© » KADIST
Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
© » KADIST
Curtis Talwst Santiago
Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand. Santiago considers these mobile box enclosures a method of transporting narratives of home and intimacy, diasporic identity, and experiences most often hidden or concealed from view. These Walls is a sculptural piece made from a reclaimed jewelry box, clay, paint, wool, plastic figurines, and human hair.
© » KADIST
Harit Srikhao
Young men are often found together in uniform, already influenced by ideology and bodily and style stereotypes. The majority of these photographs are linked to the memory of the military coup d’état in 2014 when the artist was very young. The imagination always remains at the center of Harit Srikhao’s work and may be defined as an arm against convention.
© » KADIST
Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
© » KADIST
Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
© » KADIST
Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
© » KADIST
Kent Chan
Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’. The video takes the form of a curated broadcast or music video of historical and contemporary imagery and videos of both found and filmed footage, including media broadcasts; TikToks; DJ sets; an interview with Keanu Reeves; an excerpt of Ho Tzu Nyen’s 4 x 4 – Episodes of Singapore Art (2005); an interview with KADIST Collection artist Julian Abraham Togar; and DJ sets. The barrage of footage weaves together contrasting tropes about the tropics: depicting it as a diseased paradise; naturally abundant, yet economically poor; filled with people who are at once energetic and lazy; with dynamic aesthetics, but lacking order.
© » KADIST
Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
© » KADIST
Jeamin Cha
In On Guard by Jeamin Cha, a security guard receives safety training, juxtaposed against his patrol of an empty building as he tries to give care instructions for his ailing mother over the phone. The film dismantles the binary oppositions between “caring” and “guarding,” two actions that parallel one another in their emphasis on attentiveness without a logical conclusion. Cha’s exploration of the relationship between these two focuses is channeled through nocturnal urban space, drawing attention to the labor that each requires.
© » KADIST
Matthew Lutz-Kinoy
The Lion’s Hunt by Matthew Lutz-Kinoy is a large format painting that recalls Delacroix’s paintings and tapestries from the 19th century, where the painterly surface became a garden invaded by wild beasts. In Lutz-Kinoy’s painting, two ferocious lions appear to be preying on several horses. Accentuated by luminous browns and yellows, the lions evoke imperialist fantasies.
© » KADIST
Gregory Halpern
Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California. According to Halpern, the series “is grounded in reality, but it occupies an in-between space, between documentary and a certain sense of mystery.” …“I see ZZYZX as part of a continuum but edging a little closer towards fiction.” The series title is borrowed from the village Zzyzx (pronounced zye-zix), formerly Soda Springs, but rechristened by the mineral water pioneer, Curtis Howe Springer, in 1944. The eccentric Springer named it after what he claimed to be the last word in the English language.
© » KADIST
Goddy Leye
Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies. Containing ideas, emotions, and sensibilities, signs and symbols occupy an important place in Leye’s work, though he has to retrieve them from an interrupted history. The painting Animal was made in reference to an important precolonial kingdom, Bamun.
© » KADIST
Peter Friedl
Drawing & Print (Drawing & Print)
Map 1969-2005, a poster glued on the wall, questions space in its relation to geography. On a red background, a free-hand drawing in white refers to the aesthetics of maps. Map 1969-2005 is not an accurate map of the United States, but one that combines mapping, overlaps and merges diverse elements: Oregon, Lake Superior, San Francisco, Cheyenne, Missouri, Zuni, Navajo, Texas, Shawee, Colorado, Piegan, Canada, Miami, etc.
© » KADIST
Fabien Giraud & Raphael Siboni
– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal. Filmed at the scale of a fold of matter, this cut is the axiom on which the first season of The Unmanned rests.
© » KADIST
Nicolás Grum
El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present. Through the episodes he chose to depict, the artist focused on historical narratives, the way the story is told, and the supposed irrefutability of historical facts. Museo Futuro (“Future Museum”) stands within a tradition of artists who re-read history and offer their interpretation of it through the distopic lens of the museum display.
© » KADIST
Wang Tuo
Tungus is the third chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017. The project is a unique regional research of Northeastern China that addresses the region’s geopolitical contentions. Drawing on significant moments from China’s modern history, Wang’s visual storytelling sets up and displaces a series of socio-historical situations through multiple narrative structures.
