© » KADIST
Diane Severin Nguyen
To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic. She captures these ephemeral constructions at close range, enlarging minute tensions. Nguyen uses transient, prosthetic lighting—the glow of sunset, an iPhone flash, battery-powered LEDs, fire—so that the camera intervenes moments before these temporary arrangements and their lighting change.
© » KADIST
Santiago Borja
Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references. They were hand-woven in Teotitlán del Valle, Oaxaca, Mexico, and are composed of nine squares, the middle one left unwoven. Their composition is based on Red Square, White Letters (1962) by Sol Lewit, but they also take cues from works like Black Series II by Frank Stella.
© » KADIST
Sheroanawe Hakihiiwe
Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions. During the process of depuration of forms he develops a series of translations whose inception is the daily life and culture of his community, deep in the Amazon rainforest. The works reveal structures rather than shapes, organization rather than form, exposing a way of seeing where nature and culture are not mutually exclusive but manifesting simultaneously.
© » KADIST
Jared Owens
Hog feed 102 is an exemplary work by Jared Owens that combines two of the artist’s primary signatures: the use of soil smuggled out of the grounds at F. C. I. Fairton, a prison in which Owens was incarcerated, and the stowage diagram of the Brookes slave ship. This diagram from 1788 is a logistical blueprint of how to pack Black bodies efficiently, in tiered serial form, into the hold of a ship. Merging these vocabularies, Owens has laced a burlap sack for pig feed into the work to advance a multi-layered commentary on American prisons as ostensible ‘human farms’ that dehumanize inmates by turning them into a commodity for the prison industrial complex.
© » KADIST
Rahima Gambo
“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye. Towards the end of 2020, I was feeling very much that I couldn’t take in any more information visually. That was when I made Instruments of Air.
© » KADIST
Cici Wu
Unfinished Return of Yu Man Hon by Cici Wu is delicate, but physically much more robust than Cici Wu’s earlier works. What continues is the sense of longing, of something unresolved; it is haunting, like the images from a dream that we try to remember upon waking up. Unfinished Return of Yu Man Hon revolves around the story of a developmentally challenged young boy, who purportedly disappeared during the handover of Hong Kong by the British to Chinese governance.
© » KADIST
Vaclav Pozarek
Concerning his objects, Pozarek often relies on chance to guide him. He uses scraps of wood, boxes, hinges and doors, keeping a close eye on what position each object will assume later in the space. Although it suggests the opposite at first glance, Zwillinge is autonomous and functionless.
© » KADIST
Jiri Kovanda
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph. Contrarily to the actions, he took the photographs himself. One of the rules he stuck to in his artistic practice was to always use material at his disposal, a real economy of means.
© » KADIST
Gozo Yoshimasu
Drawing & Print (Drawing & Print)
Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami. He embarked on the project out of a deep sense of sympathy and commitment, in pursuit of “poetry possible after March 2011”, without exactly knowing where he was heading. He started scribing lines and letters on exceptionally large manuscript paper that he handcrafted every day.
© » KADIST
Gaëlle Choisne
Entre Chien et Loup is an installation incorporating a variety of media: rubber, discs, feathers and confetti that the artist weaves, sews and glues together. Influenced by Mike Kelley’s Memory Ware series, the artist creates an object-memory from found materials. The found objects used recall the artist’s mother – it is somehow her portrait, her cape-.
© » KADIST
Fabien Giraud & Raphael Siboni
– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal. Filmed at the scale of a fold of matter, this cut is the axiom on which the first season of The Unmanned rests.
© » KADIST
Elena Damiani
In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work. As apparitions or ghosts, the images portrayed appear or vanish in the space as faded recollections of a distant landscape. These impressions appear as oscillatory surfaces that fluctuate between presence and absence; they are contingent objects that shift as a result of their environment.
© » KADIST
Diego Bianchi
Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically. To him, deviation is the only feasible strategy to allow the unexpected to happen, making space for semantic turns, impossible encounters, and dissolving binaries. The bodily dimension appears in his art both as disturbance of the senses and perception, and as research into processes of consumerism, oppression, decomposition, and destruction.
© » KADIST
Wade Guyton
Drawing & Print (Drawing & Print)
This untitled print by Wade Guyton depicts an iteration of elements that are characteristic of the artist’s work. Inkjet printed on canvas is a duplicate flame motif overlaid with a stripe pattern. This work originated in Guyton’s interest in collecting various editions of the novel Firestarter by the popular horror and science fiction author Stephen King.
