The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere. Wearing exquisite hair and makeup and a pair of silicone breasts under shimmering diamanté lingerie, Sin Wai Kin’s former persona, Victoria Sin, assumes an alluring, inviting, and intimidating pose. Through subtle and slow movements, this atemporal courtesan appears as a living deity, whose presence embodies codes of representation found in brothels from the turn of the century, burlesque, and Beaux Arts female nude painting.
For the work Wigan Pit-Brow Women: Intersections with the Caribbean (mobile) , Candice Lin studied English Victorian Arthur Munby’s racialized and masculinized drawings of working-class white female miners. Specifically, Lin’s work critically addresses Munby’s observations about the laborers’ femininity that was more concerned with the modesty of the women, than that they toiled in life-threatening situations. “Pit brow women” or “pit brow lasses” were female surface laborers at British collieries.
Advanced Technology (Advanced Technology)
The Great Adventure of the Material World Knight by Lu Yang is a video game world in which an androgynous protagonist goes on a hero’s journey to overcome their understanding of the material world as a coherent, objective truth. Looping arcade music builds suspense as the artist mobilizes varying aesthetics—Sinofuturist cityscapes, Kawaii, religious imagery, anime characters, and body scans of the artist—to propel the viewer through a series of levels, including heaven, hell, and various sites populated by deities and monsters. While traversing these worlds, the protagonist encounters a dizzying array of characters while posing a series of questions about the subjective nature of reality, desire, and suffering.
Drawing & Print (Drawing & Print)
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself.
Priapus Agonistes by Mary Reid Kelley and Patrick Kelley is the first work in The Minotaur Trilogy (2013-2015), a trio of videos that reimagine the Greek myth of the Minotaur. The monstrous result of Queen Pasiphae’s infatuation with a bull, the Minotaur lived in a huge maze known as the Labyrinth where he would devour sacrificial offerings of youths and maidens. Traditionally, the story centers on Theseus and his heroic (and successful) quest to conquer the Minotaur, subsequently freeing the people of Athens from their obligations.
The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence. Her works are developed through a process of decontextualization of such imagery, layering and recomposing, playing with new narratives. In this work she focuses on memory and what might be triggered in the viewer.
Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships. The artist probes societal differences and how these variations affect individual and group responses to themes of beauty, the body, and broader issues of identity. Untitled explores these themes and addresses the processes through which women navigate such issues.
Drawing & Print (Drawing & Print)
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself.
Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage. Part of the artist’s series Marriage Taboos , these portraits of women from different age groups in Nepal are staged on cotton mattresses placed on miniature golden matrimonial beds. The embroidered text on top of the portraits in golden threads are a representation of the range of vulnerable and resilient emotions experienced by women and the social beliefs towards them.
Drawing & Print (Drawing & Print)
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping . They serve as a glimpse into the discourse and intricacy of the artist’s imagined, yet responsive approach to his realities. The series of posters echoes the once-vibrant aura of movie posters, when they were designed by artists and designers to encapsulate the tone, story, and visual style of a film in one large image, and were often as iconic as the movie itself.
Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory. Set in a sleepy and unidentified coastal town, the film begins as the protagonist unexpectedly finds herself inside a hotel room in a lucid state. Attempting to grasp her surroundings, she falls into a deeper metaphysical reality where her memories blur with her awareness of her surroundings until she finds herself again alone in a dream-like state.
Historical representations of the female form and the clichés and misunderstandings that surround them have been the subject of recent research and historical revision. Marry, Fuck, Kill by Ruth Patir reimagines sculptures of fertility goddesses from ancient times as real-life women by animating them as a moving sculptural bodies. In a country such as Israel, where the presence of ancient ruins are common, if not everyday for some, this work speaks both to the present and the distant past, and draws continuities between.
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations. A leading voice of the younger generation based in Moscow, Makhacheva works with sculpture and installation while her preferred medium remains video. Her Dagestani (Northern Caucasian) roots draw her to this rugged land as her site of choice for many of her works.
