In this work, Omer Fast probes the feelings experienced by young people involved in an acts of war. Four monitors installed in the form a chariot of war relay the words and faces of four young Israeli soldiers. The installation shows a young generation confronted by the reality of danger, whether being attacked or facing death. The external situation of war lies is in parallel with their inner thoughts of the soldiers who fear a possibility of error in their actions. The intensity of the situation is not revealed by disaster shots nor depictions of ruins, but rather is revealed through their expressions. Omer Fast questions the words used to translate this experience by tweaking lightly the subtitles of their testimonies, and therefore creates a shift of meaning and implied subtext.
In his videos and installations, Omer Fast links and merges personal stories, collective history reality and fiction as well as experience and one’s making of it. Fast is interested in different types of discourse carried out in contemporary political and social events. In the work CNN concatenated (2002), for instance, an American journalist’s speech is modified to deliver a different meaning. Omer Fast was born in 1972 in Jerusalem, Israel. He lives and works in Berlin.
“Untitled” is inspired by the movie “Opening Night” by John Cassavetes with Gena Rowlands playing the role of a fallen woman, anguished by her distressed life...
Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011)...
The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011)...
The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Yael Bartana’s video work A Declaration was shot in southern Tel Aviv, on the visible border between that city and Jaffa...
Yael Bartana received great international attention for the trilogy series And Europe Will be Stunned (2007 – 2011)...
Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...
Map of the Universe from El Cerro continues Chemi Rosado-Seijo’s long-term engagement with the community of El Cerro , a rural, working-class community living in the mountains of Naranjito, Puerto Rico...
Criticism and Tears: The Emotional is Political in the Marcos State | ArtsEquator Skip to content When a film taps on emotions to distort historical facts, criticism that uses a rational, adversarial voice, above the work and the audiences who enjoy it may fail to dislodge the emotive power of the work’s narrative...
The Pixelated Revolution is a lecture-performance by artist Rabih Mroué about the use of mobile phones during the Syrian revolution...
“Untitled” is inspired by the movie “Opening Night” by John Cassavetes with Gena Rowlands playing the role of a fallen woman, anguished by her distressed life...
The Dud Effect is a film that revisits the fear of nuclear attacks during the Cold War by staging the firing of a R-14 missile by a solitary soldier on the site of a real Soviet launch base installed in Lithuania...
Prisons is part of a series of videos, entitled Our Body is a Weapon , representing individuals who affirm the body as a place of political and social resistance...