© » KADIST
Yuyan Wang
One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception. Made up of micro-events from ‘satisfying videos’ that swarm on the internet, the abstract narrative unfolds through layers of appropriation; referencing trance and minimal music in the process. The work addresses a desire for groundless waves, blended with today’s inexorable entropy of information societies.
© » KADIST
Rachel Rose
First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs. For this sculpture made of rock and glass the artist has created a milky glass-blown shape, almost like fabric in its form, which is draped over a metallic rock in the shape of an egg. For the artist, the egg is an alchemical symbol that is representative of conception and birth.
© » KADIST
Jumana Manna
Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics. The materials related to the techniques of the sculpture or the painting but also others, which refer to commerce, to objects of consumption. The chair refers directly to the body as does the title of the work, Blue Elbow .
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Kristen Morgin
Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other. During World War II, the Walt Disney Company produced series of cartoon shorts that featured Donald Duck’s nightmare of working in an inhumane artillery factory in Nazi Germany and serving in the U. S. Army. By animating and normalizing war and military life, these cartoons not only achieved widespread popularity, but functioned as government propaganda.
© » KADIST
Walead Beshty
Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram. Bold shapes, and the breaks between them, create a rhythm and compose an engaging abstract image. At the same time, the work deals with the conditions of the photograph’s manufacture.
© » KADIST
Lisa Oppenheim
Drawing & Print (Drawing & Print)
The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material. For this project, Oppenheim procured the original glass negatives, which had been damaged over time, from the archives of this newspaper. She then printed the negatives as is, highlighting the multitude of physical flaws that had ‘spoiled’ the negatives.
© » KADIST
Jonathan Monk
Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father. Jonathan Monk bridges a conceptual art and his family privacy, and ironically ensures that there is “no difference between Sol Lewitt and my mother, he does not know more than she do not know. ” What is the status of the O-backed chair rail to the white cube?
© » KADIST
Yoan Capote
Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain. Because individual movement through the maze echoes the movement of neurons and a larger aggregated whole, visitors can be seen to enact a model of sociality and public space that both embodies and metaphorizes social consciousness. Capote’s model shows not just the proposed structure, but features figurines as well, to illustrate the possible scale and interactivity of the final piece.
© » KADIST
James Welling
#17 Pink is a photogram, a photographic image produced without the use of a camera. Here, the artist placed plumbago blossoms on a sheet of eight-by-ten-inch film and exposed it to light. The negative was then projected onto Kodak Metallic Endura paper through a color mural enlarger and cooler filters to produce the multicolored print.
© » KADIST
Eleanor Antin
Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.
© » KADIST
Erin Shirreff
Erin Shirreff’s A. P. series of prints investigates how objects are “constructed” at the level of the image. For each composite photograph, Shirreff fabricates two sculptural forms from what appear to be metal or plaster, although the precise materials are unidentified. Her sculptures resemble miniature architectural models or renderings of buildings as-yet-to-be fully conceptualized, both elemental and elegant in their use of sharp angles and clean lines.
© » KADIST
James Welling
Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it. Although Welling’s approach to photography is more conceptually oriented than poetic, the resulting image in Stowe (a direct photogram of a crumpled piece of cloth) somehow resembles a curtain, perhaps suggesting that an artificial even fictive component in photographic representation. While the curtain might echo other imagery, Welling’s approach is not allegorical but rather abstract in a way that reinforces the materiality of the object.
© » KADIST
Martin Creed
This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005. His broad smile, on the verge of laughter, encourages reciprocity on behalf of the onlooker. This could be said to be a typical tactic in Creed’s work as it is so infused with humor and irony.
© » KADIST
Mike Kelley
Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities. The drawing on wood, the popcorn mixture, and the title all manifest a bumpy fullness, a “more-is-more” conflation between supposedly eternal spirituality and everyday stuff. The work’s title points to a serious timelessness completely belied by the materials.
Nontawat Numbenchapol
Nontawat Numbenchapol is primarily known as a film director and television screenwriter, widely recognized for his documentary work...
Lisa Oppenheim
- location: New York, New York
- year born: 1975
- gender: female
- nationality: American
- home town: New York, New York
Jiri Kovanda
- location: Praha, Ceská Republika
- year born: 1953
- gender: male
- nationality: Czech
Gozo Yoshimasu
Gozo Yoshimasu is a prolific Japanese poet, photographer, artist and filmmaker active since the 1960s...