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade. The work uses these characters as metaphors to highlight the lives of those who live in the shadows—or feel like they do—and the anxiety they experience as marginalized figures. Musidora was a 20th-century feminist, who was known not only for acting in movies, but also for directing her own plays and films, and having secret affairs with Colette and other famous people of the time.
APA JIKA, The Mis-Placed Comma is one of three works Erika Tan filmed within exhibition spaces during the final stages of their transition from colonial period law courts to the National Gallery Singapore. Part of an on-going body of work, this video focuses on the figure of a forgotten weaver, Halimah Binti Abdullah, who participated in the 1924 British Empire Exhibition in the United Kingdom. A minor figure in the exhibition histories of what was formerly known as Malaya (today, Singapore and Malaysia), Halimah exists as a series of footnotes, gaining historical attention only for the act of a premature death from pneumonia, in London and away from home.
Madani works on a small scale and a large scale. This work is from a series of small paintings called Dazzle Men that take as their starting point the Dazzle patterns used by artists to camouflage ships during the First World War. Dazzle camouflage was designed to confuse the aim of U boat commanders.
In the performance video Vitrina , María Teresa Hincapié stood inside a storefront window in downtown Bogota, unannounced, for eight hours a day, wearing a uniform and initially carrying out cleaning chores. As the day and passers went by, the routine became more playful: she would send kisses to bus drivers on the busy Avenida Jiménez who would return them, use the newspaper with which she was shining the glass to flirtatiously hide and engage with an improvised audience or draw the shape of her body with soap and a sponge. She would interrupt these chores to carry out other ‘feminine’ activities, like brushing her hair or applying make-up, only to return to frantically cleaning the transparent surface that separated her from the public.
Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two. characters: a Belgian prostitute working near the frontlines and a young German soldier charged with monitoring the brothels. Harboring literary aspirations, the soldier goes in search of material to complete his novel.
Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity). Caupolicán was elected military leader by the Mapuche people of Chile after successfully completing the challenge of holding a log on his shoulders for two days. Caupolicán led the Mapuche army in the first uprising against the Spanish conquistadors from 1553 to 1558.
Ana Navas uses humor to address formal, aesthetic, and societal conventions that are interwoven in the everyday through the normalization of gendered behaviors and style choices used to project personal and collective signifiers. In her Donation Vases she uses quotes taken from corporate coach Lois P. Frankel’s book Nice girls (still) don’t get the corner office: Unconscious Mistakes Women Make That Sabotage Their Careers (2004). The aspirational, somewhat cynical tone of the sentences – “When given a choice, sit next to most powerful person, their power will cascade over you,” “Why is it that women buy those little chains to hang reading glasses around their necks,” “If you see your reflection on a glossy surface & notice something wrong, avoid fixing it there” – reveals a particular understanding of what a professional, ambitious cis woman should look like, the persona she should project, and the type of desirable behaviors that constitute a stereotypical “successful woman” according to a capitalist morality.
Drawing & Print (Drawing & Print)
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper. Specifically she portrays the two bodies she had access to when she learned how to draw: herself and on occasion her mother. She represents women as warriors, goddesses and shameless playful heroines in search of pleasure and discovery.
The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender. The mutilation of the Aztec moon goddess Coyolxauhqui by her brother Huitzilopochtli, the sun god and human sacrificer, is reimagined in this film. Coyolxauhqui by Colectivo Los Ingrávidos is the first in a trilogy of films that positions itself as a form of political resistance, delving into the relationship between current Mexican femicide and broader cultural traditions.
Lyrics 1, 2, 3 is part of siren eun young jung Yeoseong Gukgeuk Project (2008–). The work closely follows first and second generations of Yeoseong Gukgeuk actresses, who later became an important source of inspiration for the artist. Formally, this genre of theater draws from Westernized aspects of traditional Korean music performance, as well as from adaptations of pansori , a Korean genre of musical storytelling, to create a staged version of traditional Korean opera.
Drawing & Print (Drawing & Print)
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper. Specifically she portrays the two bodies she had access to when she learned how to draw: herself and on occasion her mother. She represents women as warriors, goddesses and shameless playful heroines in search of pleasure and discovery.
Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts. The video’s title figure, a Filipina actress, vaudeville dancer and singer who played racialized, peripheral roles in Hollywood in the 1940s and 1950s, flits in and out of a montage of scenes. Ruperto digitally modified the 16mm film by blurring the background and all of the figures in each scene except for Cooper herself.
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold. The title is taken from a Germanic term used in the context of art history, designating classical drapery. In this particular photograph, Faltenwurf (Stairwell) , an assortment of various colored clothes lay tangled on a set of stairs, as a sculpture of abstract forms.
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious. This closed circuit of dominance and submission between two powerful men, is echoed by the closed circuit of the video through which the viewer takes on the role of voyeur. The artist’s presence in the piece not only calls attention to its staging, but inverts the traditional power dynamic of the “male gaze” and gender roles.
Drawing & Print (Drawing & Print)
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk . The genre, which was popular in the 1950s-60s, has since been forgotten, without ever being established as either a traditional or modern form of Korean theater. The most distinctive formal trait of Yeoseong Gukgeuk is that the theater performers are exclusively women.
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated. Shot from directly above, they are lavish views of very private spaces. The artist plays to her viewers’ voyeuristic impulses, inviting us to look, but then denying us the opportunity to study the figures to whom the sheets belong, so that the rumpled covers become like anthropomorphic stand-ins inviting empathic projection.
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ. Equally, there is a semblance of fruits—their succulence and fragility. While the work is sensual, the matte bronze surface refuses any expectation of softness.
Obscenity and profound issues of contemporary society are not mutually exclusive in Wong Ping’s video works...
Afghani artist Kubra Khademi uses her practice to explore her experiences as both a refugee and as a woman...
With a practice deeply engaged with feminism and LGBT rights issues, siren eun young jung reveals the subversive power of traditional culture, one unknown in the Korean modernization period, and provides unique perspectives and documentation of important communities...
Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...
Through performance, moving image, writing, and print, artist Sin Wai Kin (formerly known as Victoria Sin) uses speculative fiction to interrupt normative processes of desire, identification, and objectification...
Drawing from literature, plays, and historical events, Mary Reid Kelley makes rambunctious videos that explore the condition of women throughout history...
Caspar Heinemann is a queer artist and writer who makes work that reflects and represents his gender and identity...
Erika Tan’s practice is primarily research-driven with a focus on the moving image, referencing distributed media in the form of cinema, gallery-based works, Internet and digital practices...
Sheelasha Rajbhandari is a visual artist, cultural organizer, and co-founder of the artist collective Artree Nepal (founded in 2013) based in Kathmandu...
An exuberant and precise sculptor, Anne Samat blends the aesthetic of international queer cultures – which she proudly represents as a transgender activist – with various textile and bricolage influences from South East Asia and beyond...
Ad Minoliti is a painter who combines the pictorial language of geometric abstraction with the perspective of queer theory...
Ana Navas’s practice deals with the vulgarization of modern art, understanding the term vulgar in its original sense of being appropriated by common people...
Many of Frieda Toranzo Jaeger’s works take the triptych format, employed by artists over many centuries to represent religious devotion...
Maryam Hoseini makes delicate, figurative paintings to investigate the political, social, and personal conditions of identity and gender...
As one of the notable Korean artists of his generation working across contemporary visual art and documentary cinema, Jung Yoonsuk has created internationally recognized documentary films like Lash (2022), Bamseom Pirates Seoul Inferno (2017), Non-Fiction Diary (2013), and Hometown of Stars (2010)...
Since the early 2000s, Diego Bianchi has captured the atmosphere of a generation forged under a chronic state of crisis and precariousness in South America...
Ruth Patir works with video and performances that complicate facile separations of public and private spheres...
Using photography, text, and video, Tammy Rae Carland tactically realigns traditional ideas of love, partnership, domesticity, and family...
