Office Voodoo
2010 - Sculpture (Sculpture)
Haegue Yang
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.
Haegue Yang is one of the leading international artists of her generation. From mundane objects and materials such as venetian blinds, theatrical and decorative lights, infrared heaters, scent emitters, and fans, Yang creates complex and nuanced installations that are informed by poetry, politics, and human emotions. Her works explore hidden spaces that might be considered marginal, but to the artist constitute profound backdrops for understanding vulnerable sites where informal development can occur. In her works, artificial approximations of sensual experiences — heat, light, smell, and humidity—conjure other places, other people. Yang’s work captivates precisely because of its ambiguity, which is rooted as much in the conceptual art of the 1960s and 1970s as it is in current theoretical discourses.
Colors:
Related works sharing similar palette
.jpg)
© » KADIST
Karan Shrestha
2017After the decade-long conflict (1996-2006) that ended with Nepal becoming a Federal Democratic Republic, political unrest and weak governance continued to mark the country’s future as daily life repeatedly witnessed ruptures...
© » THEARTNEWSPER
Akinsanya Kambon wins Hammer Museum’s $100,000 Mohn Award Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Prizes news Akinsanya Kambon wins Hammer Museum’s $100,000 Mohn Award The prize, plus two others of $25,000 each, are given to artists participating in the museum’s “Made in LA” biennial Jori Finkel 7 December 2023 Share Akinsanya Kambon Photo: Antonio Gilbreath Don’t be surprised if you don’t know know their names...
© » KADIST
Hana Miletic
2019Incompatibles (Unitas) is made from discarded samples of the yarns that are exported from Croatia and not actually available in the local market...
© » KADIST
Fernanda Gomes
2013For this floor based work, Gomes has taken two lengths of bamboo and tied them together using linen thread...
© » KADIST
Camel Collective
2018Gated Commune , a video by Camel Collective, is a critique of the complex, and often obtuse, language used to describe sustainable development projects...
© » KADIST
Cheryl Donegan
2013Fashion is the focus of Blood Sugar , which consists of a video projected onto a vintage vinyl jacket set at torso height on a dressmaker’s dummy...
© » KADIST
Société Anonyme: Week 5 March 3 – 16, 2008 Saturday, March 8, from 6 – 9 p.m Presentation of “Art conceptuel, une entologie” (Editions MIX, edited by Gauthier Herrmann, Fabrice Reymond & Fabien Vallos) “Art Conceptuel, une entologie” is a collective translation experience of 278 conceptual artworks, most of them available for the first time in French...
© » SLASH PARIS
Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Connexion Newsletter Twitter Facebook Gildas Le Reste — & Guests — Galerie Catherine Putman — Exposition — Slash Paris Français English Accueil Événements Artistes Lieux Magazine Vidéos Retour Précédent Suivant Gildas Le Reste — & Guests Exposition Dessin, estampe, peinture Gildas Le Reste, Notes de voyage #1, 2023 Encre sur papier marouflé sur toile Gildas Le Reste & Guests Encore 27 jours : 27 janvier → 9 mars 2024 La galerie Catherine Putman est heureuse de proposer une double invitation à Gildas Le Reste, comme artiste et commissaire d’exposition...