That’s That’s Alright Alright Mama Mama
2008 - Photography (Photography)
Mark Soo
The two large-scale stereoscopic photographs in That’s That’s Alright Alright Mama Mama depict a recreation of Elvis Presley’s recording studio in Memphis, Tennessee. This study in doubles is underscored by its title, which repeats and doubles Elvis’s original song title. The images are hung in a specially angled wall and the viewers are provided special 3-D glasses in order to contemplate the image. The final result is the three-dimensional experience of a reconstructed site. More than a mere play with optical illusions and perception, Soo’s operation plays with the idea of the original and the replica to comment on the illusory character of any reconstruction, reproduction, or representation.
Born in Singapore, raised in Malaysia, and based in Canada, artist and curator Mark Soo’s practice is concept-driven and research-based. He works in a variety of media, often manipulating his images to emphasize to the psychological, physiological, cultural aspects of light and color. Recently, Soo has begun to create works that reconsider specific sites or explicit moments in social history.
Colors:
Related works featuring themes of: » Black and White, » Black-and-White Photography, » Flora
» see more
© » KADIST
Miljohn Ruperto
2009Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
© » KADIST
Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
© » KADIST
Elad Lassry
2013In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
Other related works, blended automatically
» see more
© » KADIST
Miljohn Ruperto
2009Acting Exercise: Demon Possession is a video by Miljohn Ruperto that addresses notions of performativity, the self, and collective truth...
© » KADIST
Miljohn Ruperto
2017Miljohn Ruperto’s research-based multidisciplinary practice often deals with possession, re-enactment, mythology and archives...
© » KADIST
Wong Hoy Cheong
2004Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world...
Related works sharing similar palette
» see more
© » KADIST
Women Art Revolution Alicia Smith, Amapola Prada, Claudia Joskowicz, Clarisse Hahn, Fang Lu, Laura Huertas Millán, Lynn Hershman Leeson, siren eun young jung Women Art Revolution draws a selection of works from the KADIST collection that aim to initiate conversations around women’s issues, feminism, and feminist art...
Related artist(s) to: Mark Soo » Jonathan Monk
» see more
© » KADIST
Jonathan Monk
2003Untitled (rolled up) , is an abstract portrait of Owen Monk, the artist’s father and features an aluminum ring of 56.6 cm in diameter measuring 1.77 cm in circumference, the size of his father...
Related works found in the same semantic group
» see more
© » KADIST
Chloé Quenum
2017The stained glass windows of Chloé Quenum’s Les Allégories evoke the sacred and describe the movement of a rooster in the form of patterns extracted from a wax fabric found in Benin...
