its title from the Vietnamese term for what Americans call the Vietnam War, has toured the United States extensively with the goal of presenting a Vietnamese perspective of that history...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Pascal Shirley
2006Like many of Pascal Shirley’s photographs, Oakland Girls aestheticizes a dingy rooftop and a cloudy sky...
Trisha Donnelly
2007Untitled is a black-and-white photograph of a wave just before it breaks as seen from the distance of an overlook...
Aurélien Froment
2008dbqp is a photographic series in which the artist handles an enlargement of the plate with three cutout windows which was used for L’Archipel (The Archipelago) in collaboration with Pierre Leguillon...
Dinh Q. Lê
2008Hill of Poisonous Trees (three men) (2008) exemplifies the artist’s signature photo-weaving technique, in which he collects diverse found photographs—portraits of anonymous people, stills from blockbuster films, or journalistic images—cuts them into strips, and weaves them into new composition...
Oscar Munoz
2009In Ante la imagen (Before the Image, 2009) Muñoz continues to explore the power of a photograph to live up to the memory of a specific person...
Jordan Kantor
2009Lens Flare and the series Untitled Basel Lens Flare (6168, 5950, 7497) were part of a solo project by the artist presented at ArtBasel in 2009...
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2010-2019
Yosuke Takeda
2010Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Leung Chi Wo and Wong Sara
2010Office Lady with a Red Umbrella restages a figure from a 1980 postcard made from a photograph from 1950’s...
Lucas Blalock
2011Compositions such as Tree on Keystone (2011) become hyperreal versions of their real-world equivalents...
Yosuke Takeda
2011Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Ana Roldán
2012Ana Roldán’s Primeval forms series looks up close at the fecund shapes of plants often found in the artist’s native Mexico...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Carter Mull
2013Mull’s Worker’s Clock collage works bring together images from the artist’s studio photography practice, found photographs, and pages from a phone book, laying them over a psychedelic warp of color in the background...
Elad Lassry
2013In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
John Houck
2013Houck’s Peg and John was made as part of a series of photographic works that capture objects from the artist’s childhood...
Lucas Blalock
Drawing & Print
2013(Drawing & Print) Blalock resists the immediacy that we have come to expect from photography—that each photograph should communicate its message without delay...
John Houck
2013Untitled #242 is part of Houck’s Aggregates Series, which uses digital tools to manipulate chosen sets and pairs of colors, creating colorful index sheets, bathed in colors and lines...
Carlos Motta
2014Searching for We’wha is composed of five photographic triptychs combining photographs from the American West (New Mexico and Arizona) with excerpts from American Indian poetry in an attempt to reconstruct imaginary aspects of the life of We’Wha, a famous member of the Zuni tribe, who was born male but who lived a feminine gender expression...
Yosuke Takeda
2014Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Sara Cwynar
Drawing & Print
2015(Drawing & Print) Sara Cwynar’s composite photographs of found objects and images court feelings of time passing...
Reza Aramesh
2016The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
Eileen Quinlan
2016Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
Reza Aramesh
2016The photographed plaster heads set against the idyllic landscapes of the south of England, subvert the process of image production and memory...
Sadie Benning
2017In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Abraham Oghobase
2018This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
Abraham Oghobase
2018This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
Sergio Rojas Chaves
2018Más vale pájaro en mano que cien volando (A bird in the hand is worth more than two in the bush) is part of a larger series of pieces developed by Sergio Rojas Chaves in Honduras in 2018 that engages with tourism and in particular amateur-ornithologists that overrun the country in pursuit of the nation’s extreme diversity of bird species...
Emeka Okereke
2018Bariga Nights is a photographic series set in the Bariga neighborhood in Lagos (Nigeria)...
Abraham Oghobase
2018This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
Abraham Oghobase
2018This series of photographs is inspired by the artist’s travels to Jos, Nigeria...
Awol Erizku
2018Awol Erizku’s image Origin of Afro-Esotericism has compositional force and a rhythmic use of full-blast color...
Andrew Norman Wilson
2019In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production...
