Re: Looking marks a new phase in Wong’s work which connects his region’s history with other parts of the world. The video—located in an imagined contemporary Malaysian middle-class living room, a space of a fictive former imperial power—explores the precarious link between fact and fiction, fakery and authenticity by overlaying three believable, authoritative forms: a documentary, a website, and a realistic reconstruction of a contemporary home. It is rife with occidental colonial documents and exotic cultural artifacts—the trophy-evidence of Empire-making. The video parodies television networks and documentaries as researched authoritative forms of information. It begins by posing as a serious, believable work of non-fiction, but becomes increasingly unsettling with its inclusion of fictive events, memories, and histories around the urgent contemporary problems of migration, racism, power relationships, and empire making.
Born in Malaysia, Wong Hoy Cheong’s work examines the formation of his country’s multicultural identity vis-à-vis global migration, trade, colonialism, and the postcolonial circulation of people, ideas, and capital. His extended body of work uses various media—drawing, painting, performance, installation, video, and on-line projects—to critique the impact of these developments on contemporary life within and without South Asia. With the increasingly hegemonic domination of the media industry in everyday life, its systems of representation have become a central issue in Wong’s recent work, which oscillates between reality and fiction, irony and transgression—and gains a new strength in the process.
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
In establishing a deliberate distance between viewer and subject, Lassry raises questions about representation itself and how all portraits are, in effect, fully constructed objects that only gain meaning once we ascribe them with our own personal associations and emotions...
South Africa Righteous Space by Hank Willis Thomas is concerned with history and identity, with the way race and ‘blackness’ has not only been informed but deliberately shaped and constructed by various forces – first through colonialism and slavery, and more recently through mass media and advertising – and reminds us of the financial and economic stakes that have always been involved in representations of race....
Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
Ramirez’s The International Sail is the fifth in a series that features an upside-down worn out, mended and fragmented boat sail...
Enrique Ramirez’s La Memoria Verde is a work of poetry, politics, and memory created in response to the curatorial statement for the 13th Havana Biennial in 2019, The Construction of the Possible ...
The Class (2005) by Araya Rasdjarmrearnsook challenges the viewer’s personal sense of morality and tolerance by depicting a classroom from hell...
Game (Six Pieces) by Erbossyn Meldibekov is inspired by the popular Rubik’s cube puzzle and is composed of three colors (red, green and white) instead of six, referencing the colors of the Afghan flag...
BSA Images Of The Week: 11.05.23 | Brooklyn Street Art BROOKLYN STREET ART LOVES YOU MORE EVERY DAY Welcome to BSA Images of the Week! Nobody was out Friday night when we went to see “Stop Making Sense” on the screen; the streets of Manhattan and Brooklyn at 10 pm were rather lightly attended, possibly because everyone was recovering from a mid-week Halloween/Day of the Dead blast of drunkenness, revelry, laughter, and tears...
Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage...
Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Construire — Corrélations entre le dessin et la céramique — Espace d’art contemporain Camille Lambert — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Construire — Corrélations entre le dessin et la céramique Exposition Céramique, dessin, techniques mixtes, vidéo Derniers Jours Hélène Mougin, La dune, 2023 Grès et faïence émaillés et photo résinée, 20 × 32 × 23 cm Hélène Mougin Construire Corrélations entre le dessin et la céramique Encore 5 jours : 7 octobre → 16 décembre 2023 Une idée se conçoit, se développe et devient projet construit...
Created for the tenth Lyon Bienniale, in Days of Our Lives: Playing for Dying Mother, Wong’s ongoing negotiation of postcolonial globalization takes aim at French society...
Days of Our Lives: Reading is from a series of work was created for the 10th Biennale de Lyon by the artist...
The Cloud of Unknowing (2011) is titled after a 14th-century medieval treatise on faith, in which “the cloud of unknowing” that stands between the aspirant and God can only be evoked by the senses, rather than the rational mind...