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Miriam Maine’s funeral, ca 1990
© » KADIST

Santu Mofokeng

Photography (Photography)

Mofokeng’s experiences during the turbulent time of the 1980s in South Africa led to a turn in his practice, opting to turn to the crowd, focusing on individual faces and bodies within the masses to tell a story of the collective resistance that is present in the daily life and surroundings of South African townships. “Miriam Maine’s funeral” urges the viewer to connect to the sadness that they are witnessing in the scene. Miriam Maine — the sister in law of Kas Maine a tenant farmer Mofokeng documented for historian Charles Van Onselen — was a respected member of the Bloemhof community.

Iron Sorrows
© » KADIST

Alexis Smith

Sculpture (Sculpture)

Iron Sorrows (1990) brings together what are for Alexis Smith common motifs and materials such as scavenged and repurposed metal, and street signage. Iron is one of nature’s most abundant metals. Smith, a philosopher of human detritus and poetic associations, presents it in this work as simultaneously everywhere yet paradoxically forgotten, lost in the heaps of refuse that fill junkyards and vacant lots.

Notebook, volume 38 : Already been in a Lake of Fire
© » KADIST

The Atlas Group

Photography (Photography)

This image is an extract from a notebook in the archives of doctor Fakhouri that lists the cars that have been used for bombs between 1975 and 1991. Each page of the notebook contains a collage of an image of a car with the same make, model and color as the exploded car with a text in Arabic that gives the details of the place, time and date of the explosion, the number of people in the accident, the perimeter of destruction, the weight and the type of explosive. The images of the cars made visible are only equivalents since the cars that actually exploded are totally destroyed.

Missing Lebanese Wars, Linguistic
© » KADIST

The Atlas Group

Photography (Photography)

It is a little known fact that Lebanese historians were also gamblers during the war. They met every Sunday at the race courses. Race after race, the historians were positioned behind the press photographers who were there to take a picture of the winning horse passing the finishing line.

Freeway Series
© » KADIST

Catherine Opie

Photography (Photography)

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.

Alistair Fate
© » KADIST

Catherine Opie

Photography (Photography)

Alistair Fate (1994) depicts, presumably, a member of the LGBT community. Catherine Opie is known for her portraits of LGBT, queer, and outsider people; she intends them to come off not as shocking or different, but as human despite their deviance from societal norms. This image is one of several works by Opie in the Kadist Collection that show marginalized people, filtered through the artist’s signature appropriation of formal and classical portraiture in the interest of both documentation and reframing.

Mike and Sky
© » KADIST

Catherine Opie

Photography (Photography)

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender. The very practice of being photographed raises many complex issues around gender performance and the relationships between an inner self and an outer public persona. Even though Mike and Sky are cropped and obscure one another, many of their choices for self-presentation—as emphasized by their tattoos—remain visible.

Collectors’ Favorites
© » KADIST

Jennifer Bornstein

Film & Video (Film & Video)

Collectors’ Favorites is an episode of local cable program from the mid-1990s in which ordinary people were invited to present their personal collections—a concept that in many ways anticipates current reality TV shows and internet videos. When it comes her turn to “perform,” Bornstein displays mundane and disposable—but elaborately archived or framed—consumer objects such as coffee lids, plastic straws, candy wrappers, and product labels. Through the medium of public broadcasting, then, she makes visual the frequently overlooked but massive cultural penetration of advertising, and its proliferation of “throwaway culture” via images.

Le noeud coulant
© » KADIST

Jean-Luc Moulène

Drawing & Print (Drawing & Print)

On a piece of paper, the artist has traced two loops in black crayon and placed two eyes where the lines intersect. Cut out of the same photograph, the eyes belong to the same gaze. The first asset of a slip knot is its simplicity, it basically requires a small length of rope.

One Must
© » KADIST

John Baldessari

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text. The otherwise banal scissors become suggestively violent in relation to the text, which was originally the title of a print in Francisco de Goya’s Disasters of War series. However, Baldessari is less interested in the logical relationships between text and image than he is with the conceptual leaps that the viewer makes with the limited information provided.

