© » KADIST
John Wood & Paul Harrison
Board has a deadpan quality worthy of Buster Keaton. With this work, Wood and Harrison create an intimate, formally structured mise-en-scène in which they use their own bodies in interaction with a wooden board. The artists elaborate an orchestration of the comic consequences of inertia, gravity, and the law of falling bodies in this low-tech physics experiment.
© » KADIST
Clément Rodzielski
Drawing & Print (Drawing & Print)
These photographs are installation shots of the exhibition De A à B, de B à P at Bielefelder Kunstverein (13 November 2010-30 January 2011). There, Clément Rodzielski had chosen to exhibit the series called Miroirs noirs ( Black Mirrors , black and white abstract screen prints) which is emblematic of his work. The piece of painted wood was not shown to the public; it moves and invests the space enigmatically.
© » KADIST
Leonardogillesfleur
Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am. The photographic moment of a photo album which could have been taken by anybody in any familiar situation with the intention to immortalize that moment.”
© » KADIST
Cameron Rowland
Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution. Who controls the services that contemporary citizens take for granted—like power, water, heat? Who makes these objects that deliver these services?
© » KADIST
José Leonilson
O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian. It is about the importance for many Brazilians of their African ethnic and cultural heritage.
© » KADIST
Taiyo Kimura
Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living. The performance narrative unfolds upon the circular movements of the turntable. A chicken’s leg replaces the turntable’s arm.
© » KADIST
Javier M. Rodríguez
Javier M. Rodriguez’s Going Round and Round in a Line ST (12m) is a sculptural composition made of the simplest materials—a single tape measure and metal rivets. The rivets lock the tape measure in its contorted shape, bending in angles to create a geometric abstraction. The piece hangs simply from the ceiling, at times rotating around, its shape changing with our point of view.
© » KADIST
Yosuke Takeda
Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for. He gives light a density in the precise moments he captures—a forest’s leaves shimmering in the early morning, a street’s reflective surface radiating color at night, luminous blinds drawn over an apartment window. He achieves his distinctive effects by using an old, second hand analog-era lens that he attaches to his digital camera.
© » KADIST
Bani Abidi
The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi . These staged photographs were shot against the backdrop of the city’s empty streets at sundown during the holy month of Ramadan. During this time, Muslims fast and retreat indoors, leaving the city eerily empty.
© » KADIST
Yang Guangnan
In Action no. 1 Yang Guangnan reflects on the interiority and exteriority of human-technological experience with mechanical gestures that are semi-human and semi-machine. A hanged shirt mounted upon the artist’s machine rhythmically bounces and rotates in a way that suggests a skeletal interior.
© » KADIST
Karla Black
Karla Black is a Scottish artist living in Glasgow . Her work draws from a multiplicity of artistic traditions from expressionist painting, land art performance, to formalism. Her large-scale sculptures incorporate modest everyday substances, along with very traditional art-making materials to create abstract forms.
© » KADIST
Charles Gaines
To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure. Each is pictured four times: a photograph of the plant, a photograph of its shadow, a drawing of the plant, and a drawing of its shadow. Instead of lending structure to disparate entities, this system serves a counterintuitive purpose, dissolving the object.
© » KADIST
Yang Xinguang
Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world. Comprised of rudimentary planks of wood hammered together into a rectangular form, Yang’s work uses reclaimed materials from everyday life and seems deliberately in conversation with Arte Povera, the art movement that originated in Italy during the late 1960s where practitioners produced art from found and common materials as an act of resistance against the decided commercialization of the art world through market economies. Yang, by extension, pays close attention to his materials in attempt to release the forms within them rather than impose his own.
© » KADIST
Chen Shaoxiong
After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective. This “return to origin” reveals an interesting critical reflection on the interactive relation between outside change and internal reflection, and the possibility for more experimental approaches that revive “traditional media.” For Ink Diary , Chen recorded his daily life and impressions within a rapidly-changing urban setting in ink wash paintings which he then turned into an animated film. The complex result of this simple process is both highly innovative and reflective of modernization.
© » KADIST
Koki Tanaka
Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site. Here, Tanaka has spread out various objects he collected throughout the city of Guangzhou. By fiddling with a window frame, water buckets, plastic bags, cardboard, soda bottles, and many other things, Tanaka creates fragile, temporary sculptures.
© » KADIST
Haegue Yang
In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.
© » KADIST
Chris Johanson
Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor. The works comment on subjects such as capitalism, consumerism, the art world, and therapy. The triptych I Am a Human, Abstract Foil, No Humans IV (2004) is a meditation on the cosmos.
© » KADIST
Xiaoyun Chen
The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction. Chen emphasizes the direct sensational impact of his work to allow his viewer to question the boundary between reality and art. The image of nails as food harks at a visceral relationship with the title, which cries the tone of a manifesto.
© » KADIST
Gabriel Kuri
Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials. Untitled (Ticket Roll) belongs to this group of sculptures and consists of three smooth ornate marble elements and a roll of public transport tickets. The artist poetically associates finesse and fragility as in a number of these works.
© » KADIST
Laure Prouvost
In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling. Each video, in this series, is an odd still life representation turning everyday elements into imaginary and funny stories. A tomato, an onion, a lemon and a carrot are displayed in front of the monitor as relics.