© » KADIST
Karam Natour
Drawing & Print (Drawing & Print)
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem. The protagonist of the vast majority of these drawings is Natour himself, naked and without facial features. They were initially created only in digital formats – the artist would perform the postures required for the drawing, document himself and then trace the figure digitally – to be posted on Facebook, often generating debates online among friends and colleagues.
© » KADIST
Zhou Tao
For over five months, Zhou situated himself in an underdeveloped village surrounded by the high skyscrapers of Guangzhou to produce South Stone . Interweaving footage of a village’s landscape, residents, and animals with his seemingly absurd interventions with the place, South Stone indicates the equally incoherent social reality. Fluctuating between documentary and fiction, the film catalyzes alternative connections in time, and the emergence of imaginative spaces.
© » KADIST
Karam Natour
Drawing & Print (Drawing & Print)
Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem. The protagonist of the vast majority of these drawings is Natour himself, naked and without facial features. They were initially created only in digital formats – the artist would perform the postures required for the drawing, document himself and then trace the figure digitally – to be posted on Facebook, often generating debates online among friends and colleagues.
© » KADIST
Sahana Ramakrishnan
Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives. Narrative journeys are central to myth, and Ramakrishnan’s own journey through culture, mythology and sexuality is echoed in the physical matter she uses to create her work. The artist embarks on Odyssean quests for her materials.
© » KADIST
Sung Hwan Kim
Drawing & Print (Drawing & Print)
Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin. For the performance, Kim interviews his frequent collaborator David Michael DiGregorio and a fellow musician, Byungjun Kwon, about love songs they have composed. The performance appears spontaneous and creates a space of vulnerability and intimacy, however in reality, the three rehearsed the performance numerous times and performed it in numerous cities.
© » KADIST
Ryan Gander
Ryan Gander is a collector. He keeps all sorts of documents to create from. His studio is full of found images, personal images, documents copied from internet or cutout of newspapers.
© » KADIST
Omer Fast
“Watching the films of Omer Fast confounds our expectations of the medium. 5,000 Feet Is the Best, 2011, is presented like a conventional big-budget Hollywood movie and has similarly high production values. Yet Fast frustrates the narrative element that Hollywood teaches us to expect: While stories unfold, repetitions and obscurities challenge the idea of a central controlling account.
© » KADIST
Qiu Anxiong
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections. Each video depicts a portrait with features changing continuously and quickly into different persons, animals and symbols. Driven by the evolving contents of the screen itself, this piece showcases the form and material of Qiu Anxiong’s working method, which relies on precisely planned storyboard sketches drawn in pen on A4 paper.
© » KADIST
Sun Xun
Sun Xun’s lushly illustrated, dynamic short film Mythological Time is a dreamy chronicle of rapacious industrial development, the mythical qualities of state propaganda, and the constancy of change, as experienced by an unnamed coal mining town. While it is not named in the film itself, the town at the center of Mythological Time is a re-imagined incarnation of Sun’s hometown of Fuxin, in the northern Chinese province of Liaoning. Sandwiched between North Korea and Inner Mongolia, Fuxin is a poor coal-mining region that used to contain one of China’s largest open-pit mines and has historically been the site of significant conflict, thanks to its rich mineral resources.
© » KADIST
Mario Garcia Torres
Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art. For him, this is a way of rethinking the tradition in a more personal way, to have a grip on events of recent history and examine them with a curiosity, both critical and sensual. The artist emphasizes the fact that new ideas and meanings may arise from these archaeological narratives.
© » KADIST
Paul Kos
Parked on the shoulder of a single lane highway running through a desert landscape, Marlene looks over her shoulder from inside the car at a fierce storm looming over a distant horizon. Turning her head toward and away from the scene she says, “When I look for the lightning it never strikes, but when I look away it does.” And indeed, the lightning does seem to strike only when she turns away. Before filming Lightning , Paul Kos had done a fair amount of research on lightning, much of it conducted at the lightning research lab at the University of Colorado.
© » KADIST
Claudia Joskowicz
Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist. The video begins with the image of a ghost-like female figure, representing La Llorona, slowly walking down a well-known street in Oaxaca, from the main square (el Zócalo) to the Teatro Macedonio Alcalá, with a painful expression on her face. According to this famous oral myth, the Weeping Woman drowned her two sons in a fit of grief and anger after her husband abandoned her.
