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Ongoing Time Stabbed with a Dagger
© » KADIST

Geoffrey Farmer

Installation (Installation)

Ongoing Time Stabbed with a Dagger was Farmer’s first kinetic sculpture that added a cinematic character to an “ever-reconfiguring play presented in real time.” The assembly of various objects and props on top of a large platform constitutes not only a work, but, to a certain extent, a show in itself. The title of the piece comes from the literal translation of René Magritte’s painting from 1938, La Durée Poignardée , whose more familiar translation is “Time Transfixed.”

Let Me Be Part of a Narrative
© » KADIST

Taus Makhacheva

Film & Video (Film & Video)

For Taus Makhacheva, the wild, untamed side of human nature is often the foundation of many of her formal investigations. A leading voice of the younger generation based in Moscow, Makhacheva works with sculpture and installation while her preferred medium remains video. Her Dagestani (Northern Caucasian) roots draw her to this rugged land as her site of choice for many of her works.

Landscape Series no. 1
© » KADIST

Nguyen Trinh Thi

Installation (Installation)

Landscape Series no. 1 presents landscape as a “quiet witness of history.” It began with searches of online archives of Vietnamese news-media, for images of figures in landscapes “pointing, to indicate a past event, the location of something gone, something lost or missing.” The uniformity is striking but the sequence is subtly structured: the typology hints at narrative progression, though of an uninformative narrative, lacking details.

Soft Rock Valley
© » KADIST

Zon Ito

Painting (Painting)

This embroidery on fabric tackles the oneiric and the uncanny to bring about visions of the world. One can discern the methods of nihonga painting (the traditional Japanese style that renders landscape and forms out of subtle shadows), but Ito upsets the balance by destroying perspective. His work is staunchly non-narrative.

Vanishing Point
© » KADIST

Xiaoyun Chen

Film & Video (Film & Video)

The central point of Vanishing Point is the most direct physiological reaction of the body to the environment. Chen Xiaoyun has added a written narrative and a poetic quality to his works. Image fragments containing different pieces of information are linked together by the text, their interplay producing a synesthesia effect.

Making Fantasies
© » KADIST

TU Pei-Shih

Film & Video (Film & Video)

Making Fantasies animates scenes based upon photographs by Nan Goldin, Larry Sultan, Richard Billingham, Yasuyoshi Chiba and famous photojournalism images such as Jeff Widener’s photograph of Tiananmen Square and Kevin Carter’s photograph of a Sudanese child being stalked by a vulture. By fabricating narrative and aesthetic connections between the images on three channels, Pei-Shih questions the objectivity and truth telling of photography.

Escaped Lunatic
© » KADIST

Steffani Jemison

Film & Video (Film & Video)

In Escaped Lunatic , a steady stream of figures run across the screen, sprinting, jumping, and rolling through the streets of Houston. The work is part of a trilogy that borrows its narrative structure from early-20th-century cinema. The artist employs the chase genre, which has often depicted African Americans in scenes of flight from various forms of authority.

The six grandfathers, Paha Sapa, in the year 502 002
© » KADIST

Matthew Buckingham

Installation (Installation)

Matthew Buckingham presents a narrative directly connected with a highly symbolic site in the United States, the Mount Rushmore Memorial*. He elaborates a historiographic narrative of this place and switches it into the domain of science fiction by proposing a photograph of the Memorial as it should appear in 500 000 years. The effigies of Washington, Jefferson, Lincoln and Roosevelt become unrecognizable.

Delphi Falls
© » KADIST

Mary Helena Clark

Film & Video (Film & Video)

By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities. The film misuses more traditional narrative conventions -the suggestion of a story, the anchoring of actors as characters- to have the viewer constantly questioning who or what they are, and where they are located in the film’s world. Delphi Falls was included in the 2017 Whitney Biennial film program.

From Useless Wonder 04
© » KADIST

Carlos Amorales

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket. The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.

Winter
© » KADIST

Amie Siegel

Film & Video (Film & Video)

Winter is a film installation of multiple tenses—shot in the recent past, depicting an unknown future, unfolding (and changing) in the present of the exhibition. Shot in the white-washed homes of New Zealand architect Ian Athfield, including his own communal compound high above Wellington harbor, the film suggests various temporal and cultural conditions of instability, hinting at concerns of global warming and nuclear accidents, pushing at the boundaries of science fiction, stripped of narrative explication and causal explanation.

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

Film & Video (Film & Video)

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.