David Haxton
Although trained as a painter, David Haxton is known for his exploration of light through the mediums of photography and film...
Martin Kippenberger
- location: Vienna, Austria
- year born: 1953
- gender: male
- nationality: German
- home town: Dortmund, Germany
Mithu Sen
Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...
Sheroanawe Hakihiiwe
Sheroanawe Hakihiiwe is a Yanomami artist who lives and works in Upper Orinoco, at the Venezuelan side of the Amazon rainforest...
Mary Ann Aitken
Mary Ann Aitken was known to be very private about her art practice; she was considered somewhat of an outsider by her peers affiliated with the second wave of Detroit’s Cass Corridor arts movement...
Martin Creed
- location: Wakefield, United Kingdom
- year born: 1968
- gender: male
- nationality: British
Diane Severin Nguyen
Diane Severin Nguyen collects found objects and organic matter to craft the images in her photographs and video works...
Fernanda Laguna
Fernanda Laguna has mobilized and influenced a whole generation of artists through her various projects since the mid-1990s...
Sandra Monterroso
Sandra Monterroso is a Guatemalan artist of Maya Q’eqchi’ decent...
James Welling
- location: New York, New York; Los Angeles, California
- year born: 1951
- gender: male
- nationality: American
- home town: Hartford, Connecticut
Baseera Khan
Designed by the artist and fabricated in collaboration with Kashmiri artisans, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly colored symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Jumana Manna
Jumana Manna is a Berlin-based artist whose work revolves around the body, national identity, and historical narratives...
Lotus Laurie Kang
Lotus Laurie Kang works with sculpture, photography, and site-responsive installation...
Zhu Changquan
Zhu Changquan engages in artistic activities through analyzing everyday life...
N. Dash
- location: New Mexico & New York
- year born: 1980
- gender: female
- nationality: American
- home town: Miami Beach, Florida
Seulgi Lee
Seulgi Lee’s artistic references range from anthropological materials, archetypical linguistic elements, vernacular culture, handcrafts tradition, to the graphic culture of animistic belief found in diverse locals around the world...
Naama Tsabar
Naama Tsabar is an Israel-born, New York-based sculpture artist...
Phoebe Collings-James
Phoebe Collings-James’ work engages with experiences of hybridity, referring to the work of writer Sylvia Wynter as a route through which to decipher relations to Western ceramics as well as her own familial origins...
Eileen Quinlan
Eileen Quinlan makes photographic images through unusual processes, stripping the medium down to its essentials, and working experimentally with light, lenses, chemicals, reflections, and shadows...
Wolfgang Tillmans
- location: London & Berlin
- year born: 1968
- gender: male
- nationality: German
- home town: Remscheid, Germany
Erika Verzutti
- location: Sao Paulo, Brazil
- year born: 1971
- gender: female
- nationality: Brazilian
- home town: São Paulo, Brazil
Jedediah Caesar
- location: Los Angeles, California
- year born: 1973
- gender: male
- nationality: American
- home town: Oakland, California
Risham Syed
Risham Syed has a diverse art practice in which painting and other mediums are used to explore issues of history, sociology, and politics...
Pichet Piaklin
Pichet Piaklin is an artist and teacher, whose commitment and belief in art saw him establish the Faculty of Fine and Applied Arts at the Prince of Songkhla University in Pattani, in Thailand’s deep south...
-
1970-1979
David Haxton
197016 films is a selection of David Haxton’s single-screen videos, which he began producing in the 1970s as a continuation of some of the conceptual underpinnings of his earlier film installations...
Eleanor Antin
1973Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City...
-
1980-1989
Jiri Kovanda
1980Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Jiri Kovanda
1980Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Jiri Kovanda
1980Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
Martin Kippenberger
1988Martin Kippenberger’s late collages are known for incorporating a wide range of materials, from polaroids and magazine clips to hotel stationery, decals, and graphite drawings...
Martin Kippenberger
Drawing & Print
1989(Drawing & Print) Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany...
-
1990-1999
Mike Kelley
1996Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities...
