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Argument
© » KADIST

Firenze Lai

Painting (Painting)

Central Station, Alignment, and Argument are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. The two characters in Argument interact in an ambiguous gesture of conflict or embrace as the world around them pulsates in agitated waves.

Alignment
© » KADIST

Firenze Lai

Painting (Painting)

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. The figure in Alignment slouches with his head in his hands in a gesture of failure or despair, speaking to the difficult task of balancing individual freedom and societal rules.

Central Station
© » KADIST

Firenze Lai

Painting (Painting)

Central Station, Alignment, and Sumo are “situation portraits” that present whimsical characters within distorted and troubling worlds. These portraits explore the relationship between the psyche and contemporary social environments, focusing on isolation, identity, and distress. Central Station shows a character reaching to wipe a tear from her face as the blues of her wardrobe seem to blend in with the dismal blue of the background.

This Day
© » KADIST

Imran Qureshi

Painting (Painting)

At first glance, This Day by Imran Qureshi appears to be an energetic, gestural painting reminiscent of Action Painting from the mid-20th century. But upon closer inspection, highly detailed floral elements reveal themselves amongst the bold red brushstrokes. The botanical motifs in Qureshi’s work represent life and regeneration while the red paint refers to death and mortality.

White Angel
© » KADIST

Fran Herndon

Working independently, Herndon experimented at the forefront of a now-canonical method—appropriation—by painting additions into found images from magazines such as Life and Sports Illustrated in a way that imbues the resulting works with mythical significance. Associated with the Beat movement, her work is integral to that part of the history of San Francisco. White Angel (1962), painted in the year of Marilyn Monroe’s death, portrays the actress in a process of devolution.

Landed / Untitled XII (orange string)
© » KADIST

Moshekwa Langa

Painting (Painting)

Hybridized drawing is a continued exploration in Moshekwa’s practice, integrating elements of graffiti, thread and yarn to enrich his abstract drawings of maps and space. Through the combination of ready-found materials with drawing, in the case of “Landed / Untitled XII (orange string)”, employing string, Moshekwa’s creates tension lines across the image, both physical and metaphysical to explore the traumatic events of South Africa and more specifically the passing of his grandmother. Referencing gestural painting of the 1940s and 50s, “Landed / Untitled XII (orange string)” is a disfigured and layered mapping of both the African and psychological landscape.

Untitled
© » KADIST

Martin Kippenberger

Drawing & Print (Drawing & Print)

Untitled is a work on paper by Martin Kippenberger comprised of several seemingly disparate elements: cut-out images of a group of dancers, a japanese ceramic vase, and a pair of legs, are all combined with gestural, hand-drawn traces and additional elements such as a candy wrapper from a hotel in Monte Carlo and a statistical form from a federal government office in Wiesbaden, Germany. Text cut out from a Newspaper spells out in German “Egg hunting in the Bavarian forest” and an additional piece of text reads in all capitals “BIN DABEI DU AUCH” (“I’m here too” in English). Together, all the messages and geographies from the separate elements suggest an alternative, highly stylized portrait of the artist; in this case, a fragmented, fluid, and itinerant sense of identity.

Bottoms Up
© » KADIST

Christina Quarles

Painting (Painting)

The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen. Bottom’s up is also a pun, a nod to the English toast. Quarles draws on a number of sources of inspiration, including comic book imagery, the influence of which sits alongside elements of her practice informed by life drawing classes.

Untitled
© » KADIST

Vivian Suter

Painting (Painting)

Vivian Suter paints her canvases and then allows them to come in contact with natural elements. For thirty years she has lived in isolation in the Guatemalan jungle, accumulating canvases, sometimes leaving them out for long periods of time. As a result, Suter does not title or date her paintings.

You who are my love and my life’s enemy too
© » KADIST

Imran Qureshi

There was a tragedy in Sialkot, Punjab, in August 2010, when two adolescents were murdered by vigilantes who were apparently in connivance with the police. Struck by this blunder revealing police corruption, the started a series of paintings on paper, You who are my love and my life’s enemy too, in which he expressed his reaction to this murder. At first glance the work appears to be a splash of blood like the one in this killing, but, close up, the composition reveals itself as meticulous floral motifs typical of the art of miniature painting which the artist teaches.

