Unregistered City is a series of eight photographs depicting different scenes of a vacant, apparently post-apocalyptic city: Some are covered by dust and others are submerged by water. Yet, ambiguous lights blink from buildings and yachts still sail on the water, and further observation reveals these structures to be miniatures manipulated by the artist through Photoshop and other postproduction image tools. The model city’s surroundings are themselves real abandoned spaces, perhaps an empty room, a wait-to-be demolished building, or a discarded bathtub. In this way, Unregistered City is a double play on a dystopia vision of urbanization: It is an imagined city built upon the actual ruins of cities and human life. Through a dark and entropic undertone and estranged urban arrangements, the artist does not just critique, but poses fundamental questions.
Jiang Pengyi is a photographer who observes cities through the lens of his camera. His photographs have a dispassionate attitude towards the unprecedentedly fast urbanization of China. Through long-term exposure—sometimes over fifty minutes—and image manipulation, Jiang creates surreal and apocalyptic scenarios that suggest a disastrous future. For Jiang, skyscrapers are spectacles that evidence the mythologization of modern urban life. And by virtue of his technical strategies, the illuminated skyscrapers in Illuminant—a hotel, a government building, a news agency—appear bizarrely alive as if creatures from outer space. Though highly aesthetic and polished, Jiang’s images trigger an unidentified sense of fear and discomfort.
Golden Bridge is part of “Golden Journey”, a series of site-specific performances and installations created during Lin’s residency at Kadist San Francisco...
State Terrorism in the ultimate form of Pre-Raphaelite Brotherhood features a portrait of the artist wearing a zipped utilitarian jacket reminiscent of a worker’s uniform, with one arm behind his back as if forced to ingest a bundle of stick—a literal portrayal to the definition of fascism...
The central point of Vanishing Point is the most direct physiological reaction of the body to the environment...
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
A Portrait: Covering and Cleaning is an installation of six black-and-white video projections...
The lengthy titles in Chen Xiaoyun’s work often appear as colophons to his photographs that invite the viewer to a process of self realization through contemplating the distance between word and image...
This untitled work from 2012 is a print originally made as part of the Wattis Institute for Contemporary Art’s artist limited edition series...
In this photographic series, Yto Barrada was interested in the logos of the buses that travel between North Africa and Europe...
603 Football Field presents a soccer game played inside a small student apartment in Shanghai...
Gabriel Orozco comments: “In the exhibition [Documenta 11, Kassel, 2002], I tried to connect with the photographs I took in Mali in July...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...
The Tower of Babel is an installation of large-format photographs that forces the audience to occupy a central position through its monumental scale...