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Estratos II
© » KADIST

Cynthia Gutiérrez

Sculpture (Sculpture)

Estratos II by artist Cynthia Gutiérrez features a large white plinth with a transversal cut through the lower half, revealing a collection of archeological objects. These pieces of history have seemingly been lost to time and have lived covered under a sterile exterior. To create the ceramic objects for this project, Gutiérrez worked closely with an artist that creates Mesoamerican replicas.

I Am Blue, 1
© » KADIST

American Artist

Sculpture (Sculpture)

From suicides, to gang violence, to the epidemic abuse of force by police departments (predominantly against Black men), to school and mass shootings, there is perhaps no more urgent issue in the United States than gun control. The color blue is a proxy for both sadness, and a color that is emblematic of American law enforcement services. I Am Blue, 1 by American Artist is a sculpture that fuses a school desk with a ballistic shield.

Pivot III
© » KADIST

Sable Elyse Smith

Sculpture (Sculpture)

Sable Elyse Smith’s Pivot III resembles playground equipment uselessly reconfigured. The stainless-steel asterisks, assembled from prison visitation-room seating, are painted 2K black and blue: colors evoking the US criminal justice system, its racist enforcement, and the heavy-duty finish of finance capitalism with which the culture industry is enmeshed. The work consists of six long rods, affixed via plate to each of the faces of a central cube, from which they radiate in perfect symmetry.

Canción para un fósil canoro (Song for a chanting fossil)
© » KADIST

Rometti Costales

Installation (Installation)

Canción para un fósil canoro (Song for a chanting fossil) by Rometti Costales is inspired by the history of the building that currently hosts the Museo de la Solidaridad Salvador Allende (MSSA) in Santiago, Chile. The duo associated the layers of the building’s history with the vestiges of life and the processes of fossilization that have taken place in areas of the Atacama Desert, a territory that has been the stage for several episodes in Chile’s tumultuous economic and political history. The work operates as a metaphor for the strata of historical memory, condensing different materials and operations.

Soliloquy
© » KADIST

Tromarama

Installation (Installation)

The installation Soliloquy by Tromarama features 96 second-hand lamps scattered around the space like islands or entities left in solitude. Each time the hashtag “#kinship” is used on Twitter, the tweet is converted into binary code, which triggers their switches and creates a symphony of lights. The flashing bulbs transcribe layers of human desire and of individual stories that manifest users’ connections forged across physical and digital realms.

Haunted By You
© » KADIST

Taiyo Kimura

Film & Video (Film & Video)

Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living. The performance narrative unfolds upon the circular movements of the turntable. A chicken’s leg replaces the turntable’s arm.

Le réel est l'impasse de la formalisation ; la formalisation est le lieu de passe-en-force du réel
© » KADIST

Benoît Maire

Sculpture (Sculpture)

The piece consists of sculpture of 10 elements, among them: a globe, a picture of a gorilla, a chair, scrabble letters, 3 glasses of black ink, a book whose title is illuminated by the beam of a 8mm projector, a pair of boots, etc. The display is a collection of selected objects chosen in response to the reading of a text by Alain Badiou (the first chapter of the seminar “Le réel est l’impasse de la formalisation; la formalisation est le lieu de passe en force du réel” from February 4, 1975). The elements are a visual way to question the transposition of an idea into reality.

"White String at Home", November, 19-26, 1979, Prague
© » KADIST

Jiri Kovanda

Photography (Photography)

This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio. During an interview with Hans Ulrich Obrist, the artist highlighted that he had never had a studio and that this work space blended with his apartment. A piece of string cuts across the room in a diagonal; it functions as a scale to measure time and space.

Constituent
© » KADIST

Cameron Rowland

Installation (Installation)

Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution. Who controls the services that contemporary citizens take for granted—like power, water, heat? Who makes these objects that deliver these services?

Zwillinge
© » KADIST

Vaclav Pozarek

Sculpture (Sculpture)

Concerning his objects, Pozarek often relies on chance to guide him. He uses scraps of wood, boxes, hinges and doors, keeping a close eye on what position each object will assume later in the space. Although it suggests the opposite at first glance, Zwillinge is autonomous and functionless.

The Thinkers
© » KADIST

Adriana Lara

Sculpture (Sculpture)

Lara uses things readily at hand to create objects and situations that interrogate the processes of art and the spectrum of roles that art and artists play in society. To these ends, she has used furniture, projections, photographs, clothing, and even people as her materials. A reflection on how the production of meaning itself takes place in the manufacturing of things is embodied in wooden hand chairs, a crafty Indonesian version of the iconic Pedro Friedeberg 1960s Pop design.