Through an aesthetic steeped in manga and Final Fantasy, Lu Yang’s work uses the rubric of role-playing video games to model the possibility of liberation from repressive gender roles and societal norms, given compelling form through kinetic action and AAA-level video game graphics...
Marcel Pardo Ariza is a queer latinx visual artist and curator that explores the relationship between representation, kinship, and queerness through constructed photographs, color sets, and installations...
Elyla (Fredman Barahona) is a performance artist and queer activist...
Wynnie Mynerva is a non-binary artist based in Lima whose pictorial and performative practice is developed in close collaboration with the transgender and queer communities where they belong...
Yuri Ancarani’s films are quasi-hypnotic devices; following highly unique bodily and site-specific choreographies, drawing sensitive portraits of human relations...
Raised in a multicultural and multilingual environment, Karen Lamassonne has lived and worked in the United States, Colombia, France, Germany and Italy...
The work of writer, visual artist and filmmaker Isadora Neves Marques focuses on the politics of nature, in specific relation to ecology; economics; cultural production; and social and ontological segregation...
Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth...
In the performance video Vitrina , María Teresa Hincapié stood inside a storefront window in downtown Bogota, unannounced, for eight hours a day, wearing a uniform and initially carrying out cleaning chores...
Ventana indiscreta (Rear Window) by Karen Lamassonne takes its title from Hitchcock’s renowned 1954 classic...
Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender...
Memory: Record/Erase is a stop-motion animation by Nalini Malani based on ‘The Job,’ a short story by celebrated German poet and playwright Bertolt Brecht...
Carland’s series of large-format photographs Lesbian Beds (2002) depicts beds that have been recently vacated...
Choke documents the artist filming a wrestler “choking out” his teammate until he is unconscious...
In this work the artist stages a humorously violent “intervention” against male-dominated cultures of art production in present-day China...
Rojas’s two pieces in the Kadist Collection— Untitled (four-legged…) and Untitled (Bird’s Eyes) —are representative of her pictorial style which uses bold colorful blocks of paint and female and animal characters...
Miljohn Ruperto’s silent video work Appearance of Isabel Rosario Cooper is an archive of ghosts...
Situated in German-occupied Belgium at the end of World War I, Y ou Make Me Iliad by Mary Reid Kelley focuses on the story of two...
Reborn, 2010 is a three-channel video by Desiree Holman that questions ideas of motherhood and the maternal instinct...
For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations...
Dominique Zinkpè’s works with a wide range of materials, from jute to used cars to “hôhô” figures, which come from the Cult of Twins in southern Benin as a voodoo religion symbole of fertility...
Poetry Light Stool evokes the spirit of Fluxus, the intermedia movement that encouraged artmaking to be simple, fun, and address everyday life...
Priapus Agonistes by Mary Reid Kelley and Patrick Kelley is the first work in The Minotaur Trilogy (2013-2015), a trio of videos that reimagine the Greek myth of the Minotaur...
Lyrics 1, 2, 3 is part of siren eun young jung Yeoseong Gukgeuk Project (2008–)...
Sara Eliassen’s video work A Blank Slate (2014) employs cinematic effect to investigate the relationships between subjectivity, gaze, and memory...
For the work Wigan Pit-Brow Women: Intersections with the Caribbean (mobile) , Candice Lin studied English Victorian Arthur Munby’s racialized and masculinized drawings of working-class white female miners...
Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade...
Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
In Linda, Lee & Dorsey, Louis (1988~, 2018) Marcel Pardo Ariza draws on Bay Area queer histories that have been uncovered from local archives and queer organizations, and connects them to people currently living in the Bay, where Ariza is also based...
The Wedding is a silent film, a probing observation of marriage rituals in Qatar in which we soon notice that there is not a single woman visible...
The Pudic Relation between Machine and Plant shows a looped scene where a robotic hand touches a “sensitive plant” — Mimosa Pudica, a species characteristic for closing on itself when touched...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
Drawing & Print
This selection of poster prints of Wong Ping’s animations includes the films Jungle of Desire, Doggy Love, Slow Sex, An Emo Nose, and Stop Peeping ...
Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity)...
Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
The word Coyolxauhqui refers to femicide or the killing of women in rural Mexico on the basis of gender...
This triptych is based on a Tesla whose interior the artist customized on the Tesla website...
The Parle Ment Metal Woman Welcoming You is a character originated from a series of works combining sculpture and video with a specific role— lying on the floor playing a romantic elevator tune, this Metal Woman welcomes and flirts with viewers in the space where she is posed...
Drawing & Print
A woman you thought you knew by Sin Wai Kin originates from a performance series titled A View from Elsewhere ...
Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years...
In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity...
Drawing & Print
Deferral Archive is one of the archival extensions of siren eun young jung’s Yeoseong Gukgeuk Project (2008-), a decade-long ethnographic research project into the diminishing genre of Korean traditional theater known as Yeoseong Gukgeuk ...
The video Tell me everything you saw, and what you think it means by Sin Wai Kin is from a performance series titled A View from Elsewhere...
Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage...
The archival images used by Frida Orupabo in her collages trace stereotyped representations of race, gender, sexuality and violence...
¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years...
Drawing & Print
Art of War 1, City in Broad Daylight, Leaving the House, Justice is a Virtue, and Lions are Stronger than Men are linocut prints from the series Sultana’s Dream ...
Anne Samat’s Puteri 3 references Ulek Mayang, a classical Malay dance, performed in a ritualistic pre-Islamic context...
The performance title A Gente Combinamos De Não Morrer (BANDEIRA #1) / Us Agreed Not To Die (FLAG #1) is taken from a short story by Brazilian writer Conceição Evaristo, whose work addresses violence, resilience, and necropolitics with an Afro-diasporic lens...
Be Kind to Your Demons is a series of paintings by Hulda Guzmán that presents a variety of scenes in which female characters carry out ubiquitous activities in the company of secondary characters (mostly men) and devil-like creatures...
Taking the same name as their most recent solo show at the Kunstverein für die Rheinlande und Westfalen in Düsseldorf, siren eun young jung’s video work Deferral Theatre intertwines various threads from the last decade of the artist’s research into the Yeoseong Gukgeuk theatrical form, in which all of the roles are played by women, as well as performance-based modes of queer resistance in South Korea...
Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
Historical representations of the female form and the clichés and misunderstandings that surround them have been the subject of recent research and historical revision...
Secrets Between Her and Her Shadow 10 by Maryam Hoseini is from a series of paintings of the same title that are inspired by the story Layla and Majnun – an Arabic love story about Majnun, a 7th century Bedouin poet, and his lover, Layla...
In Ad Minoliti’s expansive three-panel painting Abstracción geométrico-galáctica the artist’s hallmark geometric abstractions serve as playful substitutes for more straightforward depictions of the world...
Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically...
Reflecting upon the transformation of surveillance techniques since the panopticon to include contemporary 3-D facial recognition, AI, and the Internet, Shu Lea Cheang’s 3x3x6 – 10 cases 10 data restages the rooms of the Palazzo delle Prigioni—a Venetian prison from the sixteenth century in operation until 1922—as a high-tech surveillance space...
Drawing & Print
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
Drawing & Print
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
Drawing & Print
Kubra Khademi’s work celebrates the female body and in her detailed drawings and paintings she portrays female bodies floating on white paper...
Tomorrow by Jung Yoonsuk is a two-channel video installation, observing the two different sites of factories, one in the mannequin reform factory in Seoul, Korea, and the other in a sex doll factory in Shenzhen, China...
The Diagram series relates broadly both to Jes Fan’s interests in body modification and gender hacking as well as the artist’s investment in destabilizing hegemonic categories such as gender, monogamy, and the classical individuated subject in favor of more creative, egalitarian, and communal modes of envisioning ourselves...
Advanced Technology
The Great Adventure of the Material World Knight by Lu Yang is a video game world in which an androgynous protagonist goes on a hero’s journey to overcome their understanding of the material world as a coherent, objective truth...
The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand...
Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way...
Wynnie Mynerva places their body at the center of their practice from an intimate perspective and healing dimension...