Person with Pillow: Desire, Lust, Fate
© » KADIST

John Baldessari

Drawing & Print (Drawing & Print)

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive. In Person with Pillow: Desire, Lust, Fate , a woman’s facial expression is obscured by such void, leaving only her posture to suggest her emotional state. The two images stacked above the woman can be read as comic-style thought bubbles, intimating that she has lust, desire, and fate on her mind.

American Flag (Scratch)
© » KADIST

Collier Schorr

Photography (Photography)

Collier Schorr’s prints upend conventions of portrait photography by challenging what it means to “document” a subject. American Flag (Scratch) (1999), for example, depicts an unidentified male subject clad in an American flag-print singlet. With his head and extremities out of frame, the camera focuses on his flush-red torso, his left nipple protruding from the singlet’s strap.

BF15+ pared
© » KADIST

Colectivo Tercerunquinto

Drawing & Print (Drawing & Print)

BF15 is a preparatory study for the collective’s intervention at the BF15 gallery in Mexico, near Monterrey. It includes a photograph, a collage, sketches and notes. The intervention consists in the seamless extension of the wall of the BF15 gallery beyond the property boundaries, invading the sidewalk and the street, entering public space.

Ukraine-Russia / Volleyball
© » KADIST

Victor & Sergiy Kochetov

Photography (Photography)

Ukraine-Russia / Volleyball by Viktor and Sergiy Kochetov features a concrete monument of women volleyball players before the railway station in the village of Vodyanoye, Kharkiv region. It’s a typical Soviet sculptural composition, thousands of which were casted in the USSR during this period. Many can still be found all over post-Soviet territories, leading to regular debates on the destiny of this visual heritage in Ukraine.

Ponderosa Pine IV
© » KADIST

Rodney Graham

Photography (Photography)

Ponderosa Pine IV belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that live in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-sized pinhole camera that dates back to ancient times and which he has used to photograph trees from various regions. Through these works Graham looks back at the history of photography while making the viewers aware of their own retinal experience.

Perro en Tlalpan (Dog in Tlalpan)
© » KADIST

Gabriel Orozco

Gabriel Orozco often documents found situations in the natural or urban landscape. He travels armed with his camera and insightfully captures scenes of the everyday that other people might ignore. Perro en Tlalpan (Dog in Tlalpan, 1992) is a photograph of a dog regally perched under an industrial shelter in the borough of Tlalpan in Mexico City.

Runner
© » KADIST

Hossein Valamanesh

Installation (Installation)

In Runner there are two elements:a big painting and a rolled Persian rug. The rug refers to Iran’s cultural history. The travelling tribes used to transport rugs through the desert on camels or horses so that they would always have a comfortable place to sleep and dream.

The Bedroom
© » KADIST

Barbara Bloom

Installation (Installation)

In the 1980’s, while browsing Parisian fleamarkets, Barbara Bloom stumbled into an anonymous watercolor (dating to around 1960) in one of Paris’ fleamarkets, probably a study made by an interior designer for a bedroom. The artist found the image to be typically Parisian. The watercolor, framed under a mat made of cardboard, had color tests on its margin, elements that Bloom discovered when she raised it.

Sans Titre
© » KADIST

Moké

Painting (Painting)

Moké’s Sans Titre (1994) depicts the everyday life of the suburbs from a distant and elevated perspective. Looking down on a residential area we see groups of children playing in the street, we see cars and trucks loaded with produce backed up on the road that runs through the center of the tableau. We see two Skol adverting billboards that line the road; Skol being the fifth biggest beer brand by volume in the world that was established in the Democratic Republic of Congo in 1965.

AIDS Ring
© » KADIST

General Idea

Sculpture (Sculpture)

AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s. This visual detournement of Indiana’s sculpture into the form of a ring is an indictment of pop art’s apolitical nature, as well as of its increasingly commodified status. General Idea instead proposes that art’s expansive platform for messaging be used to spread awareness and create accountability for political negligence of the AIDS epidemic.

