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Living Distance
© » KADIST

Xin Liu

Film & Video (Film & Video)

Living Distance by Xin Liu is a VR work and two-channel video based on a real mission in which the artist’s wisdom tooth was sent to outer space and back down to Earth again. In the VR work, users play the role of the tooth, journeying from the mouth to outer space, with a poetic narration by Liu. The piece is exquisitely rendered, with deep blacks that make the experience especially powerful on a Vive Pro.

Los Abuelos
© » KADIST

Manuel Solano

Painting (Painting)

Since Manuel Solano became blind, they developed a technique that relies on audio descriptions that allow for an assistant to place pins and threads on a grid that guides the artist’s hands through the surface. In Los Abuelos , the artist works with a canvas the size of their body, allowing intense interaction with the wet paint. This kind of tactility creates a complex entanglement of color masses alternating sharp and blurred details, giving the image an erratic and affective atmosphere just as our fond memories often appear to us.

Oil
© » KADIST

Sam Contis

Photography (Photography)

Sam Contis’s photographs explore the relationship of bodies to landscape, and the shifting nature of gender identity and expression. Oil is part of a photographic series Contis made at Deep Springs College, one of the United States’s last all-male institutions of higher learning, located in a remote desert valley on the California–Nevada border. Oil features a hand in front of an open hood of a car, checking the oil.

Unhealed
© » KADIST

Tenzing Rigdol

Photography (Photography)

Unhealed by Tenzing Rigdol is a photograph of the artist’s back tattooed with a map of Tibet with the dates of important political events. Each date and region is marked with a needle, a reference to the traditional Chinese medicine method for treating ailments, used to mark the regions and dates of major uprisings and mass protests as a means of encouraging dialogue and to start the recovery process. Millions of Tibetans have died in those protests.

Mr. Shadow 1
© » KADIST

Nontawat Numbenchapol

Photography (Photography)

The series of prints titled Mr. Shadow by Nontawat Numbenchapol engages with the history of and current state of militarization in Thailand. Each print features an invisible person, their silhouette only outlined by the military fatigues that they wear.

A woman you thought you knew
© » KADIST

Sin Wai Kin

Drawing & Print (Drawing & Print)

A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere . Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.

RUINER III
© » KADIST

Nikita Gale

Sculpture (Sculpture)

RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture. While these muscular works evoke the forms and dynamism of mid-century modernism, they can also be seen as a translation of Goethe’s idea that “architecture is frozen music”. RUINER III is exemplary of how the artist’s disembodied sets typically evoke a sense of longing through absence, and in so doing, draw out an extended mediation on how audiences project mental or emotional energy onto a person, object, or idea.

Mr. Shadow 2
© » KADIST

Nontawat Numbenchapol

Photography (Photography)

The series of prints titled Mr. Shadow by Nontawat Numbenchapol engages with the history of and current state of militarization in Thailand. Each print features an invisible person, their silhouette only outlined by the military fatigues that they wear.

Yea High (sweetpreparator)
© » KADIST

Shahryar Nashat

Sculpture (Sculpture)

Employing both the High Modernist technique of abstraction and monochronism, as in the work of Lucio Fontana and Yves Klein, and bodily states of fetishization, Yea High (sweetpreparator) reworks the art historical canon of movement and the body to consider flesh as a physical construction of man-made matter. In the work, the artist uses perspiration as a medium on the surface, combing the man-made and the organic. The pink of the surface reflects the artist’s interest in reframing the way we understand the permeability of human skin.

Movement
© » KADIST

Amapola Prada

Film & Video (Film & Video)

In Amapola Prada’s work Movement, we see three spotlit, female bodies lying inert in a darkened room, alongside three dressed, standing figures holding long, wooden spoons. Looking over the static bodies, the standing figures place their spoons in-between the women’s legs and begin moving them in circular, rowing-like motion, like the oars of a boat. The psycho-sexually charged nature of Movement is illustrative of Prada’s dream-like works, which often relate to the subconscious and other internal processes with which we express desires, tensions, and latent emotions.

Secrets Between Her and Her Shadow 10
© » KADIST

Maryam Hoseini

Painting (Painting)

Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla. Hoseini’s compositions are visually inspired by the illustrations accompanying the Khamsa of Nizami , a manuscript of five poems, including Layla and Majnun , produced by the Persian poet Nizami in the 1590s. Unlike the original tale, Hoseini’s paintings focus entirely on Layla, any male characters are purposefully erased from this narrative.

SPORT/ Cookie Blast
© » KADIST

Karla Kaplun

Drawing & Print (Drawing & Print)

Studying the body in movement, this series of drawings depart from Karla Kaplun’s work A ztec BLAST® Workout (AWB) . Taking the form of a fitness training program, this work critically explores issues of cultural appropriation, focusing on the traditional “Conchero” Aztec dance. The Concheros dance—also known as the Chichimecas, Aztecas and Mexicas—is an important traditional dance and ceremony which has been performed in Mexico since early in the country’s colonial period.