Portrait: Cover and Clean
© » KADIST

Qiu Anxiong

Film & Video (Film & Video)

A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.

Sal Sem Carne
© » KADIST

Cildo Meireles

Sculpture (Sculpture)

Meireles, whose work often involves sound, refers to Sal Sem Carne (Salt Without Meat) as a “sound sculpture.” The printed images and sounds recorded on this vinyl record and it’s lithographed sleeve describe the massacre of the Krahó people of Brazil. The piece draws on Meireles’s first-hand contact with many indigenous groups through his father’s work with the Indian Protection Service. The recordings on the LP contain narrative accounts of massacres of native peoples, as well as indigenous music and rituals.

Timur Merah Project II; The Harbor of Restless Spirit
© » KADIST

Citra Sasmita

Painting (Painting)

The work Timur Merah Project 2, the harbour of restless spirit is stretched out on a full cow’s hide, replicates the Kamasan Balinese painterly language that Citra Sasmita has developed in her recent works. It represents female figures, flames, and various natural elements, permutating whimsically in a narrative of pansexual energy. While rooted in mythological thinking, with specifically Hindu and Balinese references, the scenes are equally part of a contemporary process of imagining a secular and empowered mythology for a post-patriarchal future.

Useless Wonder
© » KADIST

Carlos Amorales

Film & Video (Film & Video)

This work, a large oil painting on canvas, shows a moment from Amorales’s eight-minute two-channel video projection Useless Wonder (2006). The video is based on Edgar Allen Poe’s 1838 novel The Narrative of Arthur Gordon Pym of Nantucket . The painting, derived from an image from a different, preexisting work, represents the artist’s continued interest in realizing particular subject matter in alternative forms, thereby imbuing it with new meanings and interpretations.

100 Boots
© » KADIST

Eleanor Antin

Photography (Photography)

Comprised of fifty-one photographic postcards, Antin’s 100 Boots is an epic visual narrative in which 100 black rubber boots stand in for a fictional “hero” making a “trip” from California to New York City. Over two-and-a-half years, Antin photographed the boots against different backdrops across the U. S., and then turned the pictures into postcards, which she then mailed to approximately 1,000 people around the world. In conjunction with the boots’ “arrival” in New York City, the postcards were exhibited at the Museum of Modern Art.

Excerpt (Sealed) (Brown)
© » KADIST

Stephen G. Rhodes

Photography (Photography)

For his series of digital collages Excerpt (Sealed)… Rhodes appropriated multiple images from mass media and then sprayed an X on top of their glass and frame. This visual seal refers to the disastrous aftermath of Hurricane Katrina in 2005 in which rescue workers spray painted the doors of the houses they searched giving the date, the team and the number of bodies found. Excerpt (Sealed) (Brown) is a multilayered collage with contradictory imagery—from New Orleans debris to the American eagle and a theater curtain.

The rocks we will find
© » KADIST

Sahej Rahal

Drawing & Print (Drawing & Print)

Within the narrative of Sahej Rahal’s The rocks we will find, beings perform absurd acts in derelict corners of the city, emerging into the everyday as if from the cracks of our civilization, transforming them into liminal sites of ritual, and challenging ways in which we experience time and space. The temporal acts and their residue become primary motifs in his practice. The characters that inhabit these performances bare indices to different cultures, mythologies and pop culture.

Marry, Fuck, Kill
© » KADIST

Ruth Patir

Film & Video (Film & Video)

Historical representations of the female form and the clichés and misunderstandings that surround them have been the subject of recent research and historical revision. Marry, Fuck, Kill by Ruth Patir reimagines sculptures of fertility goddesses from ancient times as real-life women by animating them as a moving sculptural bodies. In a country such as Israel, where the presence of ancient ruins are common, if not everyday for some, this work speaks both to the present and the distant past, and draws continuities between.

5,000 Feet
© » KADIST

Omer Fast

Film & Video (Film & Video)

“Watching the films of Omer Fast confounds our expectations of the medium. 5,000 Feet Is the Best, 2011, is presented like a conventional big-budget Hollywood movie and has similarly high production values. Yet Fast frustrates the narrative element that Hollywood teaches us to expect: While stories unfold, repetitions and obscurities challenge the idea of a central controlling account.

Austintipede
© » KADIST

Sahana Ramakrishnan

Painting (Painting)

Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives. Narrative journeys are central to myth, and Ramakrishnan’s own journey through culture, mythology and sexuality is echoed in the physical matter she uses to create her work. The artist embarks on Odyssean quests for her materials.