Doodood and John
© » KADIST

Chris Huen Sin-Kan

Painting (Painting)

Contrast to the bustling and unrelenting experience of a city such as Hong Kong, Chris Huen Sin Kan paints the tranquil interiors of his apartment, where he leads a modest and almost hermit-like life. He does not try to capture a particular moment, but rather the simultaneously changes that occur before him in time, exploring the nuances of light and reflections and recording movements in his apartment, his dog’s behavior and reactions, the way his plant change over time, all in an attempt to find a visual expression of his cognitive experience. Doodood and John are the names of his dog and the plant.

Ambiguous Gestures
© » KADIST

Felix Gmelin

Installation (Installation)

Ambiguous Gestures takes as its point of origin a film Gmelin discovered in his father’s archive. Filmed from a fixed point, it portrays his father in an intimate performance of body painting with a woman unknown to Felix Gmelin. The discovery of this footage was obviously disturbing.

Auto Control as a Form of Landscape
© » KADIST

Frieda Toranzo Jaeger

Installation (Installation)

This triptych is based on a Tesla whose interior the artist customized on the Tesla website. The width of the work when the panels are closed is the exact width of a Tesla, thus one designed to hold two bodies side by side. In Mexico City the car is used as a social space and, for young people, one not controlled by parents.

wombmate!
© » KADIST

Mithu Sen

Installation (Installation)

wombmate! by Mithu Sen is part of a project called AºVOID. In this fragmented mental map, the landscape is fleeting, embossed, and ethereal; there are moments of recognition and also a near-violent sudden emptying of memory.

home, a temporary place
© » KADIST

Mithu Sen

Installation (Installation)

home, a temporary place by Mithu Sen is part of a project called AºVOID. In this fragmented mental map, the landscape is fleeting, embossed, and ethereal; there are moments of recognition and also a near-violent sudden emptying of memory. Bodies are skeletal, nature is in entropy, context is removed.

Being and/or Time
© » KADIST

Ken Okiishi

Film & Video (Film & Video)

Ken Okiishi’s work Being and/or Time consists of every image taken with Okiishi’s iPhone over the period of three years in his hometown of New York. Flickering in chronological order at 24 images per second with 25,000 images in total. A visual diary of the digital age it simultaneously stages the city itself as a time-­image continuously remade by its own resident-­users.

Greffe sur patte
© » KADIST

Eric Dizambourg

Painting (Painting)

Like the film Le Mouton noir, this dimension is counterbalanced by a burlesque element. The piece of fabric on the rat’s paw or ‘graft’ becomes a patchwork made out of colorful geometric shapes recalling a Harlequin costume, thus referring directly to the burlesque tradition. This leitmotiv creates a contrast with the dull colors, the humility of the countryside, and makes the figurative scene look unreal to reveal its superficiality.

F n' F (Face and Fingers)
© » KADIST

Moe Satt

Photography (Photography)

These photographs document the hand and facial gestures in Moe Satt’s performance F n’ F (Face & Fingers) . Whistling and wearing minimal clothing within a bare gallery space, Moe Satt performed a choreographed sequence of gestures based upon those he observed on the streets of Yangon, Myanmar. Each photograph is simple, showing only the artist’s face and hands with a title and caption that describes the meaning of the documented gesture.

Le mouton noir
© » KADIST

Eric Dizambourg

Film & Video (Film & Video)

Eric Dizambourg’s film presents a bucolic and ludicrous world used as a background for a character who is an actor as well as a performer. This character comes and goes throughout the countryside, the barn and an urban setting, a world of odds and ends where objects often seem to be used for other purposes than their original ones.

Tropical Siesta
© » KADIST

Phan Thao Nguyên

Film & Video (Film & Video)

Tropical Siesta begins in a rural landscape of Vietnam. Very quickly, painted images of students sleeping on their school benches appear. A text speaking of how the communist regime has placed agriculture at the center of its economy reads alongside the images.