-
2000-2009
Mary Ann Aitken
2002Untitled (Boom Box, Double-Sided) by Mary Ann Aitken is representational painting of a boom box on an unconventionally long canvas painted on both sides, to mimic the scale and appearance of the actual appliance...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Jonathan Monk
2003Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
Martin Creed
2003This photograph of Martin Creed himself was used as the invitation card for a fundraising auction of works on paper at Christie’s South Kensington in support of Camden Arts Centre’s first year in a refurbished building in 2005...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
Lisa Oppenheim
Drawing & Print
2003(Drawing & Print) The Damaged series by Lisa Oppenheim takes a series of selected photographs from the Chicago Daily News (1902 – 1933) as its source material...
James Welling
2005#17 Pink is a photogram, a photographic image produced without the use of a camera...
David Haxton
2005In the mid to late 70s David Haxton turned to photography, and similarly to his output in film, his photographs show reverberations of his perspective as a painter...
James Welling
2006Welling employs simple materials like crumpled aluminum foil, wrinkled fabric and pastry dough and directly exposes them as photograms, playing with the image in the process of revealing it...
Yoan Capote
2007Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain...
Kadar Brock
2007Kadar Brock creates dynamic abstract paintings that are born from a process of painting, scraping, priming, sanding, and painting again...
Kristen Morgin
2008Donald of Doom Tank (2008) is a replica of a vintage metal toy with Donald Duck’s image one side and a soldier on the other...
Kristen Morgin
2008Jeep Comics is based on the second of only two issues published by RB Leffingwell and Company in 1944–45...
Jedediah Caesar
2009For Untitled, Caesar encased recycled objects such as scraps of plywood, paper or cloth in resin and then cut and reassembled the pieces into abstract forms...
Mary Ann Aitken
2009Untitled (Diptych) by Mary Ann Aitken is a pair of paintings; one entirely abstract and the other a hybrid of representational and abstract elements...
-
2010-2019
Walead Beshty
2010Black Curl (CMY/Five Magnet: Irvine, California, March 25, 2010, Fujicolor Cyrstal Archive Super Type C, EM No 165-021, 05910) is a visually compelling photogram...
Nathaniel Dorsky
2010Dorsky’s pieces included in the Kadist Collection are small still photographs from twelve of his most important films...
Chris Duncan
2010Taken from the title of the incredibly influential punk/hardcore record I AGAINST I by the Bad Brains, Untitled (blue) is an acrylic painting on reflective paper by Chris Duncan is part of a larger body of work titled EYE AGAINST I ...
Marcelo Cidade
2010Adição por subtração 4 (Addition by Subtraction, 2010) is an intervention into the white cube with both beautiful and intimidating results...
Nao Bustamante
2010Silver & Gold combines video, performance, and original costumes into a self-proclaimed “filmformance” that evokes the legendary filmmaker Jack Smith and his tribute to 1940s Dominican movie starlet Maria Montez in a magical and joyfully twisted exploration of race, glamour, sexuality, and the silver screen...
Phi Phi Oanh
2011Palimpsest is a series of what artist Phi Phi Oanh calls “pictorial installations”...
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Pablo Accinelli
2011In Onde quer que voce esteja (2011) Accinelli sets up a row of cardboard shipping tubes of varying heights and inscribes on them in black ink the words of the title, which translates in English as “Wherever you may be.” The words, while legible, seem like fragmented lines and shapes—almost but not quite a deconstruction of the text...
Julian Hoeber
2011Every work in Hoeber’s 2011 series Execution Changes is titled in alphanumeric code...
Santiago Borja
2012Cosmic Tautology I and II are two textile pieces representative of Santiago Borja’s practice and long-standing interest in disrupting universalist assumptions of minimalism by connecting them with other, non-Western or esoteric references...
Chris Wiley
2012Architectural details become abstracted renderings in Chris Wiley’s inkjet prints 11 and 20 (both 2012)...
Xiaoyun Chen
2012The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
James Collins
2013These two large format untitled paintings by James Collins feature the artist’s hallmark technique, which transforms abstraction into an optical illusion that creates dimension, space, and mass...
Gozo Yoshimasu
Drawing & Print
2014(Drawing & Print) Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Fabien Giraud & Raphael Siboni
2014– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal...
Elena Damiani
2014In Fading Fields 7 by Elena Damiani, the unstable transparency of the print on silk chiffon is relative to the light and the viewer’s position, varying continually as one moves around the work...