Haunted By You
© » KADIST

Taiyo Kimura

Film & Video (Film & Video)

Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living. The performance narrative unfolds upon the circular movements of the turntable. A chicken’s leg replaces the turntable’s arm.

Owl
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

In Search of Vanished Blood
© » KADIST

Nalini Malani

Film & Video (Film & Video)

Malani draws upon her personal experience of the violent legacy of colonialism and de-colonization in India in this personal narrative that was shown as a colossal six channel video installation at dOCUMENTA (13), but is here adapted to single channel. The video is largely silent until violent crashes and female voices overwhelm the viewer, portraying the inner voice of a woman who is brutally gang raped. Malani addresses the fatal place of women in Indian society and the geo-politics of national identity.

Screen Green
© » KADIST

Ho Rui An

Film & Video (Film & Video)

The lecture performance, Screen Green takes the telecast of a speech made by the Prime Minister of Singapore, Lee Hsien Loong, during which he was pictured against a homogenous green backdrop commonly used for visual effects or post-production in film, as a point of departure. Taking the lush, botanical landscape of Singapore, administered through a series of governmental gardening efforts, Ho offers a speculative narrative through the metaphor of a space of future possibilities that are simultaneously a method to limit and modulate its citizens.

No Title (Without the comics)
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

Summer Days in Keijo—written in 1937
© » KADIST

Sung Hwan Kim

Film & Video (Film & Video)

An early work in Sung Hwang Kim’s career, the video Summer Days in Keijo—written in 1937 is a fictional documentary, the film is based on a non-fiction travelogue, In Korean Wilds and Villages , written by Swedish zoologist Sten Bergman, who lived in Korea from 1935 to 1937. In Kim’s film, a Dutch female protagonist traces Bergman’s path in the present-day Seoul (Keijo was the Japanese name for Gyeongseong, currently Seoul). The protagonist navigates through spaces that have been rebuilt since the 1950s onwards, and the scenes are narrated by a voice-over based on Bergman’s written description of the modern city in 1937.

The End One
© » KADIST

Raymond Pettibon

Painting (Painting)

The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon. The images allude to recurring topics, such as the superhero (present both in Untitled Superman and No title without the comics ), a book cover (his literary sources), or a mushroom cloud. Inspired by the writings of William Faulkner, Daniel Defoe, Gustave Flaubert, Marcel Proust, and James Joyce, Pettibon’s sophisticated, witty drawings combine image and text to explore the gamut of American popular culture.

Untitled
© » KADIST

Francisco Herrero Peñuela

Painting (Painting)

Francisco Herrero Peñuela uses old forms to make his elaborate, richly textured surfaces. Practicing a form of marquetry common in 15th century Italy—intarsia—Peñuela pieces together fragments of wood to create abstract images in warm tones of gold, brown, and black. While original Italian intarsia would have been representational, embedding landscapes, objects, and narrative scenes directly into walls, Peñuela’s compositions hedge away from direct representation, with shapes and pattern emerging organically out of his carefully arranged wooden pieces.

Raymond Pettibon

Subas Tamang

Part of the Indigenous Tamsaling community in Nepal, Subas Tamang comes from a family of traditional stone carvers...

Wang Tuo

Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...

Abraham Oghobase

Abraham Onoriode Oghobase’s artistic practice explores identity in relation to socio-economic and historic geographies...

Zanele Muholi

Agnieszka Kurant

Du Zhenjun

Jason Meadows

Xiaoyun Chen

Olga Grotova

Olga Grotova is an artist and poet whose practice involves collecting and mapping stories of Soviet and Eastern-European women that have been erased from established historical narratives...

Danielle Dean

Danielle Dean creates videos that use appropriated language from archives of advertisements, political speeches, newscasts, and pop culture to create dialogues to investigate capitalism, post-colonialism, and patriarchy...

Aki Kondo

Aki Kondo utilizes animation, video, and mixed media to explore such varied topics as intimacy, loss, and the human body...

Michelle Handelman

Michelle Handelman’s video, installation, live performance, and photography works analyze the human sublime in terms of its excess and dullness, providing a sneak peek into a jewel thief’s therapy sessions or following the life of a famous drag queen who experiences her own narcissistic destruction due to her increasing fame...