© » KADIST
Lynn Hershman Leeson
Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government. Through interviews, scripted acting, and illustrations, Hershman Leeson outlines the series of absurd events that led to New York state’s case against the former SFAI Associate Professor and artist Steve Kurtz. By closely following Kurtz’s story, Hershman Leeson reveals a strange ripple effect of the Bush administration’s destructive policies.
Gregory Halpern
Gregory Halpern is an acclaimed American photographer whose practice is predicated on wandering...
Karam Natour
Through video and digital drawing Karam Natour manifests his interest in the power of language, and specifically how translation becomes a unique vehicle for a deeper understanding of issues connected to identity, race and gender...
Wang Tuo
Through film, performance, painting, and drawing, artist Wang Tuo interweaves disparate realities through archives, modern history, myth, and literature...
Raymond Pettibon
- location: Hermosa Beach, California
- year born: 1957
- gender: male
- nationality: American
- home town: Tucson, Arizona
Harit Srikhao
Harit Srikhao perceives photography as a culturally determined medium...
Jeamin Cha
Jeamin Cha’s questions exist in the gyre between individual and social environment, stepping over conspicuous strands of relation between the two in favor of cultivating characters that dwell in the night, under-noticed or otherwise surplus figures outside of mainstream societal representation...
Sun Xun
- location: Hangzhou, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Fuxin, Liaoning Provence, China
Mario Garcia Torres
- location: Mexico City, Mexico
- year born: 1975
- gender: male
- nationality: Mexican
- home town: Monclova, Mexico
Wang Mowen
Trained as a photographer, artist Wang Mowen was born and raised in Dalian and she currently lives and works in Beijing...
Sahana Ramakrishnan
Sahana Ramakrishnan creates images that are complicated, dissonant, and abject in ways that open the heart and mind...
Annie Pootoogook
An instinctive chronicler of her generation, Annie Pootoogook hailed from a long line of artists in Cape Dorset (known today as Kinngait), Nunavut...
Claudia Joskowicz
Claudia Joskowicz is a video and installation artist working at the intersection of landscape, history, and memory...
Sung Hwan Kim
In his practice, Sung Hwan Kim assumes the role of director, editor, performer, composer, narrator, and poet...
Qiu Anxiong
- location: Shanghai, China
- year born: 1972
- gender: male
- nationality: Chinese
- home town: Chengdu, Sichuan Province, China
Ming Wong
- location: Berlin, Germany
- year born: 1971
- gender: male
- nationality: Singaporean
- home town: Singapore
Andrew Norman Wilson
Andrew Norman Wilson is an artist, curator, and filmmaker whose practice is mostly based in research and documentary...
Omer Fast
- location: Yerushalayim, Yisra'el
- year born: 1972
- gender: male
- nationality: Israeli
Kent Chan
As an artist, curator, and filmmaker; Kent Chan’s practice revolves around encounters with art, fiction, and cinema that form a trio of practices porous in form, content, and context...
Ryan Gander
- location: Chester, United Kingdom
- year born: 1976
- gender: male
- nationality: British
Curtis Talwst Santiago
Curtis Talwst Santiago is a multimedia artist making work centered on the diasporic experience, transculturalism, and memory...
Katia Kameli
Katia Kameli is a visual artist and director whose practice is rooted in its research-focused approach...
Gisela McDaniel
Chamorro artist Gisela McDaniel depicts Native American and mixed-race women from the USA’s former, as well as current, Pacific territories...
Lu Pingyuan
Lu Pingyuan works with a variety of media such as texts, videos, installations, paintings, performances and other...
Peter Friedl
Many of the projects of Peter Friedl, in their heterogeneous medium and style, function as intersection points between countless lines of thought and reference, creating a vast didactic network where dialogues simultaneously merge with critical logic and narrative...
Mary Helena Clark
Mary Helena Clark is an artist working in film, video, and installation...
Daria Martin
A number of Daria Martin’s films explore the relationship between humans and machines and make reference to modernist art, whether through the work of the Bauhuas (Schlemmer), Surrealism (Giacometti’s Palace at 4 AM) or American art of the 1960s and 1970s...
