Sundown (Number Twenty)

2019 - Photography (Photography)

152.4 x 114.3 cm

Xaviera Simmons

location: Brooklyn, New York
year born: 1974
gender: female
nationality: American
home town: New York, New York

Xaviera Simmons often employs her own body and collected materials in the service of her photographs and performances. Not to be mistaken as mere portraiture, however, Simmons’ works are explorations of the Black body in relation to landscape and other dimensions of non-linear space and time. Concealing and flattening her subjects with costumes and collage-like, abstract pictorial devices, the artist arranges archival photographs, printed textiles, and anthropological artifacts in configurations that highlight the power of visual culture to shape contemporary understandings of the self. Dressed in wax-printed broadcloth, the subject of Sundown (Number Twenty) holds a photograph from the Jim Crow era in her left hand and an African mask in her right. The busy backdrop of tropical flora reinforces problematic associations of fantasy and exoticism suggested by the masked figure. Simultaneously concealing and replacing her own image, Simmons allows her individual identity to dissolve into the cultural constructs and histories that each artefact and image holds.


Artist Xaviera Simmons’s diverse body of work is committed to multiplicity. Eschewing linear notions of history, her approach to investigating themes such as the shifting notions surrounding landscape and the conditions of African American female experience are cyclical in nature. Her studio practice demonstrates a fidelity to no single artistic modality or creative process; rather, Simmons’ interdisciplinary pursuits are in constant, active flux. Encompassing installation, photography, performance, and sound and video works, her evolving approach to artmaking is emblematic of the plurality of cultural experience and the myriad ways in which identity is constructed in contemporary culture.


Colors:



Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

Open Mind
© » KADIST

Yoan Capote

2007

Open Mind is a model created by Capote for a traversable public maze that, when seen from above, resembles the human brain...

Nachbau
© » KADIST

Simon Starling

2007

Invited in 2007 to the Museum Folkwang in Essen (Germany), Simon Starling questioned its history: known for its collections and particularly for its early engagement in favor of modern art (including the acquisition and exhibition of works by Cézanne, Gauguin, Van Gogh, Matisse), then destroyed during the Second World War, the museum was pillaged for its masterpieces of ‘degenerate art’ by the nazis...

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Karachi Series 1 (Chandra Acarya, 7:50pm, 30 August 2008, Ramadan, Karachi)
© » KADIST

Bani Abidi

2008

The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...

Death at a 30 Degree Angle
© » KADIST

Bani Abidi

2012

The perceived effortlessness of power, projecting above experiences of labored subordination is examined in Death at a 30 Degree Angle by Bani Abidi, which funnels this projection of image through the studio of Ram Sutar, renowned in India for his monumental statues of political figures, generally from the post-independence generation...

The Possibility of the Half
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Minouk Lim

2012

The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground...

I Want to be Gentleman
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Lu Chunsheng

2000

Lu has developed an oeuvre that consists of characters in bizarre situations...

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Mansudae Master Class
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Che Onejoon

2013

For the last few years, Che Onejoon has been focusing on the relationships between African countries and North Korea...

Daniel Clowes interviewed by Rene de Guzman
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Daniel Clowes is a graphic novelist, screenwriter, and Bay Area treasure...

KADIST Book
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KADIST A Distinct Itinerary in Space and Time The publication is available at our offices in Paris and San Francisco, as well as in ePub and pdf ...

OPEN CALL: Performance Criticism Mentorship with Corrie Tan
© » ARTS EQUATOR

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Nothing New
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Oded Hirsch

2012

Oded Hirsch’s video work Nothing New (2012) utilizes seemingly absurdist tropes to raise more trenchant questions about communal action and collective identity in modern day Israel...

La Ligne du Temps
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Valeska Soares

2012

Relying on repetition and repurposed materials, Soares works to interrogate time—its measurement, its passing, and its meaning...

Black Hands, White Cotton
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Hank Willis Thomas

2014

Shot in black and white and printed on a glittery carborundum surface, Black Hands, White Cotton both confronts and abstracts the subject of its title...

Related artist(s) to: Xaviera Simmons » Sara Vanderbeek, » Carrie Mae Weems, » Elad Lassry, » John Baldessari, » Kalup Linzy, » Liz Magic Laser, » Maren Hassinger, » Marianne Vitale, » Mika Tajima, » Terry Adkins  
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One Must
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John Baldessari

1997

In One Must , an image of a pair of scissors, accompanied by the words of work’s title, poses an ominous question about the relationship between the image and the text...

Pranayama D
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Mika Tajima

2017

Mika Tajima’s Pranayama sculptures are built from carved wood and chromed Jacuzzi jets and are presented as artefacts...

Person with Pillow: Desire, Lust, Fate
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John Baldessari

1991

The voids in Baldessari’s painted photographs are simultaneously positive and negative spaces, both additive and subtractive...

Men (055, 065)
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Elad Lassry

2012

The black-and-white photograph Men (055, 065) (2012) depicts two similarly built young men – young and slim, with dark tousled hair and a square jaw line – seated aside one another in identical outfits...

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Interview with Xaviera Simmons
© » KADIST

New York-based artist Xaviera Simmons and AFRO Charities executive director Savannah Wood introduce Nectar , on view at KADIST Paris from May 6th to July 24th 2022...

Xaviera Simmons, Nectar - Konsthall C
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After a presentation at KADIST Paris in Spring 2022, Xaviera Simmons’ solo exhibition “Nectar” travels to Konsthall C, Stockholm, Sweden...

Xaviera Simmons, Nectar
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12 Must-See Gallery and Museum Shows during Art Basel in Miami Beach 2023
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