YOUNG-HAE CHANG HEAVY INDUSTRIES

YOUNG-HAE CHANG HEAVY INDUSTRIES, a partnership between the South Korean artist Young Hae Chang and the American poet Mark Voge, is widely known as a pioneering net art project...

Omer Fast

Em'kal Eyongakpa

Em’kal Eyongakpa was born in Cameroon in 1981...

Carlos Amorales

Camel Collective

Camel Collective comprises the artists Carla Herrera-Prats (Mexican, photographer and conceptual artist) and Anthony Graves (American, painter), who began working together in 2005 during a fellowship at the Whitney Independent Program...

Daria Martin

A number of Daria Martin’s films explore the relationship between humans and machines and make reference to modernist art, whether through the work of the Bauhuas (Schlemmer), Surrealism (Giacometti’s Palace at 4 AM) or American art of the 1960s and 1970s...

Chanell Stone

Chanell Stone’s practice explores what she describes as the “re-naturing” of the Black body to the American landscape—an act that aims to complicate and sublimate the history of American slavery into a reimagined relationship between African Americans and the earth...

Ho Rui An

The artist, writer, and researcher Ho Rui An probes histories of globalization and governance, performing a detournement of dominant semiotic systems across text, film, installation, and lecture...

Mary Reid Kelley

Drawing from literature, plays, and historical events, Mary Reid Kelley makes rambunctious videos that explore the condition of women throughout history...

Shahryar Nashat

The work of Shahryar Nashat (b...

Pascal Grandmaison

Marked by an apparent austerity and meticulousness, Pascal Grandmaison’s works display a disconcerting aloofness from the world, a clearly asserted detachment from reality...

Nathaniel Dorsky

Nathaniel Dorsky belongs to a younger generation of filmmakers that follows key figures of the Bay Area avant-garde scene, like Bruce Conner, and is mainly associated with Canyon Cinema...

Michal Chelbin

Michal Chelbin was born in 1974 in Israel...

Zon Ito

Zon Ito was born in 1971 in Osaka...

Jennifer Bornstein

Nguyen Trinh Thi

Nguyen Trinh Thi is a moving image pioneer, not only within the landscape of contemporary art in Vietnam, but also broader South East Asia...

Todd Hido

© » COLOSSAL

this quarter (02/12/2024)

The Book of Genesis , which is thought to have been written around the 5th century B...

© » AESTHETICA

this quarter (02/11/2024)

Aesthetica Magazine - A Space Between Worlds A Space Between Worlds For Taysa Jorge, art is a bridge...

© » ARTOMITY

about 3 months ago (01/22/2024)

ARTS • TECH Exhibition 2.0 – Make & Believe – ARTOMITY 藝源 T ung Wing-hong, Ng Tsz-kwan, Ho Sin-tung, Human Wu, Lam Lai, Lau Ming-hang Make & Believe Jan 23 – 28, 2024 Curator & Producer: Orlean Lai F Hall Studio, Tai Kwun 10 Hollywood Road Central, Hong Kong Tuesday – Sunday, 11am – 7.30pm arts-tech.hk/en/ Hong Kong Arts Development Council (HKADC) proudly presents Make & Believe , the second exhibition of ARTS • TECH Exhibition 2.0...

© » DIANE PERNET

about 4 months ago (12/29/2023)

Dutch Emerging: Ruben Janssen X GRA Fashion Bachelor 2023 – A Shaded View on Fashion From the back to the middle and around again — Ria’s wedding dress, Alan’s patterns and John’s model: ‘My project is an investigation into evolution, explored through prisms of biology, computation and a poetic personal narrative, shifting between timescales on an evolutionary timeline...

© » LENS SCRATCH

about 5 months ago (12/12/2023)