John Wood & Paul Harrison
John Wood and Paul Harrison have been working collaboratively since 1993 producing single screen and installation based video works.Their work investigates the relationship between the human figure and architecture, developed through short form video with particular emphasis on actions being formulated and resolved within a given duration...
Yang Guangnan
- location: New York City, United States
- year born: 1986
- home town: Inner Mongolia, China
Laure Prouvost
Laure Prouvost is a multi-disciplinary artist best known for her films and immersive large-scale multi-media installations, in which she plays with words and their meanings in non-linear ways...
Yang Xinguang
- location: Beijing, China
- year born: 1980
- gender: male
- nationality: Chinese
- home town: Hunan Province, China
Leonardogillesfleur
The artistic entity “leonardogillesfleur” is the alliance between two artists, Leonardo Giacomuzzo (b...
Bani Abidi
Bani Abidi’s practice deals heavily with political and cultural relations between India and Pakistan; she has a personal interest in this, as she lives and works in both New Delhi and Karachi...
Charles Gaines
- location: Los Angeles, California
- year born: 1944
- gender: male
- nationality: American
- home town: Charleston, South Carolina
Taiyo Kimura
Taiyo Kimura works with sculpture, video, and installation and uses everyday objects, humor, and music to questions the meaning of ordinary life...
Gabriel Kuri
- location: Mexico City; Brussels, Belgium
- year born: 1970
- gender: male
- nationality: Mexican
- home town: Mexico City, Mexico
Yosuke Takeda
Yosuke Takeda started from experimenting with darkroom photography production and he shifted over to digital photography, aware that photographic film and paper were becoming obsolete...
Haegue Yang
- location: Berlin, Germany & Seoul, South Korea
- year born: 1971
- gender: female
- nationality: Korean
- home town: Seoul, South Korea
Koki Tanaka
- location: Los Angeles, California
- year born: 1975
- gender: male
- nationality: Japanese
- home town: Tochigi, Japan
Xiaoyun Chen
- location: Hangzhou, China
- year born: 1971
- gender: male
- nationality: Chinese
- home town: Hubei Province, China
Chen Shaoxiong
- location: Beijing
- location: Guangzhou, China
- year born: 1962
- gender: male
- nationality: Chinese
- home town: Shantou, Guangdong Province, China
Cameron Rowland
Cameron Rowland bases his practice on re-contextualizing everyday objects in ways to highlight the economic and political forces that influence our immediate surroundings, exposing dynamics that are often overlooked, hiding in plain sight...
Karla Black
- location: Alexandria, United Kingdom
- year born: 1972
- gender: female
- nationality: British
Chris Johanson
- location: Los Angeles, California
- year born: 1968
- gender: male
- nationality: American
- home town: San Jose, California
-
1980-1989
Charles Gaines
1980To make his series Shadows (1980), Gaines subjected 20 potted plants to a uniform procedure...
José Leonilson
1984O Africano (1984) is a large acrylic painting on canvas, made early in the artist’s career, and directly references both Leonilson’s artistic precursors and his desire to imagine and capture what it means to be Brazilian...
-
1990-1999
-
2000-2009
Chris Johanson
2004Chris Johanson’s paintings, sculptures, and installations break down everyday scenes and commonplace dramas into colorful forms; the darkest sides of humanity are invoked with humor...
Leonardogillesfleur
2005Leonardogillesfleur describe Action 3:02 as their “first New York blizzard storm at about 5am...
Chen Shaoxiong
2006After engaging primarily with video and photography for more than a decade, Chen turned to painting to explore the issue of urban change and memories—both personal and collective...
Xiaoyun Chen
2006The image of rusted nails, nuts and bolts as shrapnel sandwiched between a fried Chicken burger highlights the contrast between decadence and destruction...
Bani Abidi
2008The threshold in contemporary Pakistan between the security of private life and the increasingly violent and unpredictable public sphere is represented in Abidi’s 2009 series Karachi ...
Yang Xinguang
2009Although seemingly unadorned at first glance, Yang Xinguang’s sculptural work Phenomena (2009) employs minimalist aesthetics as a means of gesturing towards the various commonalities and conflicts between civilization and the natural world...
Koki Tanaka
2009Walking Through is one of a series of videos—sometimes humorous, often absurd—that record the artist’s performative interactions with objects in a particular site...
-
2010-2019
Taiyo Kimura
2010Haunted by You documents Taiyo Kimura’s struggle to use a record player, satirizing the normal actions of everyday life in order to question the meanings that underlie ordinary modes of living...
Yosuke Takeda
2010Yosuke Takeda gives the viewer brightly colored views, each of which he has searched out and patiently waited for...
Haegue Yang
2010In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger...
Gabriel Kuri
2010Gabriel Kuri has created a series of works in which he juxtaposes perennial and ephemeral materials...
Laure Prouvost
2010In Stong Sory Vegetables , Laure Prouvost explains that she woke up one morning and that some vegetables had fallen from the sky on her bed, making a hole in her ceiling...
Clément Rodzielski
Drawing & Print
2011(Drawing & Print) These photographs are installation shots of the exhibition De A à B, de B à P at Bielefelder Kunstverein (13 November 2010-30 January 2011)...
Cameron Rowland
2014Rowland’s minimal installations require a focus not on the objects themselves, but on the conditions of their creation, use, and distribution...