Hands Around In Yangon
© » KADIST

Moe Satt

Film & Video (Film & Video)

Hands Around in Yangon is both a secular and religious exploration of the meaning of hands in Myanmar. Moe Satt’s father is Muslim, while his mother is Buddhist. In the Buddhist context, hand gestures or mudras are often important in signifying the identity of deities.

Action No.1
© » KADIST

Yang Guangnan

Installation (Installation)

In Action no. 1 Yang Guangnan reflects on the interiority and exteriority of human-technological experience with mechanical gestures that are semi-human and semi-machine. A hanged shirt mounted upon the artist’s machine rhythmically bounces and rotates in a way that suggests a skeletal interior.

Medellín-New York
© » KADIST

Miguel Angel Rojas

Drawing & Print (Drawing & Print)

In his paper-based work, Medellin-New York , Rojas uses coca leaves and dollar bills to spell out the words of the two cities, tied together through the illicit exchange of materials used to make the word, gesturing towards the uncomfortable reality of the drug trafficking trade and the complicity of both America and Colombia within that economic system.

One Must
© » KADIST

John Baldessari

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text. The otherwise banal scissors become suggestively violent in relation to the text, which was originally the title of a print in Francisco de Goya’s Disasters of War series. However, Baldessari is less interested in the logical relationships between text and image than he is with the conceptual leaps that the viewer makes with the limited information provided.

Between Beauty & Horror
© » KADIST

Leila Weefur

Film & Video (Film & Video)

Leila Weefur’s two-channel video installation Between Beauty & Horror focuses on the sensorial and somatic experiences that give Blackness a distinct and inherently racialized materiality. The narrative structure of Between Beauty & Horror operates on dream logic; interspersed among the dream sequences of the video are moments that fluidly shift between violence, playfulness, tenderness, and of course, beauty and horror. Weefur’s work poses many questions about the Black experience, but it offers no easy answers.

Phenomena
© » KADIST

Yang Xinguang

Sculpture (Sculpture)

Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.

Untitled (Heads)
© » KADIST

Phan Thao Nguyên

Installation (Installation)

On September 22, 1940 the French signed an accord, which granted Japanese troops the right to occupy Indochina. The Japanese presence in Indochina lasted until the end of World War II and during the occupation, jute supplies from India were interrupted. Jute was used to make sacks as well as gunpowder, a crucial material for the war industry.

Arms & Legs (Specif. Elbows & Knees), etc.: Arm (with Bottle)
© » KADIST

John Baldessari

Photography (Photography)

Arms & Legs (Specif. Elbows & Knees), etc. : Arm (with Bottle) belongs to Baldessari’s most recent series of paintings in which the artist brings together photographic, painted, and three-dimensional elements, to juxtapose unlikely body fragments such as noses and ears, elbows and knees, or eyebrows and foreheads.

Rite Aid
© » KADIST

Nicholas Buffon

Sculpture (Sculpture)

A series of works from 2016 document his neighborhood, replicating buildings and businesses he frequents within four blocks of his New York apartment. Made out of foam, paper, glue, and paint, these miniaturized buildings (a bank, a bar, a Laundromat, and the Rite Aid building where Buffon shops) impart a tenderness and a nostalgia that outsizes their diminutive scale. Like works by other artists who recreate objects or elements from their everyday life, Buffon’s storefronts are perfectly imperfect, the wobbled lines reiterating their handmade quality.

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

Drawing & Print (Drawing & Print)

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive. In Person with Pillow: Desire, Lust, Fate , a woman’s facial expression is obscured by such void, leaving only her posture to suggest her emotional state. The two images stacked above the woman can be read as comic-style thought bubbles, intimating that she has lust, desire, and fate on her mind.

Fabien Giraud & Raphael Siboni

The collaborative work of Fabien Giraud and Raphael Siboni is part of a reflection on the history of cinema, science, and technology...

Pratchaya Phinthong

Pratchaya Phintong’s works often arise from the confrontation between different social, economic, or geographical systems...

Santu Mofokeng

The photographic artwork of Santu Mofokeng (b...