Ein Ding Mehr
© » KADIST

Prinz Gholam

Film & Video (Film & Video)

Ein Ding Mehr , or ‘one more thing,’ is part of a long-term collaborative performance series by artists Wolfgang Prinz and Michel Gholam, which consist of the pair embodying an array of material through holding various poses for extended periods of time. As the artists perform each gesture, we see them gaze on the preparatory drawings, which act as an instructional score of sorts. The drawing itself, besides featuring carefully drawn sketches of each position, also contains a list of the source material that inspired them: a scene from Pier Paolo Pasolini’s film, Salo, Eugène Delacroix’s Pietà, and a reference to a monument by Auguste Rodin among others.

Alka domo
© » KADIST

Seba Calfuqueo

Film & Video (Film & Video)

Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity). Caupolicán was elected military leader by the Mapuche people of Chile after successfully completing the challenge of holding a log on his shoulders for two days. Caupolicán led the Mapuche army in the first uprising against the Spanish conquistadors from 1553 to 1558.

After the Finish Line
© » KADIST

Adelita Husni-Bey

Film & Video (Film & Video)

After the Finish Line is a recent film by Adelita Husni-Bey produced for the exhibition Movement Break at Kadist-SF in 2015. It was developed in collaboration with a group of teenage athletes who have experienced injury as a result of their respective sporting activities. Through radical pedagogical practice, a process that attempts to de-individualize feelings of failure, the artist and the athletes recorded their experiences, discussing the meaning and trappings of competition — and in particular, from where desires for success stem.

Bottoms Up
© » KADIST

Christina Quarles

Painting (Painting)

The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen. Bottom’s up is also a pun, a nod to the English toast. Quarles draws on a number of sources of inspiration, including comic book imagery, the influence of which sits alongside elements of her practice informed by life drawing classes.

Zombie, Examined
© » KADIST

George Pfau

Drawing & Print (Drawing & Print)

This work exemplifies George Pfau’s interest in zombies and liminal embodiment. In different ways, zombies are present here as an icon of coming apart, yet they retain a persistent thereness. In Zombie Examined, the frayed edges of the body are undone by a clinical look, rather than a visual effect.

Sheet 5 (Stamped series)
© » KADIST

John Lucas and Claudia Rankine

Drawing & Print (Drawing & Print)

Historically, blondeness has been a signifier for desirability and beauty, speaking to “purity” — the purity of whiteness — like no other bodily attribute except, perhaps, blue eyes. In the twenty-first century, blondeness is the look desired by American presidents, pop stars, rappers, television announcers, Hollywood celebrities, the boy next door, and some Asian Americans, African Americans, white Americans, Arab Americans, and LatinX Americans. The desirability of blonde hair has no genre boundaries, no pronoun limitation, and no class limit.

Drawing for SOTSB II
© » KADIST

Anne Imhof

Drawing & Print (Drawing & Print)

“School of the seven Bells (SOTSB)” is based on a series of hands games in which an object is passed from hand to hand. The performance is a reference to the film by Robert Bresson, “Pickpocket”, where a group of pickpocketers play with their victims. The artwork, through the actions of the hands, is an interrogation into space and time, questioning the relationship between public and private space, the establishment of communication through the body and visual exchange and gestures between aggression and sensuality.

Hair Warp - Travel Through Strand of Universe, 8
© » KADIST

Ashmina Ranjit

While most of Ashmina Ranjit’s work has been large-scale installations, often immersive and site-specific, the series Hair Warp – Travel Through Strand of Universe is a brilliant concentration of both her beliefs and aesthetic. In this series, human hair is treated as a sacred element that connects womanhood and as Ranjit states, “all phenomena beyond the sky”. In the painting, the sinuous hair strands morph constantly into different braids, swirls, and landscapes, emitting a mysterious force of life.

Workout
© » KADIST

Polina Kanis

Film & Video (Film & Video)

In the seminal video Workout , Kanis looks at the phenomenon of exercise in public space—specifically aerobics exercises in parks around Moscow today—as a broader lens for thinking about generational change. She leads a local group of participants through a work-shopped sequence of aerobics and marching. Each participant moves steadily and confidently in unison.

Auto Control as a Form of Landscape
© » KADIST

Frieda Toranzo Jaeger

Installation (Installation)

This triptych is based on a Tesla whose interior the artist customized on the Tesla website. The width of the work when the panels are closed is the exact width of a Tesla, thus one designed to hold two bodies side by side. In Mexico City the car is used as a social space and, for young people, one not controlled by parents.

Beben
© » KADIST

Julian Abraham

Photography (Photography)

In 2015, while in residence at the Jatiwangi Art Factory (JaF) located in the village of Jatisura in Jatiwangi, West Java, Indonesia, Togar initiated the Jatiwangi Cup in which the artist, together with communities in the area, established an annual bodybuilding contest. The area is renowned for its roof tile factories, and the cup aims to celebrate the factory worker’s physiques, sculpted by intense, daily, physical labor. Togar based the idea of the cup on the simple notion of collectivity.