Wedges in the Pavements, Autumn 1980, Alsovo nabrezi, Prague.
© » KADIST

Jiri Kovanda

Photography (Photography)

Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph. Contrarily to the actions, he took the photographs himself. One of the rules he stuck to in his artistic practice was to always use material at his disposal, a real economy of means.

Brutalismo Americano
© » KADIST

Marlon de Azambuja

Installation (Installation)

Following a series of related works, Brutalismo Americano by Marlon de Azambuja is a site-specific sculptural installation produced during the artist’s residency at Kadist, San Francisco in 2017. Treating the city as an object of attention, de Azambuja collected building materials from the surrounding area over a period of ten days to conceive of an architecture in situ. The work is not meant to mimic any of San Francisco’s own architecture, or to be a maquette or portrait of the cityscape, but instead a singular, constructive gesture.

Untitled (Figure no. 1)
© » KADIST

Oren Pinhassi

Sculpture (Sculpture)

Oren Pinhassi’s work examines the relationship between the human figure and the built environment. His hybrid sculptures, often somewhat emaciated, hover between the figurative and the architectural. In the case of The Crowd , a series of sculptures which evince architectures of control – where humans act and exert power – we find voting booths, segregation cells, institutional desks, places where bureaucratic exchange become spaces of bodily desire, complete with sexual appendages.

Untitled (Ring)
© » KADIST

Pratchaya Phinthong

Installation (Installation)

Untitled (Ring) consists of two prominent elements contained in water filled glass sphere. The first, Phinthong’s wife’s ring, cast in recycled gold, collected from damaged electronic devices during Thailand’s great flood in late 2011. It is intended to be a reminder of when the couple consoled one another amid the flooding disaster.

Untitled (Details from fictional realities)
© » KADIST

Matt Mullican

Drawing & Print (Drawing & Print)

Mullican’s Stick Figure Drawings depict characters reduced to their most basic graphic representation. Glen is a simple silhouette, genderless and inspired by a found photo of a crime scene, in whom we recognize the generic sign of the universal symbol of a self-portrait. Mullican continually projects himself, sometimes physically, into the silhouette that he has created, allowing the artist to pass from one reality to another.

Better to have loved and lost than never to have loved at all
© » KADIST

Alejandro Almanza Pereda

Film & Video (Film & Video)

This still life falls apart, or rather floats apart as the composition is proved unstable and constantly morphing. An impossible attempt at achieving a fixed state, some objects remain buoyant and some objects sink, constantly tilting the overall scale and arrangement. Properties of weight, mass and shape have their own will but a hand appears in the scene, pushing back on these mysterious forces.

Hammer
© » KADIST

Oscar Tuazon

Sculpture (Sculpture)

Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology. Engaging different methods of construction, he frequently uses wood, concrete, glass, steel, and piping as materials to create his structures and installations. Tuazon’s works have roots in minimalism, conceptualism, and architecture, and have a direct relationship with both the site in which they are presented, as well as with their viewer, often through physical engagement.

Justice
© » KADIST

Zai Kuning

Sculpture (Sculpture)

Justice (2014) presents viewers with a curious assemblage: a wooden gallows with slightly curved spindles protruding from the topmost plank, which in turn is covered with rudimentary netting, the threads slackly dangling like a loose spider’s web or an rib cage that’s been cracked open. A bundle of small red rattan balls hang from the front end of the plank, precariously knotted to a single thread hanging from the gallows’ edge. A book hangs from similar red threads at the plank’s rear, its surfaced wrapped multiple times over with the thread to hold it in place, the red thread resembling blood vessels or connective tissue.

Eu preciso estar seguro de você 1 (I need to be sure of you 1)
© » KADIST

Marcelo Cidade

Photography (Photography)

This series of photographs reflects Marcelo Cidade’s incessant walks or drifting through the city and his chance encounters with a certain street poetry like the Surrealists or Situationists before him. He captures incongruities or everyday simplicity and highlights their suggestive power. The composition and framing of these interventions specially emphasizes the object of interest and the humor of the context.

Movement
© » KADIST

Li Ming

Film & Video (Film & Video)

In the eight-channel video installation Movement , Li Ming uses his body as a prop to interact with different means of transportation. Each channel features footage of the artist moving forward, jumping between various modes of transportation that weave in and out of the frame in a carefully orchestrated choreography. As the artist descends from the loader bucket of a moving construction tractor, he jumps onto a skateboard which he then discards as he lays on top of a suitcase that continues rolling forward.

Phenomena
© » KADIST

Yang Xinguang

Sculpture (Sculpture)

Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.

A.P. (no.1)
© » KADIST

Erin Shirreff

Photography (Photography)

Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines.