Joanna Piotrowska

Photographer and filmmaker Joanna Piotrowska explores issues such as the female condition, family dynamics, and post-Soviet Poland, through black and white images that depict the quotidian...

John Baldessari

Hans-Peter Feldmann

Paulo Nazareth

Born in 1977 in the city of Governador Valadares, Minas Gerais, Paulo Nazareth now lives as a global nomad...

Firenze Lai

Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...

Akram Zaatari

Matt Lipps

Imran Qureshi

Pakistani artist Imran Qureshi’s practice revives 16th century Mughal miniature painting...

Kaoru Arima

Kaoru Arima experiments with painting in order to discover new expressive forms...

Mithu Sen

Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...

Igor Grubic

Eric Dizambourg

Working primarily in painting and video, Eric Dizambourg merges the burlesque with the rustic, blurring the boundaries between reality and representation...

Moe Satt

Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...

Engel Leonardo

Working with various mediums, from sculpture to installation, site-specific interventions, and readymades, Leonardo Engel addresses issues related to the climate, nature, traditional crafts, architecture, and popular culture of the Caribbean...

Bani Abidi

Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...

Mateo Lopez

Colectivo Tercerunquinto

Colectivo Tercerunquinto develops work related to the urban, the boundaries between public and private space...

Pak Sheung Chuen

Laura Gannon

Laura Gannon works across a range of media: painting, drawing, sculpture and video...

Leila Weefur

Leila Weefur is an artist, writer, and curator whose practice considers the complexities of phenomenological Blackness through video, installation, printmaking, and lecture-performances...

Tino Sehgal

Randa Maroufi

Randa Maroufi works with video, photography, installation and performance, growing up among a society dominated by images, she is as critical and as skeptical of them as she is attracted to them...

Allan McCollum

Tenzing Rigdol

Tenzing Rigdol is a contemporary Tibetan artist whose work ranges from painting, sculpture, drawing and collage, to digital, video installation, performance art and site-specific pieces...

Naoya Hatakeyama

Frieda Toranzo Jaeger

Many of Frieda Toranzo Jaeger’s works take the triptych format, employed by artists over many centuries to represent religious devotion...

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about 3 months ago (02/12/2024)

Expressionists | Tate Modern Discover the story of the friendships that made modern art Explore the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider ...

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about 3 months ago (02/07/2024)

Elizabeth Hazan: Playful visionary – Two Coats of Paint Elizabeth Hazan, Glade, 2022, oil on linen, 66 x 55 inches Contributed by Patrick Neal / Elizabeth Hazan’s exhilarating oil paintings, on view at Hesse Flatow gallery in Chelsea, marry old-school color field abstraction and loopy, gestural shorthand...

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about 3 months ago (02/05/2024)

8 Must-See Solo Gallery Shows in February 2024 - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Installation view, Brian Rochefort...

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Tesfaye Urgessa will represent Ethiopia at the 2024 Venice Biennale...

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Eddie Martinez will represent San Marino at the 2024 Venice Biennale...

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about 3 months ago (01/26/2024)

Hauser & Wirth Opens New Gallery Hong Kong Space with Zhang Enli Show Skip to main content By Reena Devi Plus Icon Reena Devi View All January 26, 2024 5:00pm Hauser & Wirth's new street-level gallery space in Hong Kong...

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about 3 months ago (01/24/2024)

The Art We’re Obsessed with in January 2024 | Artsy Skip to Main Content Advertisement Art The Art We’re Obsessed with in January 2024 Artsy Editorial Jan 24, 2024 4:23PM “The Art We’re Obsessed With” is a new monthly series paying homage to the artworks Artsy staff members can’t stop thinking about, and why...

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about 3 months ago (01/23/2024)

Joan Snyder’s brilliant command of chaos – Two Coats of Paint Joan Snyder, Burlap Bars, 2022, oil, acrylic, rosebuds, twigs, burlap on linen, 54 × 66 inches Contributed by Abshalom Jac Lahav / “ComeClose,” Joan Snyder’s current exhibition at Canada , testifies to her enduring brilliance and evolving artistic language...