Gozo Yoshimasu
Drawing & Print
2014(Drawing & Print) Gozo Yoshimasu’s visual-poetry series Dear Monster (Kaibutsu-kun) explores his response to the March 2011 Tohoku earthquake and tsunami...
Francisco Herrero Peñuela
2014Francisco Herrero Peñuela uses old forms to make his elaborate, richly textured surfaces...
Thiago Honório
2014Pau-Brasil is a sculpture by Thiago Honório that references Oswald de Andrade’s 1925 classic of Brazilian modernist literature of the same title...
Oscar Tuazon
2014Oscar Tuazon‘s sculptural oeuvre is situated at the border of art, architecture and technology...
Gaëlle Choisne
2015Entre Chien et Loup is an installation incorporating a variety of media: rubber, discs, feathers and confetti that the artist weaves, sews and glues together...
Jumana Manna
2015Blue Elbow (Coude bleu) is made from plaster, burlap, lacquer, pigments and plastics...
Fernando Palma Rodríguez
2015Aqua by Fernando Palma Rodríguez is an installation formed by four gourds and one movement detector that activates them...
Maria Fernanda Plata
2015Unraveling, or “unweaving” sections of fabric, Maria Fernanda Plata arrived at delicate and tenuous-looking forms, both ghostly and gentle...
Erika Verzutti
2015Made in cast bronze, Two Eyes Two Mouths provokes a strong sense of fleshiness as if manipulated by the hand of the artist pushing her fingers into wet clay or plaster to create gouges that represent eyes, mouths and the female reproductive organ...
Julia Rommel
2015On the artwork, Rommel states: “I was reading Jonathan Franzen’s new novel Purity, where they take a lot of walks through the jungle in Uruguay, or Paraguay, I can’t remember...
Wade Guyton
Drawing & Print
2016(Drawing & Print) This untitled print by Wade Guyton depicts an iteration of elements that are characteristic of the artist’s work...
Eileen Quinlan
2016Eileen Quinlan’s abstracted images, like Swipe , rely on the manipulation of photographic materials inside the studio itself, and reject the exterior world for complex interrogations of the medium....
Lu Pingyuan
2016Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist...
Matthew Langan-Peck
2016Plane is an inflatable sculpture in the shape of an aeroplane made from numerous pieces of plastic bags assembled by an iron...
Haegue Yang
2016A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work...
Fernanda Laguna
2017Llorar mucho (To Cry A Lot) is representative of Fernanda Laguna’s practice of the past twenty years...
Wolfgang Tillmans
2017Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold...
Curtis Talwst Santiago
2017Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
Antonio Pichillá
2017Wind by Antonio Pichillá is a textile piece depicting the glyph that represents the element wind in the Mayan tradition...
Laura Gannon
2017The impressionistic surface of Wild Money (2017) recalls the 1950s paintings of Philip Guston...
Gozo Yoshimasu
Drawing & Print
2017(Drawing & Print) Gozo Yoshimasu’s double-sided work on paper Fire Embroidery explores his response to the March 2011 Tohoku earthquake and tsunami...
Baseera Khan
2017Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Markus Amm
2017A combination of planning and improvisation, control and lack of control, this painting is typical of Amm’s work...
Baseera Khan
2017Designed by the artist and fabricated in collaboration with Kashmiri artisans in India, Baseera Khan’s Psychedelic Prayer Rugs combine visual iconography traditional to Islam, such as the crescent moon and lunar calendar, with brightly coloured symbols of personal significance to the artist: a pair of embroidered sneakers, a fragment of an Urdu poem, and the Purple Heart medal...
Dale Harding
2018Dale Harding’s installation Body of Objects consists of eleven sculptural works that the artist based on imagery found at sandstone sites across Carnarvon Gorge in Central Queensland...
Seulgi Lee
2018The Korean title for U: Repair the cowshed after losing the cow = Too late is —a famous Korean proverb meaning “you are doing something when you are already late to do it”...
Auriea Harvey
2018Fauna is a figurative sculpture by Auriea Harvey that is characteristic of the artist’s practice—both serious and somewhat whimsical...
Andrew Ekins
2018Butter Mountain is part of an ongoing series of works that combines a sense of painterly mass and substance with sculptural language to examine the synergy between a topographical landscape and a landscape of the human condition...
Fernanda Laguna
2018¡Qué triste estoy! (I’m So Sad) is representative of Fernanda Laguna’s practice of the past twenty years...