Le bout de la langue
© » KADIST

Dominique Petitgand

Installation (Installation)

A woman pronounces parts of sentences. Via rigorous editing, the artist creates anticipation with the silences, rhythm by the repetitions, temporal ellipses with music. The recording is diffused by a loud speaker placed on a plinth which gives the whole an anthropomorphic status which reminds one of Box with the sound of its own making by Robert Morris.

Untitled Inkblot Drawing (CT-1491)
© » KADIST

Bruce Conner

Drawing & Print (Drawing & Print)

Bruce Conner is best known for his experimental films, but throughout his career he also worked with pen, ink, and paper to create drawings ranging from psychedelic patterns to repetitious inkblot compositions. Untitled Inkblot Drawing (CT-1491) (1995) is representative of his aspect of his practice. It is a formal exploration related to many different things: the Rorschach inkblot testing used by psychologists, Japanese calligraphy, Egyptian hieroglyphs, and the intricate patterning Conner saw everywhere in the world around him.

Towhead n’Ganga enclosed in darkness, lorded over by the sexualized folded high priestless form
© » KADIST

Mike Kelley

Sculpture (Sculpture)

Towhead n’Ganga, enclosed in darkness, lorded over by the sexualized folded high priestless form reflects many of Kelley’s works, in both its compositional and semantic qualities. The drawing on wood, the popcorn mixture, and the title all manifest a bumpy fullness, a “more-is-more” conflation between supposedly eternal spirituality and everyday stuff. The work’s title points to a serious timelessness completely belied by the materials.

The Result of 1000 Pieces
© » KADIST

Lin Yilin

Photography (Photography)

All his artworks utilize the use of body – the artist’s own body and that of others. The Result of 1000 Pieces typi?es an image of Lin: Lin is standing in an empty hole of a brick wall. By incorporating the brick wall for his work, Lin develops a speci?c strategy to question and negotiate with the relationship between people and the changing environments.

No Title
© » KADIST

Félix González-Torres

Photography (Photography)

Behind the simplicity and beauty of this untitled photograph of a brilliantly-colored flowerbed by Félix González-Torres are two remarkable stories of love, loss, and resilience. As with most of his works, the photograph is untitled followed by a parenthesis that provides some context clues. In this case, an inscription on the reverse of the photograph reads: For Laura (Alice B. Toklas + Gertrude Stein Flower Bed in Paris).

Tree on the Former Site of Camera Obscura
© » KADIST

Rodney Graham

Photography (Photography)

Tree on the Former Site of Camera Obscura (1996) belongs to a series of large-scale photographs of trees taken by Graham and depicts a particular species that lives in Northern California. The photograph is framed upside down; these “inverted trees” follow Graham’s early experiments with the camera lucida, a room-size pinhole camera that dates back to ancient times. Through these works Graham looks back at the history of photography while making the viewer aware of his or her own retinal experience.

Peace and Love
© » KADIST

Alain Séchas

Drawing & Print (Drawing & Print)

“To me, art equals responsibility”. That is probably why Alain Séchas creates works according to the human scale, immediately evoking the human body. But rather than using the human figure, he chose that of the cat: a round-eyed feline which never smiles.

Arseny Zhilyaev

Arseny Zhilyaev is arguably one of the most influential contemporary Russian artists of his generation...

Catherine Opie

Philip-Lorca diCorcia

The works of Philip-Lorca diCorcia oscillate between two possible definitions of photography – from a recording system in the tradition of documentary and a system of representation in the tradition of fiction...

Gabriel Orozco

John Wood and Paul Harrison

John Wood and Paul Harrison have been working collaboratively since 1993, producing single screen and installation-based video works...

Lin Yilin

Alexis Smith

John Baldessari

Shooshie Sulaiman

Shooshie Sulaiman is one of the leading creative practitioners in Southeast Asia...