The Book Cover series
© » KADIST

Heman Chong

Painting (Painting)

With a habit of reading eight to ten books at the same time, Chong paints his two-foot tall novel covers through referencing an extensive reading list (accessible on Facebook) he has kept since 2006. Entitled “Bibliography (1): The Lonely Ones,” the list outlines representations of solitude that has been imposed on individuals or communities. Chong divides these archetypes into three over-arching notions: the Hide-away, the Castaway and the Prisoner.

Deck Painting I
© » KADIST

Alexandre da Cunha

Painting (Painting)

His Deck Painting I recalls the simplistic stripes of conceptual artist Daniel Buren, or the minimal lines of twentieth century abstract painting, but is in reality a readymade, fashioned from repurposed fabric of deck chairs. Alexandre da Cunha reinvents found objects in surprising ways that combine the material characteristics of Arte Povera with the concerns and techniques of painting. Da Cunha’s work often features flags—either as a found material per se or as a constructed form—that reflect the artist’s interest in issues of nationality, governmental politics, allegiance, and culture.

Charco portatil congelado (Frozen Portable Puddle)
© » KADIST

Gabriel Orozco

Photography (Photography)

Charco portátil congelado (Frozen Portable Puddle, 1994) is a photographic record of an installation of the same name that Gabriel Orozco made at Witte de With Center for Contemporary Art in Rotterdam for the group exhibition WATT (1994). The artist arrived a week prior to the opening with no artwork to install, and created three spontaneous works from locally sourced materials. This one was made of white plastic record sleeves that Orozco arranged on the damp roof of the gallery.

Jiri Kovanda

Engel Leonardo

Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...

Gabriel Orozco

Taiyo Kimura

Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...

Marlon de Azambuja

Based on ideas of architecture, and by means of appropriation of public space and studio-based material operations, Marlon de Azambuja’s work creates new idioms for thinking and inhabiting the built environment...

John Menick

Rather like the narrator in the video belonging to the Kadist collection, The secret life of things, the artist John Menick is a ‘professional spectator’...

Yang Xinguang

Erin Shirreff

Orion Shepherd

Orion Shepherd is a Los Angeles based artist working across drawing, collage, painting and sculpture...

Sarah Conaway

Martin Creed

Marina Rosenfeld

Marina Rosenfeld is a New York-based composer and artist working across disciplines...

Frieda Toranzo Jaeger

Many of Frieda Toranzo Jaeger’s works take the triptych format, employed by artists over many centuries to represent religious devotion...

Alejandro Almanza Pereda

Alejandro Almanza Pereda has a heightened understanding of the essence of objects...

Oren Pinhassi

Oren Pinhass’s practice integrates architecture and sculpture in the making of fantastical forms, employing found objects as well as replicating such objects in various media...

Abraham Cruzvillegas

Zai Kuning

Mateo Lopez

Tromarama

The artist collective Tromarama is a Bandung based artist collective founded in 2006 by Febie Babyrose, Herbert Hans and Ruddy Hatumena...

Adriana Lara

Adriana Lara is fascinated by how a single thing (an object, a photograph, a song, a text) can be transformed into a work of art...

Marcelo Cidade

Rometti Costales

Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...

Dineo Seshee Bopape

Dineo Seshee Bopape is known for her playful and experimental video works and installations of found objects...

John Houck

Sable Elyse Smith

Sable Elyse Smith is an interdisciplinary artist, writer, and educator based in New York and Richmond, Virginia...

Haegue Yang

Vaclav Pozarek

Growing up in Czechoslovakia, Vaclav Pozarek experienced political aggression, spying and ludicrous impediments...

Dale Harding

A descendant of the Bidjara, Ghungalu, and Garingbal peoples, Dale Harding’s work references and expands upon the philosophical and spiritual touchstones of his cultural inheritance...

Pratchaya Phinthong

Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...

American Artist

American Artist makes experimental work in the form of sculpture, video, and software that comments on histories of race, technology and forms of knowledge production...

© » KADIST

about 47 months ago (06/09/2020)

© » KADIST

about 86 months ago (04/13/2017)

© » KADIST

about 87 months ago (03/01/2017)

© » KADIST

about 104 months ago (10/21/2015)

© » KADIST

about 104 months ago (10/07/2015)

© » KADIST

about 107 months ago (07/11/2015)

© » KADIST

about 145 months ago (05/30/2012)

© » KADIST

about 145 months ago (05/30/2012)

© » KADIST

about 157 months ago (06/13/2011)

© » KADIST

about 161 months ago (01/25/2011)

© » KADIST

about 207 months ago (05/03/2007)