29,7 x 21,3 cm
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph. Contrarily to the actions, he took the photographs himself. One of the rules he stuck to in his artistic practice was to always use material at his disposal, a real economy of means. Since he worked in the Prague National Gallery store between 1977 and 1995, he was able to use left-over art handling materials like string, paper, wooden wedges and so forth. Most interventions tended to be small in scale and ephemeral, with no particular audience since they occurred outside the art gallery space (certainly until the late 1990s). This document is a close-up shot of two matchboxes placed side by side next to two waste pins. One box reads ‘The Key Safety Match’ and the caption indicates their precious distinct dried flower content. This coupling of everyday utilitarian packaging on the ground amongst weeds and detritus is imbued with a melancholic sobering poetry, particularly since these quasi invisible micro-events occurred in a Soviet era Eastern European society undergoing constant surveillance.
Jiri Kovanda was born in 1953 in Prague, Czech Republic. He lives and works in Prague.
Drawing, which is the essential embodiment of Fabrice Hyber’s artistic thinking, is at the origin of all his works...
Kovanda’s street interventions are always documented according to the same format as the actions: a piece of A4 paper, a typewritten text giving a precise location and date, and a photograph...
This ephemeral installation by Jirí Kovanda, documented in the same way as his performances with a photograph and a text, belongs to a body of works that took place in his apartment/studio...
Kovanda’s ‘discreet’ actions (leaving a discussion in a rush, bumping into passers-by in the street, making a pile of rubbish and scattering it, looking at the sun until tears come…) are always documented according to the same format: a piece of A4 paper, a concise typewritten text, and sometimes a photograph taken by someone else...
“BC/AD” (Before Cancer, After Diagnoses) is a video of photographs of the artist’s face dating from early childhood to the month before he died, accompanied by the last diary entries he wrote from April 2004 to July 2005 (entitled “50 Reasons for Getting Out of Bed”), from the period from when he lost his voice, thinking he had laryngitis, through the moment he was diagnosed with lung cancer and the subsequent treatment that was ultimately, ineffective...
Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...