Walid Raad

Walid Raad is a Lebanese artist whose work investigates the way historical events of physical and psychological violence affect bodies, minds, culture, and memory...

The Atlas Group

The Atlas Group is a research and artistic project founded by Lebanese artist Walid Raad in 1999...

Rodney Graham

Paloma Contreras Lomas

A writer and an artist, Paloma Contreras Lomas has developed a practice in which literature and fiction play a major role, allowing her to address a series of topics regarding race and class that are rarely broached by a traditional Mexican society...

Bruce Conner

Santu Mofokeng

The photographic artwork of Santu Mofokeng (b...

Liu Chuang

Known for engaging socio-economic matters as they relate to urban realities, Liu Chuang proposes different understandings of social systems underlying the everyday...

Willie Doherty

Rosalind Nashashibi

Dominique Petitgand

Dominique Petitgand makes sound pieces...

Ari Marcopoulos

Paul McCarthy

Collier Schorr

Andrei Monastyrski

Artist, poet, writer and theoretician...

Taloi Havini

From the Nakas clan, Hakö people, interdisciplinary artist Taloi Havini was raised in Arawa, Autonomous Region of Bougainville...

Jochen Lempert

Trained as a biologist, Lempert’s subjects are nature and its inhabitants while also being very influenced by the art of his time: seriality, archiving, abstraction, all-over painting...

Citra Sasmita

Artist Citra Sasmita’s work is inscribed with originality in a pan-Asian effort to revisit traditional artistic languages as tools of expression in contemporary society...

Marwan Rechmaoui

Daniel Keller

Daniel Keller belongs to a generation of artists born at the end of the 1980s, nourished by digital imagery, who have participated in the social networks as a communication strategy, combining the public and the private spheres; a logical heir to the “entrepreneur” artist of 1990-2000...

Shen Yuan

Shen Yuan studied Chinese painting at the Zhejiang Academy of Fine Arts as the first group of students admitted after the Cultural Revolution...

© » HYPERALLERGIC

about 3 months ago (02/11/2024)

How Paño Arte Becomes Artepaño Skip to content Unidentified artist, “SanAnto” (date unknown), ink on cotton, 15 x 15 inches (all photos by Reno Leplat-Torti, courtesy the Reno-Leplat-Torti Collection) If paño arte is the private-facing practice of artists serving time in penitentiaries across the United States, then artepaño encompasses the afterlife of the artifact...

© » ARTSY

about 3 months ago (02/07/2024)

Raymond Saunders is now represented by David Zwirner and Andrew Kreps Gallery...

© » SLASH PARIS

about 3 months ago (02/01/2024)

Valérie Jouve — Sur l’épaule du temps — Galerie Xippas — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Valérie Jouve — Sur l’épaule du temps — Galerie Xippas — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Valérie Jouve — Sur l’épaule du temps Exposition Photographie À venir Valérie Jouve, Sans titre (Carole), 2023 Tirage argentique...

© » ARTEFUSE

about 3 months ago (01/25/2024)

Artists Participating in the Whitney Biennial 2024: Even Better Than the Real Thing, NYC - ArteFuse Seventy-one visionary artists and collectives will participate in the eighty-first installment of the Whitney Biennial, opening March 20, 2024...

© » THEARTNEWSPER

about 5 months ago (12/14/2023)

US National Portrait Gallery unveils painting of Oprah Winfrey Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Museums & Heritage news US National Portrait Gallery unveils painting of Oprah Winfrey The portrait, showing the influential media personality in a striking purple dress, was painted by Chicago artist Shawn Michael Warren Theo Belci 14 December 2023 Share Shawn Michael Warren's Oprah Winfrey (2023) Courtesy the National Portrait Gallery, Smithsonian Institution, Washington, DC The Smithsonian’s National Portrait Gallery (NPG) has unveiled a new portrait of media mogul Oprah Winfrey, painted by the Chicago artist Shawn Michael Warren...

© » COLOSSAL

about 5 months ago (12/13/2023)

As we approach the end of 2023, we’re revisiting some of the top stories we wrote about this year...