Karrabing Film Collective
Karrabing Film Collective is an indigenous media group consisting of over 30 members, bringing together Aboriginal filmmakers from Australia’s Northern Territory...
Mary Reid Kelley
Drawing from literature, plays, and historical events, Mary Reid Kelley makes rambunctious videos that explore the condition of women throughout history...
Miguel Calderon
Miguel Calderón is a Mexican artist and writer...
Philip-Lorca diCorcia
The works of Philip-Lorca diCorcia oscillate between two possible definitions of photography – from a recording system in the tradition of documentary and a system of representation in the tradition of fiction...
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2000-2009
Mario Garcia Torres
2004Mario Garcia Torres imagines cinematic devices to replay stories occasionally forgotten by Conceptual art...
Peter Friedl
Drawing & Print
2005(Drawing & Print) Map 1969-2005, a poster glued on the wall, questions space in its relation to geography...
Raymond Pettibon
2005The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Annie Pootoogook
2006Annie Pootoogook created COMPOSITION (EEGYVUDLUK DRINKING TEA) at a pivotal moment in her career...
Sung Hwan Kim
Drawing & Print
2007(Drawing & Print) Sung Hwan Kim created the drawing push against the air 01 during a rehearsal for his eponymous 2007 performance at De Apple (as part of Prix de Rome), Amsterdam, and Project Arts Centre, Dublin...
Lynn Hershman Leeson
2007Lynn Hershman Leeson’s genre-bending documentary Strange Culture tells the story of how one man’s personal tragedy turns into persecution by a paranoid, conservative, and overzealous government...
Raymond Pettibon
2007The five works included in the Kadist Collection are representative of Pettibon’s complex drawings which are much more narrative than comics or cartoon...
Goddy Leye
2008Strongly influenced by history and memory, Goddy Leye’s paintings are based primarily on stories and mythologies...
Daria Martin
2008In keeping with her mythological proclivity, Minotaur (2009) casts a new light on an old narrative...
Miguel Calderon
2009Tropical Vulture is a cross-generational project which highlights the artistic influences between George Kuchar, a Bay Area legend of independent filmmaking, and Mexican artist Miguel Calderón...
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2010-2019
YOUNG-HAE CHANG HEAVY INDUSTRIES
2010To the syncopations of a jazzy soundtrack, Korean words in white against a black background flashes between an English dialogue in black text against white ground...
Qiu Anxiong
2011A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
Mary Reid Kelley
2011In the video The Syphilis of Sisyphus (2011), Reid Kelley transported her heroine to the French demimonde...
Katia Kameli
2012Katia Kameli’s film The Storyteller explores the cultural role of deep-rooted artistic tradition in Morocco...
Jeamin Cha
2013Fog and Smoke is the first video Jeamin Cha made after returning to Seoul from London where she studied and started as an investigation into the meaning of “otherness” in documentary filmmaking...
TU Pei-Shih
2013Making Fantasies animates scenes based upon photographs by Nan Goldin, Larry Sultan, Richard Billingham, Yasuyoshi Chiba and famous photojournalism images such as Jeff Widener’s photograph of Tiananmen Square and Kevin Carter’s photograph of a Sudanese child being stalked by a vulture...
Fabien Giraud & Raphael Siboni
2014– Thisstoryoffriedrichkurzweiliwanttotellit- myselfhowhelivedinthisroomandh – Inspired by the writings of the feral child Kaspar Hauser and told by the young Friedrich, both father and son of Ray Kurzweil, this story unfolds on the microscope images of a blade cutting through metal...
Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
Jonn Herschend
2014Jonn Herschend’s short film Discussion Questions subverts the familiar motifs of contemporary media-based pedagogy through a playful intervention that invites more engaged and active viewership...
Xiaoyun Chen
2014The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
Nicolás Grum
2014El gran pacto de Chile (The Great Pact) and La balserita de Puerto Gala (The Raft) were part of the “Museo Futuro”, an exhibition in which the artist presented nine miniature dioramas staging fragments of Chile’s history, from its colonial invasions to the present...