Untitled
© » KADIST

Kitty Kraus

Installation (Installation)

Composed of two rectilinear pieces of glass, this work is part of a series of sculptures started in 2006. These transparent assemblages are in contact with the walls and floor of the exhibition space. The sculptures of this series are the same dimensions with different combinations.

I am not going to sing
© » KADIST

siren eun young jung

Film & Video (Film & Video)

Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk . The genre, which was popular in the 1950s-60s, has since been forgotten, without ever being established as either a traditional or modern form of Korean theater. The most distinctive formal trait of Yeoseong Gukgeuk is that the theater performers are exclusively women.

Deferral Archive #2
© » KADIST

siren eun young jung

Drawing & Print (Drawing & Print)

Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk . The genre, which was popular in the 1950s-60s, has since been forgotten, without ever being established as either a traditional or modern form of Korean theater. The most distinctive formal trait of Yeoseong Gukgeuk is that the theater performers are exclusively women.

Susan Sontag
© » KADIST

Peter Hujar

Photography (Photography)

Susan Sontag, the author of On Photography and Regarding the Pain of Others, was captured through Hujar’s now-iconic photograph in a relaxed yet pensive pose. A friend and supporter of his work as well as his subject, Sontag wrote the introduction for Hujar’s only book published during his lifetime: Portraits in Life and Death.

Two Eyes Two Mouth
© » KADIST

Erika Verzutti

Painting (Painting)

Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.

siren eun young jung

With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...

James "Yaya" Hough

Working in ballpoint pen, pencil, and watercolor, often on the backs of bureaucratic prison forms, James “Yaya” Hough’s work conveys the burdens of incarcerated life, revealing not only the brutal reach of the carceral system, but laying bare its affects...

Zanele Muholi

Laure Prouvost

Laure Prouvost is a multi-disciplinary artist best known for her films and immersive large-scale multi-media installations, in which she plays with words and their meanings in non-linear ways...

Amapola Prada

As the daughter of an actor, Amapola Prada recalls frequently attending the theater as a child and noticing that she never saw herself (her body or reality) represented...

Nontawat Numbenchapol

Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...

Kubra Khademi

Afghani artist Kubra Khademi uses her practice to explore her experiences as both a refugee and as a woman...

Danielle Dean

Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...

Nidhal Chamekh

Based between his native Tunis and Paris, Nidhal Chamekh’s work is an investigation into history as a point of access to our contemporary times...

Karla Kaplun

Karla Kaplun’s practice centers on micro-utopias, the construction and functioning of collective memory, as well as mechanisms of political and economic power and control...

John Wood and Paul Harrison

John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...

Julian Abraham

Julian Abraham “Togar” is an artist, musician, and pseudo-scientist...

Sung Hwan Kim

In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...

Sin Wai Kin

Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...

Shahryar Nashat

The work of Shahryar Nashat (b...

Seba Calfuqueo

Seba Calfuqueo is an artist of Mapuche origin whose work critically reflects on the social, cultural, and political status of the Mapuche people in contemporary Chilean society...

Tenzing Rigdol

Tenzing Rigdol is a contemporary Tibetan artist whose work ranges from painting, sculpture, drawing and collage, to digital, video installation, performance art and site-specific pieces...

Ashmina Ranjit

Ashmina Ranjit is Nepal’s leading figure in the conceptual and performance fields, as well as an emblematic voice in South Asian feminist art making and activism...

Wynnie Mynerva Mendoza Ortiz

Wynnie Mynerva is a non-binary artist based in Lima whose pictorial and performative practice is developed in close collaboration with the transgender and queer communities where they belong...

Jumana Manna

Jumana Manna is a Berlin-based artist whose work revolves around the body, national identity, and historical narratives...

Lynn Hershman Leeson

Bo Wang

Through new media, installation, and video and film, Bo Wang’s practice embodies sociopolitical and cultural subjects in contemporary China and beyond...

Ruth Patir

Ruth Patir works with video and performances that complicate facile separations of public and private spheres...

Peter Hujar

Before American photographer Peter Hujar passed away from AIDS in 1987, he was a part of a group of New York-based artists, writers, and musicians who defined the downtown scene in the 1970s...

Rometti Costales

Rometti Costales is an artistic collaboration between Julia Rometti and Victor Costales that began in 2007...

Carolina Saquel Martinez

Caroline Saquel was born in Chile and now lives and works in Paris...

Li Shuang

Raised in rural south-eastern China in the 1990s, Li Shuang grew up consuming popular media such as YouTube, MySpace, knock off Nintendo consoles, pirated video games, and dakou CDs...

Alicia Smith

Alicia Smith is a Xicana artist and activist whose work thoughtfully engages with the subjects of indigeneity, colonialism, the environment, and the female body...

Lenora de Barros

Lenora de Barros studied linguistics and started her artistic career in the 1970s...