© » WALLPAPER*

about 5 months ago (12/12/2023)

Mortlach announce Philippe Starck as creative director | Wallpaper (Image credit: Courtesy Mortlach) By Adrian Madlener published 12 December 2023 Mortlach announced Philippe Starck as the whisky brand's first creative director...

© » ARTSY

about 5 months ago (12/11/2023)

Tschabalala Self’s portrait of Nicki Minaj covers Vogue’s December 2023 issue...

© » ARTSJOURNAL

about 5 months ago (12/11/2023)

“Silent Night” is the all-time most covered song - The Washington Post Do you like ‘Silent Night’? There are more than 3,700 covers for you By Luis Melgar December 8, 2023 at 1:23 p.m...

© » SLASH PARIS

about 5 months ago (12/10/2023)

A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook A line is not a border — Group show — Xippas Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back A line is not a border — Group show Exhibition Installation, painting, photography, sculpture.....

© » SLASH PARIS

about 5 months ago (12/10/2023)

A line is not a border — Group show — Galerie Xippas — Exposition — Slash Paris Connexion Newsletter Twitter Facebook A line is not a border — Group show — Galerie Xippas — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour A line is not a border — Group show Exposition Installations, peinture, photographie, sculpture.....

© » SLASH PARIS

about 5 months ago (12/01/2023)

Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Galerie Chantal Crousel — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Dominique Gonzalez-Foerster — Nos années 70 (chambre) — Galerie Chantal Crousel — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Dominique Gonzalez-Foerster — Nos années 70 (chambre) Exposition Techniques mixtes Dominique Gonzalez-Foerster, Nos années 70 (chambre), 1992...

© » 1854 PHOTOGRAPHY

about 5 months ago (12/01/2023)

What to see at Indian Photo Festival 2023 - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Laurent Nilles, Guéré dancers, part of the Portrait of Humanity exhibition The country’s largest photography event returns to Hyderabad for its 9th edition...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Lelong & Co Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Antoni Tàpies — Les Armes d’Éros Exhibition Painting Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Antoni Tàpies — Les Armes d’Éros — Galerie Lelong & Co — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Antoni Tàpies — Les Armes d’Éros Exposition Peinture Antoni Tàpies, Gran triangle, 1990 Peinture et vernis sur toile — 285,5 × 390,5 cm Courtesy galerie Lelong & Co...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Gilles Aillaud — Acquisitions récentes — Galerie Loevenbruck — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gilles Aillaud — Acquisitions récentes — Galerie Loevenbruck — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Gilles Aillaud — Acquisitions récentes Exposition Peinture Vue de l’exposition Gilles Aillaud...

© » SLASH PARIS

about 5 months ago (11/27/2023)

Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris Login Newsletter Twitter Facebook Gilles Aillaud — Acquisitions récentes — Loevenbruck Gallery — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back Gilles Aillaud — Acquisitions récentes Exhibition Painting Vue de l’exposition Gilles Aillaud...

© » TATE EXHIBITIONS

about 6 months ago (11/08/2023)

Women In Revolt! | Tate Britain Art, Activism and the Women’s movement in the UK 1970–1990 This exhibition will be the first of its kind – a major survey of work by over 100 women artists working in the UK from 1970 to 1990...

© » ARTPRESS

about 6 months ago (10/30/2023)

Table des matières "Marcel Duchamp, pour et contre" X 30 octobre 2023 Dans 50 ans d’art contemporain , AP Print Table des matières “Marcel Duchamp, pour et contre” > COMMANDER LE VOLUME 4 Avant-propos Catherine Millet 8 Sa vie, ses œuvres 9 Marcel Duchamp...

© » ARTPRESS

about 6 months ago (10/30/2023)

Table des matières "L'humour de l'art" X 30 octobre 2023 Dans 50 ans d’art contemporain , AP Print Table des matières “L’humour de l’art” > COMMANDER LE VOLUME 4 Préface Étienne Hatt 11 Présence Panchounette...