Claudia Joskowicz
2015Some Dead Don’t Make a Sound (Hay muertos que no hacen ruido) is a single-channel video by Claudia Joskowicz that features the Mexican legend of the Weeping Woman (La Llorona) as its main protagonist...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Karam Natour
Drawing & Print
2016(Drawing & Print) Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Karam Natour
Drawing & Print
2016(Drawing & Print) Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
James "Yaya" Hough
Drawing & Print
2016(Drawing & Print) This untitled ink and pencil drawing by James “Yaya” Hough is made on what the artist calls “institutional paper”, or the state-issued forms that monitor the daily activities of prisoners, of which, each detainee is generally required to fill out in triplicate...
Karam Natour
Drawing & Print
2016(Drawing & Print) Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Karam Natour
Drawing & Print
2016(Drawing & Print) Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Karam Natour
Drawing & Print
2016(Drawing & Print) Humor and Law, Kick of Duality, Point of View III, Selfie with Pan, and Thinking of You are part of an ongoing series of digital drawings Karam Natour has been creating since he was studying at Bezalel Academy of Art and Design, Jerusalem...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Lu Pingyuan
2016Masterpiece in the Water by Lu Pingyuan tells the story of an impatient collector who is killed by an artist...
Gregory Halpern
2016Gregory Halpern spent five years shooting ZZYZX , and another year editing the results, from an estimated thousand rolls of film, about half of which were shot in the final year after his Guggenheim Fellowship enabled him to live in California...
Curtis Talwst Santiago
2017Curtis Talwst Santiago has been creating intimate and performative environments within these small spaces for several years; the artist used to carry them around to show visitors one on one, opening up a scene in the space of his hand...
Mary Helena Clark
2017By testing the limits of identification with the camera’s point of view, Delphi Falls cycles through multiple subjectivities...
Jeamin Cha
2018In On Guard by Jeamin Cha, a security guard receives safety training, juxtaposed against his patrol of an empty building as he tries to give care instructions for his ailing mother over the phone...
Hulda Guzmán
2018Be Kind to Your Demons is a series of paintings by Hulda Guzmán that presents a variety of scenes in which female characters carry out ubiquitous activities in the company of secondary characters (mostly men) and devil-like creatures...
Camel Collective
2018Something Other Than What You Are by Camel Collective is formed by two works: a multi-channel video installation with controlled lighting, and a single-channel version with stereo sound...
Karrabing Film Collective
2018The Mermaids, or Aiden in Wonderland by Karrabing Film Collective is a surreal exploration of Western toxic contamination, capitalism, and human and non-human life...
Sahana Ramakrishnan
2019Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives...
Matthew Lutz-Kinoy
2019The Lion’s Hunt by Matthew Lutz-Kinoy is a large format painting that recalls Delacroix’s paintings and tapestries from the 19th century, where the painterly surface became a garden invaded by wild beasts...
Chanell Stone
2019Natura Negra , which translates to “Black Nature”, is a black-and-white photographic series by Chanell Stone that explores the connection between the Black body and nature within man-made environments...
Jorge Satorre
2019In 1872, a German scientist, Sir Julius von Haast, found the fossilized remains of a giant bird in New Zealand, that was soon connected to the Maori legend of the Hokioi...
Andrew Norman Wilson
2019In Andrew Norman Wilson’s work Kodak the artist uses computer-generated imagery to create narratives that question the reliability of images in the age of post-production...
Egle Jauncems
2019The title of this work by Egle Jauncems, The Paler King I , is taken from an unfinished novel by the late David Foster Wallace called The Pale King, published posthumously in 2015...
Wang Mowen
2019In Trinity , Wang Mowen uses video to tell the story of a young woman who wants to know the whereabouts of a person born sixty years ago...
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2020-2029
Gisela McDaniel
2020Got Your Back by Gisela McDaniel depicts two women of color from different ethnic backgrounds who share similar violent experiences...
Kent Chan
2021Heat Waves by Kent Chan examines the contexts, politics, and proliferation of the different aesthetics of heat by drawing from the aesthetics of regions defined by hot and humid climates and associated with histories of coloniality such as ‘the global south’ and the ‘developing world’...
Felipe Romero Beltrán
2022Dialect by Felipe Romero Beltrán is a photographic series that follows a group of immigrants who have recently crossed the strait (the maritime border between Morocco and Spain) to avoid border controls...
