Untitled (TIME)

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

Nicolas Paris studied architecture and worked as an elementary school teacher before he decided to become an artist...

The image is borrowed from protests during Civil Rights where African Americans in the south would carry signs with the same message to assert their rights against segregation and racism...

Douglas Gordon’s single-channel video The Left Hand Can’t See That The Right Hand is Blind, captures an unfolding scene between two hands in leather gloves—at first seemingly comfortable to be entwined, and later, engaged in a struggle...

Blind Spencer is part of the series “Blind Stars” including hundreds of works in which the artist cut out the eyes of Hollywood stars, in a symbolically violent manner...

7-headed Lalandau Hat by Yee I-Lann is an intricately woven sculpture evoking the ceremonial headdress worn by Murut men in Borneo...

장애예술 – 생태계를 확장하며, 토대를 지켜내기 | ArtsEquator Skip to content 문영민은 생태계와 접근성, 플랫폼 등에 대해서 이야기한 그라운드 업: 장애 예술을 위한 효과적인 생태계 구축에 대한 글을 썼습니다...

Disability Arts — Expanding Ecosystems, Protecting Foundations | ArtsEquator Skip to content Disability arts researcher Yeongmin Mun reflects on ecosystems, access and platforms in response to the online panel discussion, Ground Up: Building Effective Ecosystems for Disability Arts ...

At Hashimoto Contemporary ’s Los Angeles gallery, there’s more than enough to go around...

Weekly Southeast Asia Radar: UNESCO honour for Pencak Silat; Saigon car crash | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Khun Vannak December 18, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...

MUM , the acronym used to title a series of Rogan’s small interventions on found magazines, stands for “Magic Unity Might,” the name of a vintage trade magic publication...

While his works can function as abstract, they are very much rooted in physicality and the possibilities that are inherent in the materials themselves...

In his evocative Landscape Paintings, McMillian uses second-hand bedsheets, sourced from thrift shops, as his starting point...

Clarissa Tossin’s film Ch’u Mayaa responds to Frank Lloyd Wright’s Hollyhock House (constructed 1919–21) in Los Angeles, an example of Mayan Revival architecture...

The White Album (2008) presents a compilation of one hundred issues of Artforum magazine released between 1970 and 1979...

Starting with Bruce Nauman’s iconic artwork, The True Artist Helps the World by Revealing Mystic Truths (Window or Wall Sign) , Mungo Thomson’s neon sign is one of a series that replaces Nauman’s quixotic mini-manifesto with aphorisms from ‘recovery’ culture, especially those made popular by alcoholics anonymous...

Foreigners Everywhere is a series of neon signs in several different languages...

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Arms & Legs (Specif...

In 1970, Ruscha began a series of paintings made from stains...

Taiwan WMD (Taiwan and Weapons of Mass Destruction) is part of a long-term research started in early 2010 on the history and aftermath effects of Japanese biological and chemical warfare in China during WWII, as well as the unknown history of Taiwan’s nuclear program...

Tungus is the third chapter of The Northeast Tetralogy , a film project that Wang Tuo began in 2017...

Em’kal Eyongakpa was born in Cameroon in 1981...

Leyla Stevens’s two-channel video Patiwangi, the death of fragrance is an immersive video installation that addresses erased histories...