© » ARTNEWS REVIEWS

about 6 months ago (10/19/2023)

Rirkrit Tiravanija’s PS1 Survey Is One of the Year’s Best Museum Shows – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All October 19, 2023 7:00am Rirkrit Tiravanija and Nico Dockx, untitled 2011 (erased Rirkrit Tiravanija demonstration drawing) , 2011...

© » SLASH PARIS

about 12 months ago (05/04/2023)

L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Connexion Newsletter Twitter Facebook L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour L’œil vérité — Le musée au second degré Exposition Techniques mixtes À venir Roman Cieslewicz, M...

© » SLASH PARIS

about 12 months ago (05/04/2023)

L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris Login Newsletter Twitter Facebook L’œil vérité — Le musée au second degré — MAC VAL Musée d'art contemporain du Val-de-Marne — Exhibition — Slash Paris English Français Home Events Artists Venues Magazine Videos Back L’œil vérité — Le musée au second degré Exhibition Mixed media Upcoming Roman Cieslewicz, M...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Since the list began in 1990, the art market has changed—and the Top 200 collectors have kept pace...

© » ARTS EQUATOR

about 51 months ago (02/15/2020)

Leading art collectors put pressure on Balai Seni Visual Negara | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 15, 2020 by Kathy Rowland In a first for Malaysian art history, a Collectors’ Petition signed by 55 private art collectors have warned Balai Seni Visual Negara that they will no longer be lending works from their collection to Balai in future unless Balai reinstates pieces removed from Ahmad Fuad Osman’s exhibition immediately ...

© » ARTS EQUATOR

about 64 months ago (02/10/2019)

Weekly Picks: Malaysia (11–17 Feb 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 10, 2019 Jazz It Up For Charity, at ALOFT KL Sentral, 16 Feb, 7pm A night of entertainment, with singers Elvira Arul, Sean Ghazi, Datuk Yusni Hamid, and Malaysian beauty pageant queen Sanjna Suri...

© » ARTS EQUATOR

about 69 months ago (09/13/2018)

Book Review: "Ambitious Alignments: New Histories of Southeast Asian Art, 1945–1990" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 13, 2018 By Reaksmey Yean (950 words, five-minute read) A result of a research collaboration organised by the University of Sydney’s Power Institute in partnership with the Institut Teknologi Bandung and National Gallery Singapore, Ambitious Alignments: New Histories of Southeast Asian Art, 1945-1990 is a recently published volume of ten collected essays...

© » THE INDEPENDENT

about 139 months ago (11/16/2012)

Picture of the Day: The great wall from China | The Independent | The Independent Its simple name – "Head of an Old Man" – offers no hint of the scale or the mood of doom that so define this painting by Zeng Fanzhi, seen here standing in front of his epic work as his first solo British exhibition opens at the Gagosian Gallery in London, running until 19 January...

© » THE INDEPENDENT

about 147 months ago (04/07/2012)

Artists' Postcards: A Compendium, By Jeremy Cooper | The Independent | The Independent Of interest to students of art and deltiologists (collectors of postcards) alike, Jeremy Cooper's extensively illustrated book provides the first critical study of the place of the humble postcard in the history of art...

© » KADIST

about 29 months ago (11/29/2021)

© » KADIST

about 32 months ago (09/27/2021)

© » KADIST

about 38 months ago (03/30/2021)

© » KADIST

about 66 months ago (12/05/2018)

© » KADIST

about 75 months ago (03/11/2018)

© » KADIST

about 87 months ago (03/17/2017)

© » KADIST

about 96 months ago (06/11/2016)

© » KADIST

about 105 months ago (09/15/2015)

© » KADIST

about 121 months ago (06/01/2014)

© » KADIST

about 134 months ago (04/24/2013)

© » KADIST

about 138 months ago (01/09/2013)

© » KADIST

about 146 months ago (05/03/2012)

© » KADIST

about 165 months ago (10/11/2010)