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about 3 months ago (01/23/2024)

10 Artists to Discover in Foundations Winter 2024 | Artsy Skip to Main Content Art 10 Artists to Discover in Foundations Winter 2024 Artsy Editorial Jan 23, 2024 2:00PM Foundations is Artsy’s seasonal online fair spotlighting fresh works from galleries known for spotting and nurturing rising talent...

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about 5 months ago (12/18/2023)

Ruth Gonzales & Lorien Suárez-Kanerva: The Embrace of Nature advertise donate post your art opening recent articles cities contact about article index podcast main December 2023 "The Best Art In The World" "The Best Art In The World" December 2023 Ruth Gonzales & Lorien Suárez-Kanerva: The Embrace of Nature Eric Minh Swenson Art Films: Ruth Gonzales & Lorien Suárez Kanerva, The Embrace of Nature Exhibition Curator Narration by Peter Frank...

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about 5 months ago (12/16/2023)

Elizabeth Gilfilen: De-defining the gesture – Two Coats of Paint Elizabeth Gilfilen, Territory 1, 2023, oil on canvas, 48 x 40 inches Contributed by Vittorio Colaizzi / “I vehemently reject the claim that mark making by itself harbors any potential.” This was Isabelle Graw in conversation in 2010 with Achim Hochdörfer ...

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about 5 months ago (12/15/2023)

Brice Marden’s valedictory courage – Two Coats of Paint Brice Marden, Blue Painting, 2022-2023, oil on linen, 72 x 96 inches Contributed by David Rhodes / Brice Marden died at the age of 84 in August 2023...

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about 5 months ago (12/11/2023)

Andrew Woolbright & Gitte Maria Möller: A dreaming hand, wounded by thorns at Rachel Uffner Gallery, NYC (Review) - ArteFuse Installation view of A dreaming hand, wounded by thorns ...

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about 5 months ago (12/11/2023)

The Best Public Art of 2023 | Artsy Skip to Main Content Advertisement Art The Best Public Art of 2023, according to Curators Artsy Editorial Dec 11, 2023 5:20PM Phyllida Barlow, installation view of jape, 2022–23, in “Prank” presented by Public Art Fund in City Hall Park, New York City, 2023...

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about 5 months ago (12/08/2023)

9 Must-See Artworks at Art Basel Miami Beach - Galerie Subscribe Art + Culture Interiors Style + Design Emerging Artists Discoveries Artist Guide More Creative Minds Life Imitates Art Real estate Events Video Galerie House of Art and Design Subscribe About Press Advertising Contact Us Follow Galerie Sign up to receive our newsletter Subscribe Art Basel Miami Beach...

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about 5 months ago (12/07/2023)

Cityscapes, Landscapes, and Figure Paintings by Mitchell Johnson on View in Menlo Park Skip to content Mitchell Johnson, “Brooklyn Bridge (Martha)” (2023), oil on canvas, 24 x 36 inches Flea Street restaurant in Menlo Park, California, presents an exhibition of paintings by Bay Area artist Mitchell Johnson ...

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about 5 months ago (12/07/2023)

Highlights from Art Basel Miami Beach 2023 | Observer The art world is a cold place; Miami is even colder...

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about 5 months ago (12/07/2023)

The 10 Best Booths at Art Basel in Miami Beach 2023 | Artsy Skip to Main Content Advertisement Art Market The 10 Best Booths at Art Basel in Miami Beach 2023 Maxwell Rabb Dec 7, 2023 6:23PM Interior view of Art Basel in Miami Beach, 2023...

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about 5 months ago (12/06/2023)

Why Folding Screens Are Popping Up in Contemporary Artists’ Work | Artsy Skip to Main Content Art Why Folding Screens Are Popping Up in Contemporary Artists’ Work Josie Thaddeus-Johns Dec 6, 2023 4:36PM Ghada Amer never intended to make folding screens for “ Paravent Girls ,” her show on view at New York’s Tina Kim Gallery through December 9th...