Sheroanawe Hakihiiwe
2019Perawesi / Estómago de animal / Stomach of animal by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Rachel Rose
2019First Born by Rachel Rose is part of a series of works titled Borns which expands on the artist’s longstanding interest in the organic shape of eggs...
Diego Bianchi
2019Diego Bianchi’s main concern is distorting straight lines, both literally and metaphorically...
Tanatchai Bandasak
2019Central Region by Tanatchai Bandasak is a meditation on materiality and time-based media centres on the mysterious, prehistoric ‘standing stones’ of Hintang in Northern Laos: little-studied megaliths which have survived thousands of years of political change and the cataclysmic carpet-bombing of Laos by the United States during the Cold War...
Alicia Henry
2019Out of simple materials, Alicia Henry creates enigmatic, somewhat troubled characters, which reveal her interest in the complexities and the contradictions surrounding familial relationships...
Egle Jauncems
2019The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015...
Sheroanawe Hakihiiwe
2019Wateoma husipe / Larvas de oruga / Caterpillar larvae by Sheroanawe Hakihiiwe exemplify his most abstract work, where he choses particular elements of a living organism to create his renditions...
Minia Biabiany
2019Qui vivra verra, Qui mourra saura is an installation by Minia Biabiany composed of the plan of a house made out of strips of salt, and a “garden” made of ceramic pieces, hanging from the ceiling and on the floor, and non woven fabric...
Diane Severin Nguyen
2019To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
-
2020-2029
Rahima Gambo
2020“ I think we are oversaturated, filled to the brim with images in our inner subconscious eye...
Diane Severin Nguyen
2020To produce her photo and film works, Diane Severin Nguyen makes amalgam sculptures from found materials, both natural and synthetic...
rafa esparza
2020thanks for staying alive Fern.1994 by rafa esparza is from a body of work that pays homage to youth culture in the 90s...
Nikita Gale
2020RUINER III by Nikita Gale is part of an on-going numbered series of abstract sculptures in which various ancillary materials necessary for sound production and recording such as towels, foam, and audio cables, are riddled around piping resembling crowd control bollards, lighting trusses, and other like stage architecture...
Wisrah Villefort
2020This video is a montage of documentary and virtual images found on the Internet...
Zhu Changquan
2020In Dark Beyond Deep by Zhu Changquan the film presents the process of how consciousness gradually develops and extends from the real world to virtual space through a raven named Cyma...
Nikau Hindin
2021Maori barkcloth making is the central artistic form in the Pacific, and still at the core of cultural expression in many Pacific countries...
Phoebe Collings-James
2021The Subtle Rules the Dense is a series of masks/torsos/body plates that Phoebe Collings-James cast from mannequins and then worked by hand...
Catalina Ouyang
2021font VII by Catalina Ouyang is part of an ongoing series of ‘fonts’, or sculptures, inspired by Catholic holy water vessels...
Pichet Piaklin
2021The Wings by Pichet Piaklin is a creation story of fragility, where the desire for freedom is mired in blood red by the inculcation of faith and violence...
Yuyan Wang
2022One Thousand and One Attempts to Be an Ocean by Yuyan Wang reflects on the experience of not being able to see the world with depth perception...
Jared Owens
2022Hog feed 102 is an exemplary work by Jared Owens that combines two of the artist’s primary signatures: the use of soil smuggled out of the grounds at F...
Risham Syed
2022Risham Syed discovered a box of woven Chinese silk panels that was her mother’s most prized possession...
Anju Dodiya
2022The Shedding by Anju Dodiya is part of a series of mattress paintings the artist creates using fabric stretched on padded and shaped boards...
Caspar Heinemann
2022Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way...
Sandra Monterroso
2022Sandra Monterroso’s video performance titled Corazón del lugar del viento (Heart of the Place of the Wind) is inspired by Seis Cielo (Six Sky), the only female Mayan ruler to be represented in classical Mayan stelae (historical monuments dedicated to the record of important events)...
Lotus Laurie Kang
2022Scaffold by Lotus Laurie Kang features a seemingly disjointed amalgamation of materials between flat fabrics and lumps of aluminum...
Cross Lypka
2022tombs and ignitions is a collaborative ceramic sculpture by artists Tyler Cross and Kyle Lypka...
Sandra Monterroso
Drawing & Print
2023(Drawing & Print) Presented as part of a recent group of works titled The Paradox of Healing, Rhombus for Healing No...