Collective Week: Kinship Photography Collective - LENSCRATCH Fine Art Photography Daily Subscribe / Contact / About Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Home Photographers Browse All Browse Alphabetically Browse by Genre Browse by Subject Browse by Place Browse by Process Features Publisher’s Spotlight The States Project Alaska Alabama Arizona Arkansas California Colorado Connecticut Delaware District of Columbia Florida Georgia Hawaii Idaho Illinois Indiana Iowa Kansas Kentucky Louisiana Maine Maryland Massachusetts Michigan Minnesota Mississippi Missouri Montana Nebraska Nevada New Hampshire New Jersey New Mexico New York North Carolina North Dakota Ohio Oklahoma Oregon Pennsylvania Rhode Island South Carolina South Dakota Tennessee Texas Utah Vermont Virginia Washington West Virginia Wisconsin Wyoming Content Aware DEVELOPER Mixtapes Art and Science Competition: The Heart of the Matter Book Reviews Geometry In the Dark Insecta Magic Night The Natural World/Nature Women and Earth The Art of Healing Lenscratch Student Prize Winners 2023 2022 2021 2020 2019 2018 2017 2016 2015 2014 2013 Notes from a Curator Exhibitions Interviews Articles Photographers on Photographers Resources Artist Residencies Calls For Entry Lenscratch Library Portfolio Reviews Photo Festivals Online Magazines Print Magazines Sites of Interest Organizations and Institutions Photography Charities Grants Submit About Submissions Submit to Lenscratch Exhibitions Submit To Art and Science Award Submit to Student Prize Submit Your Project Shop Collective Week: Kinship Photography Collective by Kassandra Eller December 12, 2023 ©Kimberly Anderson, We Still Have The Seeds In the past few years, the term artist collective has become common, especially in larger cities where hubs of creativity form...

© » BOOOOOOOM

about 5 months ago (12/11/2023)

"Tarot Aracanas" by Artist Adèle Aproh Submit A selection of drawings from Paris-based artist Adèle Aproh ...

© » BOOOOOOOM

about 5 months ago (12/04/2023)

"(Up)Rooted" by Artist Dominique Fung Submit New York-based artist Dominique Fung (previously featured here ) embarks on her first solo exhibition in Europe with “(Up)Rooted,” an allegorical journey featuring a mixture of paintings and sculpture...

© » DIANE PERNET

about 5 months ago (12/03/2023)

Echoes of Genji: Unraveling Timeless Emotions from Heian Elegance to Modern Reverie at the Guimet Museum till March 25th – A Shaded View on Fashion Dear Shaded Viewers, What do a beloved 1980s manga series “Asakiyume mishi” and an exquisite 18th-century lacquer box once owned by Marie-Antoinette share in common? At first glance, not much...

© » SLASH PARIS

about 5 months ago (12/01/2023)

Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Chantal Crousel Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exhibition Mixed media Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Former news anchor Carolyn Sawyer is drawn to artists who offer unique, narrative visions of the African American experience....

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Durjoy Rahman discusses the business of art philanthropy and why artistic narratives play an essential role in documenting history...

© » ARTS EQUATOR

about 20 months ago (08/30/2022)

Reconsidering the Commandments with Wild Rice’s Animal Farm (2022) | ArtsEquator Skip to content In Wild Rice’s restaging of Animal Farm, Rebecca G finds a production that leavens the darker aspects of the text by drawing out the absurdities of the narrative...

© » GAS

about 45 months ago (08/21/2020)

Summer Show Week 4 - Narratives – Gina Cross - Curator + Mentor Close Thin Icon Close Thin Icon Your cart Close Alternative Icon Now partnered with Art Money for interest free art collecting Now partnered with Art Money for interest free art collecting News Written by Gina Cross Previous / Next Our final curated week of the Summer Season opens on Tuesday 25th August featuring the pop art narrative artworks of Anna Marrow, Delphine Lebourgeois and Tom Buchanan...

© » HIGH FRUCTOSE

about 52 months ago (01/23/2020)

Bisa Butler offers new narrative quilts with two exhibits this spring, at Claire Oliver Gallery and her first solo museum effort at The Katonah Museum of Art...

© » UNRATED

about 68 months ago (09/17/2018)

Simon Landrein — UNRTD™ Simon Landrein London-based artist Simon Landrein is an illustrator, designer, animator and director whose graphics are tell stories of mischief with brilliant draftsmanship ...

© » KADIST

this quarter (02/12/2024)

© » KADIST

about 54 months ago (11/15/2019)

© » KADIST

about 80 months ago (09/21/2017)

© » KADIST

about 86 months ago (04/13/2017)

© » KADIST

about 90 months ago (11/19/2016)

© » KADIST

about 91 months ago (10/29/2016)

© » KADIST

about 93 months ago (08/29/2016)

© » KADIST

about 100 months ago (02/17/2016)

© » KADIST

about 104 months ago (10/06/2015)

© » KADIST

about 112 months ago (02/07/2015)

© » KADIST

about 122 months ago (04/12/2014)

© » KADIST

about 133 months ago (05/24/2013)

© » KADIST

about 135 months ago (04/03/2013)

© » KADIST

about 141 months ago (10/01/2012)

© » KADIST

about 172 months ago (03/01/2010)