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about 5 months ago (12/06/2023)

The 10 Best Booths at Untitled Art, Miami Beach 2023 | Artsy Skip to Main Content Advertisement Art Market The 10 Best Booths at Untitled Art, Miami Beach 2023 Maxwell Rabb Dec 6, 2023 6:28PM Exterior view of Untitled Art, Miami Beach, 2023...

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about 5 months ago (12/05/2023)

10 Art Books to Add to Your Shelf This December Skip to content Kareem Khubchandani's Decolonize Drag , Sonya Clark's newest catalogue, and more books we're reading this December (photo Lakshmi Rivera Amin/ Hyperallergic ) If you’re shamefully counting the titles you didn’t get around to reading this year, know that you are not alone...

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about 5 months ago (11/30/2023)

Artblog | Five Decades of Abstraction in a revelatory exhibit at Susquehanna Art Museum, Harrisburg Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact Five Decades of Abstraction in a revelatory exhibit at Susquehanna Art Museum, Harrisburg By Dereck Stafford Mangus November 30, 2023 Artblog contributor Dereck Mangus, who is based in Baltimore, visits the Susquehanna Art Museum in Harrisburg and finds excellence in a wide-ranging exhibit of modern and contemporary abstract art....

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about 5 months ago (11/29/2023)

Emilio Vedova: Venice’s Abstract Expressionist – Two Coats of Paint M9 Museum: Emilio Vedova, Rivoluzione Vedova, 2023, Installation View (photo courtesy of M9) Contributed by David Carrier / Emilio Vedova (1919–2006), who lived and worked in Venice, was once aptly dubbed the Jackson Pollock of the barricades...

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about 5 months ago (11/28/2023)

Artblog | How to Tickle the Mind, David Kettner’s Selected Works at Spruance Gallery, Arcadia University Artblog Celebrating 20 Years! Support Us Today! Features Reviews News Community About Advertise Donate Contact Features Reviews News Community About Advertise Donate Contact How to Tickle the Mind, David Kettner’s Selected Works at Spruance Gallery, Arcadia University By Sharon Garbe November 28, 2023 Sharon Garbe sees works by David Kettner at Arcadia University that keep the eye and mind engaged with their psychologically puzzling imagery dealing with childhood, memory, and the hidden depths that can lie below a simple surface....

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about 6 months ago (11/07/2023)

Katie Graham at Major Pop Gallery – ARTOMITY 藝源 Katie Graham A Deep Sense Nov 9 – 19, 2023 Major Pop Gallery G/F, 54 Sai Street Sheung Wan, Hong Kong +852 6639 9903 Tuesday – Sunday, 1pm – 7pm @bykatiegraham.com Katie Graham’s paintings made of silk, ink, linen and thread, have a deep sense of layered and tactile artistry...

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about 6 months ago (11/02/2023)

Points de Vue 2023 / Bayonne, France / Part I | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY From October 18 to 22, 2023, the Points de Vue Festival celebrated its seventh year in the realm of public art...

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about 6 months ago (10/25/2023)

BOMB Magazine | Peter Gronquist Interviewed Necessary (Required) Cookies that the site cannot function properly without...

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about 7 months ago (10/18/2023)

BOMB Magazine | Bethany Czarnecki Interviewed Necessary (Required) Cookies that the site cannot function properly without...

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about 8 months ago (09/19/2023)

At the Modern, Artist Jammie Holmes’ Solo Exhibition Stokes a Revolution In the Everyday - D Magazine Skip to content Menu Search One brand, four magazines...

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about 34 months ago (07/18/2021)

Podcast 94: The Singapore Trilogy by The Second Breakfast Company | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Second Breakfast Company July 19, 2021 In the episode of the ArtsEquator theatre podcast, Nabilah Said, Matthew Lyon and Naeem Kapadia discuss The Singapore Trilogy by The Second Breakfast Company, which ran from March 11 to March 21 2021...

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about 3 months ago (02/12/2024)

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about 79 months ago (11/15/2017)

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about 80 months ago (10/07/2017)

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about 134 months ago (04/24/2013)

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about 163 months ago (12/07/2010)

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about 170 months ago (06/01/2010)

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about 223 months ago (01/10/2006)